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The Egyptian Book of the Dead (Papyrus of Ani) · 89 of 357 · tr. E.A. Wallis Budge

Chapter 10 (part 4)

In his daily course he vanquished night and darkness, and mist and cloud disappeared from before his rays; subsequently the Egyptians invented the moral conception of the sun, representing the victory of right over wrong and of truth over falsehood. From a natural point of view the sun was synonymous with movement, and hence typified the life of man; and the setting of the one typified the death of the other. Usually Ra is depicted in human form, sometimes with the head of a hawk, and sometimes without[3], As early as the time of the pyramid texts we find Ra united with Tmu to form the chief god of Annu, and at the same period a female counterpart Rat was assigned to him.[4] Shu , the second member of the company of the gods of Annu, was the firstborn son of Ra, Ra-Tmu, or Tum, by the goddess Hathor, the sky, and was the twin brother of Tefnut. He typified the light, he lifted up the sky, Nut, from the earth, Seb, and placed it upon the steps which were in Khemennu. [1. See Lanzone, op. cit. , tav. 398. 2. Ibid. , p. 1255- 3. Ibid. , tav. 78. 4. Pyramid of Unas, l. 253.] {p. cxii} He is usually depicted in the form of a man, who wears upon his head a feather or feathers and holds in his hand the sceptre. At other times he appears in the form of a man with upraised arms; on his head he has the emblem ###, and he is often accompanied by the four pillars of heaven, i.e. , the cardinal points.[1] Among the many faïence amulets which are found in tombs are two which have reference to Shu: the little models of steps typify the steps upon which Shu rested the sky in Khemennu; and the crouching figure of a god supporting the sun's disk symbolizes his act of raising the sun's disk into the space between sky and earth at the time when he separated Nut from Seb. Tefnut , the third member of the company of the gods of Annu, was the daughter of Ra, Ra-Tmu, or Tmu, and twin-sister of Shu; she represented in one form moisture, and in another aspect she seems to personify the power of sunlight. She is depicted in the form of a woman, usually with the head of a lioness surmounted by a disk or uræus , or both;[2] in faïence , however, the twin brother and sister have each a lion's head. In the pyramid texts they play a curious part, Shu being supposed to carry away hunger from the deceased, and Tefnut his thirst.[3] Seb or Qeb , the fourth member of the company of the gods of Annu, was the son of Shu, husband of Nut, and by her father of Osiris, Isis, Set, and Nephthys. Originally he was the god of the earth, and is called both the father of the gods, and the " erpa ( i.e. , the tribal, hereditary head) of the gods." He is depicted in human form, sometimes with a crown upon his head and sceptre I in his right hand; and sometimes he has upon his head a goose,[4] which bird was sacred to him. In many places he is called the "great cackler" and he was supposed to have laid the egg from which the world sprang. Already in the pyramid texts he has become a god of the dead by virtue of representing the earth wherein the deceased was laid. [1. See Lanzone, op. cit. , tav. 385. 2.
Themes
Divine Marriagesoteriology

The reunification of complementary divine principles (male-female, spirit-matter) as a symbol of wholeness and salvation.

Divine unions are mentioned, such as Ra united with Tmu and Shu born of Ra and Hathor.

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Emanation Hierarchycosmology

A chain of divine beings or principles flowing downward from a single transcendent source (the One or the Father), each level less perfect than the one above.

The text lists a genealogical chain of gods (Ra, Tmu, Shu, Hathor) flowing from the chief god.

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Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

Ra is described as active in his daily course, vanquishing darkness and lifting the sky.

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Microcosm Macrocosmcosmology

The human being as a small-scale image of the entire cosmos; the body, soul, and intellect mirroring the structure of the heavens and the divine — distinct from correspondence in that it makes the human the privileged mirror.

The text states that the sun typified the life of man, linking cosmic movement to human existence.

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Ahura Mazda Principlecosmology

The divine ordering principle of truth and light.

[auto] The moral conception of the sun as representing the victory of truth and light matches the definition of this ordering principle.

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Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

[auto] The passage explicitly details how Ra is depicted in human form or with a hawk head, making divine imagery central to the text.

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Asha Cosmic Ordercosmology

Truth as the fundamental structure of reality.

[auto] The text describes the sun representing the victory of truth over falsehood, aligning with truth as a fundamental structure.

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Cosmic Dualismtheology

Ontological opposition between two primal principles (light/darkness, truth/lie, spirit/matter) as the fundamental structure of reality.

[auto] The passage outlines a moral and natural opposition between right/wrong, truth/falsehood, and light/darkness.

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Divine Lighttheology

The uncreated luminous quality of the divine, sometimes experienced directly in mystical states; illumination as revelation.

[auto] The text describes the sun vanquishing darkness with its rays and typifying light as a core attribute of the deity.

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Funerary Navigationpraxis

Texts and rituals guiding the soul through death.

[auto] The passage is from the Book of the Dead and discusses amulets found in tombs to aid the deceased.

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Maat Cosmic Ordercosmology

The Egyptian principle of truth, balance, and right order underlying both the cosmos and human conduct; the parallel to Zoroastrian asha and Greek dike.

[auto] The text explicitly describes the Egyptian moral conception of the sun as representing the victory of truth over falsehood and right over wrong.

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Related passages · 3 parallels
neoplatonism|Iamblichus: On the Mysteries|Chapter III
Since, however, every part of the heavens, every sign of the zodiac, [123] all the motion of the heavens, every period of time according to which the world is moved, and all things contained in the wholes of the universe, receive the powers…”
Both passages discuss the symbolic and mystical significance of the sun in their respective traditions. They explore the idea of the sun as a multifaceted deity with various attributes and influences, highlighting its role in both natural and moral contexts.
western_esoteric|Transcendental Magic I: The Doctrine (Éliphas Lévi)|4. The Tetragramb
The Great Magical Agent is the fourth emanation of the life-principle, of which the sun is the third form - see the initiates of the school of Alexandria and the dogma of Hermes Trismegistus. In this way the eye of the world, as the ancien…”
Both passages explore the concept of divine forces and their manifestations in the natural world, particularly focusing on the sun as a symbol of life and movement. The Egyptian passage discusses Ra and other deities as representations of natural phenomena, while the Hermetic passage describes the Great Magical Agent as a solar force that sustains life on earth.
western_esoteric|Transcendental Magic II: The Ritual (Éliphas Lévi)|10. The Key Of Occultismb
The sphinxes of Ezekiel are identical with those of the sanctuary and the ark, being a fourfold reproduction of the Egyptian Tetrad; the wheels revolving in one another are the harmonious spheres of Pythagoras; the new temple, the plan of w…”
Both passages discuss the symbolic and mystical interpretations of divine figures and their roles in religious and mythological contexts. Passage A focuses on the universal symbolism in religious texts and the unity of religious truths, while Passage B describes the symbolic roles of Egyptian deities and their representations. Both emphasize the deeper, universal meanings behind religious symbols and figures.