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The Egyptian Book of the Dead (Papyrus of Ani) · 88 of 357 · tr. E.A. Wallis Budge

Chapter 10 (part 3)

Lanzone, op. cit., tav. 336, No. 3.] {p. cx } scarabs which are found in tombs of all ages in Egypt, and also in the Greek islands and settlements in the Mediterranean, and in Phœnicia, Syria, and elsewhere. The seat of the god Khepera was in the boat of the sun, and the pictures which present us with this fact[1] only illustrate an idea which is as old, at least, as the pyramid of Unas, for in this monument it is said of the king:- ap-f em apt xenen-f em xeper em nest sut He flieth like a bird, he alighteth like a beetle upon the empty throne amt uaa-k Ra[2] in thy boat, O Ra. In the XVIIIth dynasty Queen Hatshepset declared herself to be "the creator of things which came into being like Khepera",[3] and in later times the scribes were exceedingly fond of playing upon the word used as a noun, adjective, verb and proper name.[4] Tum or Atemu i.e. , "the closer," was the great god of Annu, and the head of the great company of the gods of that place. It would seem that he usurped the position of Ra in Egyptian mythology, or at any rate that the priests of Annu succeeded in causing their local god, either separately or joined with Ra, to be accepted as the leader of the divine group. He represented the evening or night sun, and as such he is called in the XVth chapter of the Book of the Dead "divine god," "self-created," "maker of the gods," "creator of men," who stretched out the heavens," "the lightener of the tuat with his two eyes," etc.' [1. Lanzone, op. cit., tav. 330. 2. Recueil de Travaux , t. iv., p. 57 (1. 477). 3 Lepsius, Denkmäler , Abth. iii., BL 22. 4 Compare ###. Maspero, Mémoires de la Mission , t. i., p. 595; and in the account of the Creation found in B.M. papyrus No. 10,188, Col. xxvi., ###. 5. Naville, Todtenbuch , Bd. I., Bl. 19, 20.] {p. cxi} The "cool breezes of the north wind," for which every dead man prayed, were supposed to proceed from him. He is, as M. Lefébure has pointed out, always depicted in the form of a man; he wears the crowns and holds both the sceptre and emblem of life On a mummy case at Turin he is depicted in the boat of the Sun, in company with the god Khepera; between them are the beetle and sun's disk In later times the Egyptians called the feminine form of Tmu Temt.[2] Ra was the name given to the sun by the Egyptians in a remote antiquity, but the meaning of the word, or the attribute which they ascribed to the sun by it, is unknown. Ra was the invisible emblem of God, and was regarded as the god of this earth, to whom offerings and sacrifices were made daily; and when he appeared above the horizon at the creation, time began. In the pyramid texts the soul of the deceased makes its way to where Ra is in heaven, and Ra is entreated to give it a place in the "bark of millions of years" wherein he sails over the sky. The Egyptians attributed to the sun a morning and an evening boat, and in these the god sat accompanied by Khepera and Tmu, his own forms in the morning and evening respectively.
Themes
Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

Deities are depicted with physical forms and actions such as sitting in boats, flying like birds, or alighting like beetles.

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Psychopomp Journeycosmology

Guided passage of the soul through afterlife realms.

The text describes the deceased king flying like a bird and traveling in Ra's boat, illustrating the guided passage through the afterlife.

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Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

The commentary notes scribes playing upon the divine name Khepera as a noun, adjective, verb, and proper name, highlighting linguistic power.

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Funerary Navigationpraxis

Texts and rituals guiding the soul through death.

[auto] The passage explicitly references the Book of the Dead, scarabs found in tombs, and Pyramid Texts concerning the king's afterlife status.

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Related passages · 2 parallels
western_esoteric|The Secret Teachings of All Ages (Manly P. Hall)|Fishes, Insects, Animals, Reptiles and Birdse
E. A. Wallis Budge says, in effect, of the worship of the scarab by the Egyptians: "Yet another view held in primitive times was that the sky was a vast meadow over which a huge beetle crawled, pushing the disk of the sun before him. Thi…”
Both passages discuss the symbolic significance of the scarab in Egyptian mythology, particularly its association with the sun god Ra and the concept of regeneration. They share the same conceptual framework and mythemes, despite differences in specific details and sources.
western_esoteric|The Secret Teachings of All Ages (Manly P. Hall)|Fishes, Insects, Animals, Reptiles and Birdsf
An Egyptian allegory states that the sunrise is caused by the scarab unfolding its wings, which stretch out as glorious colors on each side of its body--the solar globe--and that when it folds its wings under its dark shell at sunset, night…”
Both passages discuss the symbolism of the scarab and its association with the sun and the god Khepera in Egyptian mythology. They also mention the Boat of the Sun and the role of the scarab in the solar cycle, indicating a shared conceptual framework.