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Iamblichus: On the Mysteries · 60 of 218 · tr. Thomas Taylor

Chapter XIV

Concerning another kind of divination, also, you say as follows: “ Others who are conscious what they are doing in other respects, are divinely inspired according to the phantastic part, some indeed receiving darkness for a cooperator, others certain potions, but others in cantations and compositions. And some energize according to the imagination through water, [67] others in a wall, others in the open air, 151 and others in the light of the sun, or some other celestial body. ” The whole, however, of this kind of divination of which you now speak, since it is multiform, may be comprehended in one power, which may be called the eduction of light. [68] But this illuminates with divine light the etherial and luciform vehicle [69] with which the soul is surrounded, from which divine visions occupy our phantastic power, these visions being excited by the will of the Gods. For the whole life of the soul and all the powers that are in it, being in subjection to the Gods, are moved in such a way as the Gods, the leaders of the soul, please. 152 And this takes place in a twofold manner, either from the Gods being present with the soul, or imparting to the soul from themselves a certain forerunning light; but, according to each of these modes, the divine presence and the illumination have a separate subsistence. The attentive power, therefore, and dianoia [70] of the soul, are conscious of what is effected, since the divine light does not come into contact with these; but the phantastic part is divinely inspired, because it is not excited to the modes of imaginations by itself, but by the Gods, the phantasy being then entirely changed from human custom. Since, however, a contrary is receptive of a contrary, according to a mutation and departure from itself, and that which is allied to another thing, and familiar [71] with it through similitude, is capable of receiving it, hence the illuminators 153 receive darkness as a cooperator, and employ in illuminating the light of the sun, or of the moon, or, in short, of the air. Sometimes, likewise, they use collocations of such things as are adapted to the Gods that are about to descend, or they employ incantations or compositions, and these appropriately prepared for the reception, presence, and manifestation of the Gods. And again, sometimes they introduce light through water, because this being diaphanous, is aptly disposed to the reception of light. But at other times, they cause light to shine forth on a wall, having previously prepared the wall for the reception of light in the best manner by the sacred descriptions of characters; and, at the same time, they fix the light in a certain solid place, so that it may not be widely diffused. Many other modes, also, of introducing light might be mentioned; but all of them may be referred to one mode, that of irradiation, wherever it may be effected, and through whatever instruments the Gods may illuminate. Since, therefore, this illumination accedes externally, and has every thing which it possesses subservient to the will and intelligence alone of the Gods, and as the greatest thing pertaining to it, possesses a sacred irradiating light, either supernally derived from ether, or from the air, 154 or the moon, or the sun, or from some other celestial sphere,—this being the case, it is evident from all these particulars, that such a mode of divination as this is unrestrained, primordial, and worthy of the Gods.
Themes
Active Contemplationpraxis

A form of meditation that uses imagery, imagination, or symbolic thought rather than purely empty stillness.

The text describes the soul's dianoia being conscious of divine effects through attentive power.

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Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

Divine beings are described as 'leaders' and 'energizing' the soul.

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Apophatic Theologytheology

Describing the divine only by negation—God transcends all positive categories and concepts; the via negativa.

The divine presence is described as subsisting separately from contact with the attentive power.

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Cosmic Sympathycosmology

The Stoic and Plotinian doctrine that all parts of the cosmos are bound by hidden affinities, so that a movement in one part resonates through the whole; the metaphysical basis for astrology, magic, and divination.

The passage states that the soul's powers are moved by the Gods' will and are in subjection to them.

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Divine Hiddennesstheology

The supreme God's radical concealment beyond ordinary knowledge or perception; the Hidden Father.

The text notes that the divine presence subsists separately from contact with the attentive power.

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Divine Lighttheology

The uncreated luminous quality of the divine, sometimes experienced directly in mystical states; illumination as revelation.

The passage centrally defines divination as 'eduction of light' and describes illumination from celestial bodies.

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Divine Providencetheology

Pronoia — the doctrine that the divine actively orders the unfolding of the cosmos and human affairs toward intelligible ends, against pure chance or blind necessity.

Gods move the soul's powers according to their will and intelligence alone.

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Emanation Hierarchycosmology

A chain of divine beings or principles flowing downward from a single transcendent source (the One or the Father), each level less perfect than the one above.

The text mentions Gods as leaders of the soul and sources of illumination.

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Inner Lightanthropology

The divine spark or luminous quality residing within the human person, potentially recognisable through introspection.

The text describes a divine light illuminating the etherial vehicle surrounding the soul.

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Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

The Gods are depicted as active leaders who move the soul and impart light.

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Ritual Puritypraxis

The maintenance of a state of cleanliness—physical, moral, or spiritual—required for encounter with the divine.

The text emphasizes preparing instruments like walls and water for the reception of divine light.

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Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

Sacred descriptions of characters are mentioned as a preparation for the wall.

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Theosis Deificationsoteriology

The doctrine — central to Eastern Orthodox and Maximian theology — that the human person is progressively transformed into a partaker of the divine nature by grace, not merely justified or united in passing ecstasy.

The soul is described as being moved by the Gods and receiving divine light from them.

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Theurgypraxis

Iamblichean ritual practice that engages the gods directly through consecrated material symbols and actions, on the premise that divine power descends into properly prepared matter — distinct from philosophical contemplation alone.

The passage details specific ritual instruments like water, walls, and incantations used to effect divine illumination.

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Related passages · 4 parallels · 1 contrast
christian_mysticism|Pseudo-Dionysius: The Divine Names|Chapter 1, Section 1f
And in all the other Divine enlightenments which the occult Tradition of our inspired teachers hath, by mystic Interpretation, accordant with the Scriptures, bestowed upon us, we also have been initiated: apprehending these things in the pr…”
Both passages discuss the concept of divine illumination and the use of symbols or vehicles to facilitate divine communication or vision. They share a mystical perspective on how the divine interacts with the human soul or mind, emphasizing the transcendent nature of the divine light.
christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 3 (part 3)
The seven spirits are in the centre of the Father—that is to say, in the power of the Word. The Word changes the wrathfulness into sweet joy and shapes it into a crystalline ocean; therein the seven spirits appear in a burning form, like s…”
Both passages discuss the concept of divine illumination and the transformation of states through divine intervention. Iamblichus describes how divine light illuminates the soul's vehicle, while the second passage explains how the divine will contracts to create darkness and then transforms into light, both involving a process of divine inspiration and manifestation.
christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 8 (part 3)
Thereby it receives the form of the latter as a light and power, without, however, being able to grasp the interior spirit itself; for the spirit does not dwell in the exterior, but has possession of its own self in its own interior state."…”
Both passages discuss the concept of divine illumination and the role of light, particularly solar light, in spiritual and mystical experiences. They share a common theme of the divine using light as a medium for communication and inspiration, though they come from different mystical traditions.
western_esoteric|Transcendental Magic I: The Doctrine (Éliphas Lévi)|21. Divinationc
It is by imagination assuredly that we see, and this is the natural aspect of the miracle; but we see true things, and in this consists the marvellous aspect of the natural work. We appeal to the experience of all veritable adepts. The au…”
Both passages discuss the concept of divination and the role of divine inspiration or illumination in the process. They share the idea that divine forces interact with human faculties to reveal hidden truths, though they use different terminology and cultural contexts.
western_esoteric|Transcendental Magic II: The Ritual (Éliphas Lévi)|13. NecromancycCONTRASTS
There are two kinds of Necromancy, that of light and that of darkness - the evocation by Prayer, Pantacle and Perfumes, and the evocation by blood, imprecations and sacrilege. We have practised only the first, and advise no one to devote t…”
Both passages discuss the concept of divine illumination and the interaction between the divine and the human imagination. Passage A describes how divine light inspires the phantastic part of the soul, while Passage B discusses the evocation of spirits through the Astral Light and the role of imagination in perceiving these apparitions. Both explore the idea of supernatural influence on human perception and the mechanisms by which this influence occurs.