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Tertium Organum (P.D. Ouspensky) · 104 of 225 · tr. Nicholas Bessaraboff and Claude Bragdon

Chapter XIV (part 3)

Therefore, the first emotion at the rising of the curtain on "that world"—i.e., this our world, but free of those limitations under which we usually regard it—must be of wonderment , and this wonderment must grow greater and greater according to our better acquaintance with it. And the better we know a certain thing or a certain relation of things—the nearer, the more familiar they are to us—the greater will be our wonder at the new and the unexpected therein revealed. Desiring to understand the noumenal world we must search for the hidden meaning in everything. At present we are too heavily enchained by the habit of the positivistic method of searching always for the visible cause and the visible effect. Under this weight of positivistic habit it is extremely difficult for us to comprehend certain ideas. Among other things we have difficulty in understanding the reality of the difference in the noumenal world between objects of our world which are similar , but different in function. But if we desire to approach to an understanding of the noumenal world, we must try with all our might to notice all those seeming, "subjective" differences between objects which astonish us sometimes, of which we are often painfully aware —those differences expressed in the symbols and metaphors of art which are often revelations of the world of reality. Such differences are the realities of the noumenal world, far more real than all maya (illusion) of our phenomena. We should endeavor to notice these realities and to develop p. 160 within ourselves the ability to feel them, because exactly in this manner and only by such a method do we put ourselves in contact with the noumenal world or the world of causes. ______ I find an interesting example of the understanding of the hidden meaning of phenomena contained in The Occult World in the letter of a Hindu occultist to the author of the book, A. P. Sinnett. We see a vast difference between the two qualities of two equal amounts of energy expended by two men, of whom one, let us suppose, is on his way to his daily quiet work, and another on his way to denounce a fellow creature at the police station, while the men of science see none; and we—not they—see a specific difference between the energy in the motion of the wind and that of a revolving wheel. Every thought of man upon being evolved passes into the inner world, and becomes an active entity by associating itself, coalescing we might term it, with an elemental—that is to say, with one of the semi-intelligent forces of the kingdom. If we ignore the last part of this quotation for the moment, and consider only the first part, we shall easily see that the "man of science" does not recognize the difference in the quality of the energy spent by two men going, one to his work, and another to denounce someone. For the man of science this difference is negligible: science does not sense it and does not recognize it. But perhaps the difference is much deeper and consists not in the difference between modes of energy but in the difference between men , one of whom is able to develop energy of one sort and another that of a different sort. Now we have a form of knowledge which senses this difference perfectly, knows and understands it. I am speaking of art. The musician, the painter, the sculptor well understand that it is possible to walk differently—and even impossible not to walk differently: a workman and a spy cannot walk alike. Better than all the actor understands this, or at least he should understand it better. The poet understands that the mast of a ship, the gallows, and the cross are made of different wood . He understands the difference p. 161 between the stone from a church wall and the stone from a prison wall.
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Themes
Active Contemplationpraxis

A form of meditation that uses imagery, imagination, or symbolic thought rather than purely empty stillness.

[auto] The method involves actively noticing differences and using art and symbols to perceive deeper realities.

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Cosmic Dualismtheology

Ontological opposition between two primal principles (light/darkness, truth/lie, spirit/matter) as the fundamental structure of reality.

[auto] A clear distinction is drawn between the illusory phenomenal world (maya) and the real noumenal world of causes.

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Divine Hiddennesstheology

The supreme God's radical concealment beyond ordinary knowledge or perception; the Hidden Father.

[auto] The true reality is described as being behind a curtain or limitations, hidden from ordinary perception.

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Gnosis Direct Knowledgesoteriology

Salvation through direct experiential knowledge of the divine nature, not through faith, ritual, or moral works alone.

[auto] The passage advocates for direct experiential understanding of the noumenal world beyond positivistic science.

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Hidden Sayingssoteriology

Esoteric teachings reserved for those ready to receive them; outer meaning conceals an inner liberating truth.

[auto] It references occult letters and emphasizes searching for hidden meanings concealed within ordinary phenomena.

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Inner Lightanthropology

The divine spark or luminous quality residing within the human person, potentially recognisable through introspection.

It suggests developing an internal ability to feel realities that are otherwise invisible to science.

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Mechanical Humanityanthropology

Gurdjieff and Ouspensky's claim that ordinary human beings live in a state of waking sleep, reacting mechanically without unified will or consciousness, and that the spiritual path begins with recognising this condition.

The passage describes humanity as 'heavily enchained by the habit' of positivism, aligning with the concept of mechanical living without true consciousness.

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Paradox As Teachingethics

Using apparent contradiction, reversal, or riddle to destabilise ordinary understanding and induce insight.

[auto] The text presents the paradoxical idea that familiarity with things increases wonder rather than diminishing it.

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