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The Heroic Enthusiasts, Part I (Gli Eroici Furori) · 44 of 63 · tr. L. Williams

Fourth Dialoguek

Destiny, when, shall I that mountain mount, Which, blissful to the high gates bringing, bring, Where those rare beauties I shall counting, count, When he my pain with comfort comforting, Who my disjointed members joined, And leaves my dying powers not dead? My spirit's rival more than rivalled is If, far from sin, it unassailed may sail, If thither tending, it may waiting, wait, And up with that high object rising, rise, And if my good alone, alone I take, For which I sure remove of each defect effect, And so at last may come to enjoy with joy, As he who all foretells can tell. [A] Pulcini. O Destiny! O Fate! O divine immutable Providence! when shall it be that I shall climb that mount—that is, that I may arrive at such altitude of mind, as transporting me shall bring me into those outer and inner courts where I may behold and count those rare beauties? When shall it be, that he will effectually comfort my pain, loosening me from the tightened bonds of those cares in which I find myself, he, who formed and united my members, which before were disunited and disjoined: that is Love; he who has joined together these corporeal parts, which were as far divided as one opposite is divided from another; so that these intellectual powers which, through his action he has extinguished, should not be left quite dead, but be again re-animated and made to aspire on high? When, I say, will he fully comfort me, and give my powers free and speedy flight, by which means my substance may go and nestle there, where, by my efforts, I may make amends and correct my defects, and where (if I arrive) my spirit will be made effectual or prevail over my rival, because there, no excess will oppose, no opposition overcome, no error assail? Oh! if by force he may arrive there, at that height which he is waiting to reach, he will remain on high, at the elevation of his object, and he will take that good that cannot be comprehended by any other than one, that is, by himself, seeing that every other has it in the measure of his own capacity, and this one alone has it in all its fulness. Then will happiness come to me in that manner which he says, "who all foretells"; that is, at that elevation in which the saying all and the doing all is the same thing; in that manner that he says and does who all foretells, that is, who is sufficient for all things and primary, and whose word and pre-ordaining is the true doing and beginning. This is how, in the scale of things superior and inferior, the affection of Love proceeds, as the intellect or sentiment proceeds from these intelligible or knowable objects, to those, or from those to these. Cic. Thus the greater number of sages believe that Nature delights in this changeful circulation which is seen in the whirling of her wheel.
Themes
Body As Obstacleanthropology

The material body viewed as a prison, tomb, or source of error that hinders spiritual knowledge and return.

[auto] The corporeal parts are described as divided and bound by cares that Love must loosen.

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Divine Providencetheology

Pronoia — the doctrine that the divine actively orders the unfolding of the cosmos and human affairs toward intelligible ends, against pure chance or blind necessity.

[auto] The speaker directly addresses 'O divine immutable Providence' as a central figure in their destiny.

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Heroic Furorpraxis

Bruno's eroici furori — a passionate, ennobling spiritual ardor that drives the soul toward divine wisdom; distinguished from base or animal passions by its orientation to infinite truth.

[auto] As a text from Gli Eroici Furori, it describes the passionate spiritual ardor driven by Love that propels the soul upward toward infinite truth.

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Ladder Of Lovesoteriology

Diotima's staged ascent from love of beautiful bodies → beautiful souls → beautiful pursuits → beautiful knowledge → Beauty itself; the canonical scala amoris that grounds Plotinus's On the Beautiful and Bruno's Eroici Furori — distinct from generic spiritual_ascent in that eros is the specific motive force.

[auto] The passage describes the affection of Love proceeding up a scale from inferior to superior intelligible objects.

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Logoscosmology

The divine reason, word, or ordering principle through which the universe was created; mediates between the transcendent God and the material world.

[auto] It references the divine principle whose word and pre-ordaining constitute true doing and beginning.

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Mystical Unionsoteriology

The merging of the individual soul or self with the divine, transcending personal identity.

[auto] The speaker seeks to nestle where the spirit prevails over rivals and takes the good in its fulness.

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Return To Sourcesoteriology

The soul's journey back to its divine origin, reversing the fall into matter through stages of purification or illumination.

[auto] The passage explicitly describes climbing a mount to arrive at an altitude of mind where the soul nestles in its origin and corrects defects.

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Spiritual Ascentpraxis

A staged journey of the soul upward through heavenly realms or levels of being toward the divine source.

[auto] The text repeatedly uses imagery of climbing, rising, and ascending to a higher elevation of mind to reach divine courts.

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Tripartite Soulanthropology

Division of the human being into three principles: spirit (pneuma), soul (psyche), and body/matter (hyle or soma).

[auto] The text distinguishes between corporeal parts, intellectual powers, and the spirit.

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Unity Of Beingtheology

The doctrine that all existence is ultimately one substance or one divine reality; non-duality as a theological claim.

[auto] It states that at the highest elevation, saying all and doing all become the same thing.

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Related passages · 3 parallels
greek_mystery|Orphic Hymns|Hymn X (part 1)
X. TO PAN * The FUMIGATION from VARIOUS ODORS I Call strong Pan, the substance of the whole, Etherial, marine, earthly, general soul, Immortal fire; for all the world is thine, And all are parts of thee, O pow'r divine. p. 131 Come, bles…”
Both passages express a longing for union with the divine and a recognition of the divine as the source of all creation and order. The first passage speaks of climbing a mountain to reach a state of bliss and union with divine love, while the second hymn calls upon Pan, who is identified with the universe and its creative force.
greek_mystery|Orphic Hymns|Hymn XIII. RHEA (part 1)
XIII. TO RHEA * . The FUMIGATION from AROMATICS. DAUGHTER of great Protogonus, divine, 1 Illustrious Rhea, to my pray'r incline, p. 138 Who driv'st thy holy car with speed along, Drawn by fierce lions, terrible and strong. 4 Mother of…”
Both passages express a yearning for divine union and transcendence. Passage A from Giordano Bruno's 'The Heroic Enthusiasts' speaks of climbing a mountain to reach a state of bliss and divine beauty, while Passage B from the Orphic Hymns invokes Rhea, a divine figure associated with the creation and vivification of the universe, seeking her blessings for abundance and liberation.
platonism|Plato: Phaedrus|Section 1o
Zeus, the mighty lord, holding the reins of a winged chariot, leads the way in heaven, ordering all and taking care of all; and there follows him the array of gods and demigods, marshalled in eleven bands; Hestia alone abides at home in the…”
Both passages describe a mystical ascent to a higher realm of understanding or divinity, involving a struggle and ultimate union with the divine. They share themes of spiritual elevation, the soul's journey, and the ultimate goal of union with the divine or true being.