CHAPTER XI RHYTHM "Everything flows out and in; everything has its tides; all things rise and fall; the pendulum-swing manifests in everything; the measure of the swing to the right, is the measure of the swing to the left; rhythm compensates"--The Kybalion.
The great Fifth Hermetic Principle--the Principle of Rhythm-embodies the truth that in everything there is manifested a measured motion; a to-and-from movement; a flow and inflow; a swing forward and backward; a pendulum-like movement; a tide-like ebb and flow; a high-tide and a low- tide; between the two-poles manifest on the physical, mental or spiritual planes.
The Principle of rhythm is closely connected with the Principle of Polarity described in the preceding chapter.
Rhythm manifests between the two poles established by the Principle of Polarity.
This does not mean, however, that the pendulum of Rhythm swings to the extreme poles, for this rarely happens; in fact, it is difficult to establish the extreme polar opposites in the majority of cases.
But the swing is ever "toward" first one pole and then the other.
There is always an action and reaction; an advance and a retreat; a rising and a sinking; manifested in all of the airs and phenomena of the Universe.
Suns, worlds, men, animals, plants, minerals, forces, energy, mind and matter, yes, even Spirit, manifests this Principle.
The Principle manifests in the creation and destruction of worlds; in the rise and fall of nations; in the life history of all things; and finally in the mental states of Man.
Beginning with the manifestations of Spirit--of THE ALL--it will be noticed that there is ever the Outpouring and the Indrawing; the "Outbreathing and Inbreathing of Brahm," as the Brahmans word it.
Universes are created; reach their extreme low point of materiality; and then begin in their upward swing.
Suns spring into being, and then their height of power being reached, the process of retrogression begins, and after aeons they become dead masses of matter, awaiting another impulse which starts again their inner energies into activity and a new solar life cycle is begun.
And thus it is with all the worlds; they are born, grow and die; only to be reborn.
And thus it is with all the things of shape and form; they swing from action to reaction; from birth to death; from activity to inactivity--and then back again.
Thus it is with all living things; they are born, grow, and die--and then are reborn.
So it is with all great movements, philosophies, creeds, fashions, governments, nations, and all else-birth, growth, maturity, decadence, death-and then new-birth.
The swing of the pendulum is ever in evidence.
Night follows day; and day night.
The pendulum swings from Summer to Winter, and then back again.
The corpuscles, atoms, molecules, and all masses of matter, swing around the circle of their nature.
There is no such thing as absolute rest, or cessation from movement, and all movement partakes of rhythm.
The principle is of universal application.
It may be applied to any question, or phenomena of any of the many planes of life.
It may be applied to all phases of human activity.
There is always the Rhythmic swing from one pole to the other.
The Universal Pendulum is ever in motion.
The Tides of Life flow in and out, according to Law.
The Principle of rhythm is well understood by modern science, and is considered a universal law as applied to material things.
The doctrine of the periodic restoration or recurrence of all things to their original state after vast cycles.
The text describes cyclical restoration where worlds, suns, and living things die and are 'reborn' or begin a new cycle, aligning with the concept of periodic restoration/recurrence.
The Hermetic axiom that the structure of the cosmos is reflected at every scale — 'as above, so below; as within, so without' — making each level a legible map of the others.
The text states the principle manifests on physical, mental, and spiritual planes alike, implying a structural correspondence across levels of reality.
Narratives or doctrines of cosmic origin — how heaven, earth, and the primordial deities first came into being. The Kojiki's deities born alone on the Plain of High Heaven, Voluspo's Ginnungagap, Genesis's tohu wa-bohu, the Timaeus's Demiurge fashioning the Receptacle, the Hesiodic Theogony, the Kalevala's egg-cosmogony, Egyptian Nun-and-Atum. Distinct from emanation_hierarchy (structural-ontological cascade), letters_of_creation (mechanism of creation), and apocatastasis/frashokereti (end-state restoration); cosmogony is temporally-narrative beginning.
The passage mentions the 'creation and destruction of worlds' and how suns spring into being, touching on cosmic origin narratives within a cyclical framework.
The doctrine of the universe as boundless and without center or circumference, populated by innumerable worlds — Bruno's rejection of the closed Aristotelian sphere; the divine and the cosmos as ontologically infinite.
The text mentions 'Universes are created' and 'aeons', suggesting a vast, potentially boundless cosmic scope beyond a single world.
The human being as a small-scale image of the entire cosmos; the body, soul, and intellect mirroring the structure of the heavens and the divine — distinct from correspondence in that it makes the human the privileged mirror.
The passage notes that the principle applies to 'Suns, worlds, men... mental states of Man', suggesting the human reflects the cosmic rhythm.
The Hermetic doctrine that apparent opposites are identical in nature but differ in degree — two extremes of the same scale (hot/cold, love/hate) — such that one pole can be shifted toward its opposite by a change of degree ('mental transmutation'). Distinct from opposites_transcended (a completion-state marking the path's end, not this doctrine's active technique) and magical_equilibrium (balance held BETWEEN two forces, not identity-by-degree of what looks like two forces).
The text explicitly states the Principle of Rhythm is closely connected to the Principle of Polarity and describes the swing between two poles.
The Hermetic doctrine of a measured swing or pendulum motion between poles — action and reaction, flow and outflow, rise and fall — operating in mental, physical, and cosmic-historical registers alike. Distinct from apocatastasis (cosmic-scale eschatological restoration after vast cycles) in naming a constant, ever-present oscillation rather than a singular restorative event.
The passage is explicitly titled 'CHAPTER XI RHYTHM' and defines the Principle of Rhythm as a central Hermetic law governing all phenomena.