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Agrippa: The Philosophy of Natural Magic, Chapter XXXVIII — How We May Draw Not Only Celestial and Vital, but Also Certain Intellectual and Divine Gifts From Above · 1 of 2 · tr. Henry Morley; L. W. de Laurence ed.

Chapter XXXVIII, Section 1a

CHAPTER XXXVIII. How We May Draw Not Only Celestial and Vital, but Also Certain Intellectual and Divine Gifts From Above . Magicians teach that celestial gifts may, through inferiors being conformable to superiors, be drawn down by opportune influences of the heaven; and so, also, by these celestial gifts, the celestial angels (as they are servants of the stars) may be procured and conveyed to us. Iamblichus, Proclus and Synesius, with the whole school of Platonists, confirm that not only celestial and vital but also certain intellectual, angelical and divine gifts may, be received from above by some certain matters having a natural power of divinity ( i. e. ), which have a natural correspondency with the superiors, being rightly received and opportunely gathered together according to the rules of natural philosophy and astronomy. And Mercurius Trismegistus writes, that an Image, rightly made of certain proper things, appropriated to any one certain angel will presently be animated by that angel. Of the same, also, Austin (St. Augustine) makes mention in his eighth book, De Civitate Dei (the City of God). For this is the harmony of the world, that things supercelestial be drawn down by the celestial, and the supernatural by those natural, because there is One Operative Virtue that is diffused through all kinds of things; by which virtue, indeed, as manifest things are produced out of occult causes, so a magician doth make use of things manifest to draw forth things that are occult, viz., through the rays of the Stars, through fumes, lights, sounds, and natural things which are agreeable to those celestial, in which, aside from their corporeal qualities, there is, also, a kind of reason, sense and harmony, and incorporeal and divine measures and orders. So we read that the ancients were wont often to receive some divine and wonderful thing by certain natural things: So the stone that is bred in the apple of the eye of a civet eat, held under the tongue of a man, is said to make him to divine or prophesy; the same is selenite, the moon-stone, reported to do. So they say that the Images of Gods may be called up by the stone called anchitis; and that the ghosts of the dead may be, being called up, kept up by the stone synochitis. The like doth the herb aglauphotis do, which is also called marmorites, growing upon the marbles of Arabia, as saith Pliny, and the which magicians use. Also there is an herb called rheangelida with which magicians drinking of can prophesy. Moreover, there are some herbs by which the dead are raised to life; whence Xanthus the historian tells that with a certain herb called balus, a young dragon being killed, was made alive again; also, that by the same herb a certain man of Tillum, whom a dragon killed, was restored to life; and Juba reports, that in Arabia a certain man was by a certain herb restored to life. But whether or no any such things can be done, indeed, upon man by the virtue of herbs or any other natural thing, we shall discourse in the following chapter. Now, it is certain and manifest, that such things can be done upon other animals. So if flies, that are drowned, be put into warm ashes they revive. And bees, being drowned, do in like matter recover life in the juice of the herb catnip; and eels, being dead for want of water, if with their whole bodies they be put under mud in vinegar and the blood of a vulture being put to them, will all of them, in a few days, recover life.
Themes
Correspondencecosmology

The Hermetic axiom that the structure of the cosmos is reflected at every scale — 'as above, so below; as within, so without' — making each level a legible map of the others.

The passage explicitly states that 'things supercelestial be drawn down by the celestial' due to a 'natural correspondency' between levels.

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Cosmic Sympathycosmology

The Stoic and Plotinian doctrine that all parts of the cosmos are bound by hidden affinities, so that a movement in one part resonates through the whole; the metaphysical basis for astrology, magic, and divination.

It describes hidden affinities where movements in one part of the cosmos resonate through the whole to enable drawing down celestial gifts.

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Theurgypraxis

Iamblichean ritual practice that engages the gods directly through consecrated material symbols and actions, on the premise that divine power descends into properly prepared matter — distinct from philosophical contemplation alone.

The passage describes engaging with celestial powers through consecrated natural things like stones and herbs to draw down gifts.

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Related passages · 12 parallels · 1 contrast
jewish_mysticism|The Book of Enoch (1 Enoch, Charles translation)|Chapter VIII
CHAPTER VIII. 1. And Azâzêl taught men to make swords, and knives, and shields, and breastplates, and made known to them the metals 〈 of the earth 〉 and the art of working them, and bracelets, and ornaments, and the use of antimony, and the…”
Both passages discuss the transmission of forbidden knowledge from celestial or divine beings to humans, leading to significant changes in human behavior and capabilities. They explore the theme of the influence of higher entities on human affairs through the imparting of esoteric knowledge.
neoplatonism|Iamblichus: On the Mysteries|Chapter VI
Moreover, the gifts arising from the manifestations are not all of them equal, nor have the same fruits. But the presence [44] of the Gods, indeed, imparts to us health of body, virtue of soul, purity of intellect, and in one word elevates…”
Both passages discuss the hierarchical nature of spiritual beings and their influence on the material and spiritual realms. They share the concept of higher entities imparting gifts and benefits to lower realms, though they differ in the specific traditions and examples used.
neoplatonism|Iamblichus: On the Mysteries|Chapter X
We shall collect, therefore, what happens from these conclusions. For if certain invocators employ the physical or corporeal powers [91] of the universe, an involuntary gift of energy [from these powers], and which is without vice, takes pl…”
Both passages discuss the concept of drawing down divine or celestial influences through natural means and the ethical implications of their use. They share a common theme of the interaction between the divine and the natural world, and the responsibility of humans in using these influences.
western_esoteric|The Secret Teachings of All Ages (Manly P. Hall)|Stones, Metals and Gemsj
In describing the regalia of a magician, Éliphas Lévi declares that on Sunday (the day of the sun) he should carry in his right hand a golden wand, set with a ruby or chrysolite; on Monday (the day of the moon) he should wear a collar of th…”
Both passages discuss the use of specific stones and materials for magical or divine purposes, highlighting the correspondence between celestial bodies and earthly elements. They share the conceptual framework of using natural objects to draw down celestial or divine influences, though they come from different mystical traditions.
western_esoteric|The Secret Teachings of All Ages (Manly P. Hall)|Hermetic Pharmacology, Chemistry, and Therapeuticsh
DILIGENCE, I at last obtained my desire; and, being warned by MR. HONESTY, a stranger in our days, to publish it to the world, I have done it." (From the Introduction to the 1835 Edition of The Complete Herbal.) Doctor Johnson said of Culp…”
Both passages discuss the use of herbs and celestial influences in healing and achieving divine or intellectual gifts. They share the concept of using natural elements to draw down celestial or divine powers, though they come from different traditions (Hermeticism and Platonic magic).
western_esoteric|Transcendental Magic I: The Doctrine (Éliphas Lévi)|17. Astrologyb
Paracelsus was perhaps the last of the great practical astrologers; he cured diseases by talismans formed under astral influences; he distinguished upon all bodies the mark of their dominant star; there, according to him, was the true Unive…”
Both passages discuss the concept of drawing celestial influences and knowledge from the stars, using symbols, talismans, and natural correspondences. They share the idea that celestial bodies have a direct influence on earthly matters and that this influence can be harnessed through specific practices and symbols.
western_esoteric|Transcendental Magic II: The Ritual (Éliphas Lévi)|7. The Septenary Of Talismansa
CEREMONIES, vestments, perfumes, characters and figures being, as we have stated, necessary to apply imagination to the education of the will, the success of magical works depends upon the faithful observation of all the Rites, which are in…”
Both passages discuss the concept of drawing down celestial or divine influences through rituals, symbols, and natural correspondences. They share the idea that ancient traditions and texts hold the keys to these practices, emphasizing the importance of proper rituals and the belief in the interconnection of celestial and earthly realms.
western_esoteric|Transcendental Magic II: The Ritual (Éliphas Lévi)|7. The Septenary Of Talismansb
We have observed previously that in this sense the planets are only signs; they have the influence which universal faith attributes because they are more truly the stars of the human mind than the orbs of heaven. The sun, which Antique Mag…”
Both passages discuss the concept of drawing down celestial influences and the use of natural correspondences to achieve magical or divine effects. They share the idea of a harmonious connection between celestial bodies, natural elements, and spiritual or divine gifts.
western_esoteric|Transcendental Magic II: The Ritual (Éliphas Lévi)|20. The Thaumaturgea
We have defined miracles as the natural effects of exceptional causes. The immediate action of the human will upon bodies, or at least that action exercised without visible means, constitutes a miracle in the physical order. The influence…”
Both passages discuss the concept of miracles and the power of the human will to influence the natural and moral orders. They also explore the idea of drawing divine or celestial gifts through natural means and the importance of faith and intention in achieving extraordinary effects.
greek_mystery|Orphic Hymns|Front Matter, p. 4 (part 15)
For the generative causes of things, are contained by similitude in their effects; and in causes themselves their progeny subsist, comprehended in perfect union and consent. Hence the celestial orbs impart a copious defluxion of good to th…”
[auto] Both passages discuss the concept of sympathy and similitude between celestial and terrestrial realms, and how this relationship can be utilized to draw down divine virtues or gifts. They share the idea that natural things have a mutual sympathy and can be used to influence higher powers.
3 more
neoplatonism|Iamblichus: On the Mysteries|Chapter VIIIf
Thus they recognised things supreme in such as are subordinate, and the subordinate in the supreme: in the celestial regions, terrene properties subsisting in a causal and celestial manner; and in earth celestial properties, but according t…”
[auto] Both passages discuss the concept of drawing celestial and divine influences down to the earthly realm through natural objects and their correspondences. They share the idea of a harmony or sympathy between celestial and terrestrial entities, using similar examples of plants and stones that exhibit this connection.
neoplatonism|Iamblichus: On the Mysteries|Chapter VIIIh
Hence the ancient priests, by the mutual relation and sympathy of things to each other, collected their virtues into one, but expelled them by repugnancy and antipathy; purifying when it was requisite with sulphur and bitumen, and sprinklin…”
[auto] Both passages discuss the concept of drawing divine or celestial influences through natural substances and rituals, emphasizing the use of specific materials and their correspondences to higher powers.
neoplatonism|Iamblichus: On the Mysteries|Chapter XXXCONTRASTS
You say, however, “ that the makers of images observe the motion of the celestial bodies, and can tell from the concurrence of what star, with a certain star or stars, predictions will be true or false; and also whether the things that are…”
[auto] Both passages discuss the relationship between celestial bodies, divine entities, and material objects, but they take opposing positions. Iamblichus argues against the divine power of images and the ability to manipulate divine entities through material means, while the second passage supports the idea that celestial and divine gifts can be drawn down through natural and celestial correspondences.