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Transcendental Magic II: The Ritual (Éliphas Lévi) · 5 of 123 · tr. A.E. Waite

Introductione

Here is the common translation of the sacred text: “Now, the serpent was more subtle than any beast of the field which the Lord God had made.” But this is what Moses says: This signifies, according to the version of Fabre d'Olivet: “Now, original attraction (cupidity) was the entraining passion of all elementary life (the interior activity of Nature), the work of Jhoah, the Being of beings.” But herein Fabre d'Olivet is beside the true interpretation, because he was unacquainted with the grand keys of the Kabalah. The word Nahash, explained by the symbolical letters of the Tarot signifies rigorously 14 נ NUN.-The power which produces combinations. 5 ה HE.-The recipient and passive producer of forms. 21 ש SHIN.-The natural and central fire equilibrated by double polarization. Thus, the word employed by Moses, read kabalistically, gives the description and definition of that magical Universal Agent, represented in all theogonies by the serpent; to this Agent the Hebrews applied the name of OD when it manifested its active force, of Ob when it exhibited its passive force, and of AOUR when it revealed itself wholly in its equilibrated power, as producer of light in heaven and gold among metals. It is therefore that old serpent which encircles the world and places its devouring head beneath the foot of a Virgin, the type of initiation -that virgin who presents a little new-born child to the adoration of three Magi and receives from them, in exchange for this favour, gold, myrrh and frankincense. So does doctrine serve in all hieratic religions to veil the secret of natural forces which the initiate has at his disposal. Religious formulae are the summaries of those words full of mystery and power which make the gods descend from heaven and become subject to the will of men. Judea borrowed its secrets from Egypt; Greece sent her hierophants and later her theosophists to the school of the great prophets; the Rome of the Caesars, mined by the initiation of the catacombs, collapsed one day into the Church, and a symbolism was reconstructed with the remnants of all worships which had been absorbed by the queen of the world. According to the Gospel narrative, the inscription which set forth the spiritual royalty of Christ was written in Hebrew, in Greek and in Latin: it was the expression of a universal synthesis. Hellenism, in fact, that grand and beauteous religion of form, announced the coming of the Saviour no less than the prophets of Judaism. The fable of Psyche is an ultra-Christian abstraction, and the cultus of the Pantheons, by rehabilitating Socrates, prepared altars for that unity of God, of which Israel had been the mysterious preserver. But the synagogue denied its Messiah, and the Hebrew letters were effaced, at least for the blinded eyes of the Jews. The Roman persecutors dishonoured Hellenism, and it could not be restored by the false moderation of the philosopher Julian, surnamed perhaps unjustly the Apostate, since his Christianity was never sincere. The ignorance of the Middle Ages followed, opposing saints and virgins to gods, goddesses and nymphs; the deep sense of the Hellenic mysteries was less understood than ever; Greece herself did not only lose the traditions of her ancient cultus but separated from the Latin Church; and thus, for Latin eyes, the Greek letters were blotted out, as the Latin letters disappeared for Greek eyes. So the inscription on the Cross of the Saviour vanished entirely, and nothing except mysterious initials remained.
Themes
Cosmic Dualismtheology

Ontological opposition between two primal principles (light/darkness, truth/lie, spirit/matter) as the fundamental structure of reality.

The text describes the Universal Agent as exhibiting active and passive forces equilibrated by double polarization.

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Hidden Sayingssoteriology

Esoteric teachings reserved for those ready to receive them; outer meaning conceals an inner liberating truth.

The text argues that religious doctrine serves to veil secrets accessible only to the initiate, distinguishing outer meaning from inner truth.

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Letters Of Creationcosmology

The twenty-two Hebrew letters as the building blocks through which God creates and sustains all existence.

The passage explicitly analyzes the Hebrew word Nahash through its constituent letters (Nun, He, Shin) as keys to cosmic power and creation.

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Numerical Mysticismtheology

Numbers, proportions, and mathematical relationships as the underlying structure of divine reality.

The passage uses gematria (14 Nun, 5 He, 21 Shin) to derive meaning from the word Nahash.

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Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

The passage discusses specific divine names (OD, Ob, AOUR) and Hebrew letters as possessing ontological power.

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Theurgypraxis

Iamblichean ritual practice that engages the gods directly through consecrated material symbols and actions, on the premise that divine power descends into properly prepared matter — distinct from philosophical contemplation alone.

It describes magical formulae that make gods descend and become subject to human will.

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Word Power Incantationpraxis

The doctrine and practice that spoken or sung word carries causal-magical force — that uttering names, formulas, songs, or incantations alters reality directly rather than merely communicating about it. Vainamoinen's runo-songs that move mountains and command iron, Norse galdr, Vedic mantra, Shinto kotodama, the magician's barbarous names in the Greek Magical Papyri, Iamblichean arcane signatures and inexplicable symbols, biblical creation-by-word. Distinct from sacred_names (the ontological power of names themselves) and prayer (address to the divine); word_power_incantation is the magical-causal efficacy of the spoken word as such.

It states that words full of mystery and power make gods descend and become subject to the will of men.

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Related passages · 9 parallels
egyptian|The Egyptian Book of the Dead (Papyrus of Ani)|Chapter 10 (part 18)
The charms against serpents in the pyramid texts of the Vth and VIth dynasties have their equivalents in the XXXIst and XXXIIIrd Chapters of the Book of the Dead, which are found on coffins of the XIth and XIIth dynasties;[2] and in the XVI…”
Both passages discuss the role of serpents or serpent-like creatures as symbols of evil or chaos within their respective religious traditions. The Egyptian passage describes Apep, a serpent-like monster, and other evil creatures in the underworld, while the second passage discusses the serpent as a symbol of original attraction and the universal agent of natural forces. Both texts explore the concept of combat with chaotic forces, aligning with the mytheme of theomachy.
egyptian|The Egyptian Book of the Dead (Papyrus of Ani)|Chapter 43 (part 68)
O tell it unto me, and the poison shall depart; for he shall live whose name shall be revealed." Now the poison burned like fire, and it was fiercer than the flame and the furnace, and the majesty of the god said, "I consent that Isis shall…”
Both passages discuss the concept of divine names and their power, as well as the interplay between gods and humans. Passage A focuses on the revelation of Ra's name to Isis, while Passage B delves into the Kabalistic interpretation of divine names and their mystical significance. Both highlight the idea that knowing a divine name grants power over the divine.
egyptian|The Egyptian Book of the Dead (Papyrus of Ani)|Chapter 43 (part 99)
The charms against serpents in the pyramid texts of the Vth and VIth dynasties have their equivalents in the XXXIst and XXXIIIrd Chapters of the Book of the Dead, which are found on coffins of the XIth and XIIth dynasties;[2] and in the XVI…”
Both passages discuss the role of serpents or serpent-like creatures as symbols of evil or chaos in their respective traditions. Passage A describes the serpent Apep and other evil creatures in the Egyptian underworld, while Passage B discusses the serpent as a symbol of original attraction and the universal agent of natural forces in Kabbalistic interpretation. Both passages highlight the significance of these serpentine figures in their religious and mystical contexts.
egyptian|The Egyptian Heaven and Hell|Chapter 9 (part 2)
29), various animal- and bird-headed gods, goddesses both with and without uraei on their heads, the "Crook" ( mest ) of Osiris, the serpent-protector of Osiris, and so on. The gods on the right of AFU-RA are they who give him "the seasons…”
Both passages discuss the power of divine words and names, and the role of gods or divine entities in mediating between the human and divine realms. Passage A describes the Egyptian belief in the power of words spoken on earth being taken to AFU-RA by his ministers, while Passage B discusses the Kabalistic interpretation of the serpent as a universal agent and the power of religious formulae to invoke divine forces.
egyptian|The Egyptian Heaven and Hell|Chapter 10 (part 1)
SECOND DIVISION OF THE TUAT. II. THE KINGDOM OF KHENTI-AMENTI-OSIRIS ACCORDING TO THE BOOK OF GATES. To advance into this Division the Boat of AFU-RA must first pass through the Gate which is guarded by the huge serpent SAA-SET, and this…”
Both passages discuss the concept of a universal synthesis of religious doctrines and the judgment of the dead. Passage A talks about the universal synthesis of religious doctrines and the veiling of natural forces, while Passage B describes the judgment of the dead in the afterlife and the grading of their positions based on their deeds.
egyptian|The Egyptian Heaven and Hell|Chapter 17 (part 2)
In each sepulchre is an "image" of Ra, i.e., a human head, a hawk's wing, and a hind-quarter of a lion, and these appear to be symbols under which the god was worshipped in and around Annu, or Heliopolis. On the left of AFU-RA are eight go…”
Both passages discuss the role of divine beings and serpents in the afterlife or spiritual realms. Passage A describes the Egyptian gods and serpents accompanying and judging the dead, while Passage B discusses the serpent as a universal agent in various religious traditions, including its role in the afterlife and spiritual initiation. The concept of divine beings and serpents playing crucial roles in the spiritual journey is a genuine parallel.
egyptian|The Egyptian Heaven and Hell|Chapter 18 (part 1)
SEVENTH DIVISION OF THE TUAT. I. KINGDOM OF OSIRIS ACCORDING TO THE BOOK AM-TUAT. The name of this DIVISION, or HOUR, is THEPHET-SHETAT, the name of the Gate is RUTI-ASAR, and the goddess of the Hour is KHEFTES-HAU-HESQ-NEHA-HRA. On loo…”
Both passages discuss the symbolic significance of serpents in their respective mystical traditions. Passage A describes the serpent as a magical Universal Agent and a symbol of natural forces, while Passage B describes the serpent Neha-Hra as a monster that blocks the path of the god Afu-Ra. Both passages use the serpent as a symbol of power and transformation, indicating a genuine conceptual parallel.
greek_mystery|Orphic Hymns|Hymn X (part 2)
For the World is one, and only-begotten. Opusc. Mythol. p. 203. 131:17 Ver. 17] The sportive nymphs . This is because Pan rejoices in the exhalations produced from humid substances; without which the world cannot subsist. Phurnutus…”
Both passages discuss the concept of a divine or cosmic force that is symbolized by a serpent or horned figure, representing the soul of the world or a universal agent. The passages share a mystical and allegorical interpretation of divine forces and their manifestations.
jewish_mysticism|The Kabbalah Unveiled|Introduction, Section 1f
And here the idea or universal form of all the shells is understood, which encompasseth the seven inferior emanations of the queen after the manner of a serpent, as well from the right as from the left and from every side.) [The excavation…”
Both passages discuss the symbolic role of the serpent/dragon in mystical traditions, linking it to concepts of judgment, evil, and the struggle between good and evil. The Kabbalistic passage describes the serpent as an executor of judgment and a distorted form of the Sephiroth, while the second passage interprets the serpent as a universal agent of natural forces and a symbol of initiation.