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The Heroic Enthusiasts, Part II (Gli Eroici Furori) · 38 of 49 · tr. L. Williams

Fourth Dialoguec

Besides which he considers that his blindness is not from constitution, but from habit, and is peculiar to himself, because the luminous fire which kindles the soul in the pupil, was for too long a time and with too much force, repressed and restrained by a contrary humour, so that although he might cease from weeping, he cannot be persuaded that this would result in the longed-for vision. You will hear what he says to the throng in order that they should enable him to proceed on his way: 67. The fifth blind man . Eyes of mine, with waters ever full, When will the bright spark of the visual ray, Darting, spring through each veiling obstacle, That I may see again those holy lights That were the alpha of my darling pain? Ah, woe! I fear me it is quite extinct, So long oppressed and conquered by its opposite. Let the blind man pass on! And turn your eyes upon these founts Which overcome the others one and all. Should any dare dispute it with me, There's one would surely answer him again; That in one eye of mine an ocean is contained. The sixth blind man is sightless because, through so much weeping, there remains no more moisture, not even the crystalline and moisture through which, as a diaphanous medium, the visual ray was transmitted, and the external light and visible species were introduced, so that the heart became compressed because all the moist substance, whose office it is to keep united the various parts and opposites, was absorbed, and the amorous affection remains without the effect of tears. Therefore the organ is destroyed through the victory of the other elements, and it is consequently left without sight and without consistency of the parts of the body altogether.[AC] He then proposes to the bystanders that which you shall hear: 68. The sixth blind man . Eyes, no longer eyes, fountains no longer founts, Ye have wept out the waters that did keep The body, soul, and spirit joined in one, And thou, reflecting crystal, which from without So much unto the soul made manifest, Thou art consumed by the wounded heart. So towards the dark and cavernous abyss, I, a blind arid man, direct my steps. Ah, pity me, and do not hesitate To help my speedy going. I who So many rivers in the dark days spread out, Finding my only comfort in my tears, Now that my streams and fountains all are dry, Towards profound oblivion lead the way. [AC] Water is the first principle of all things; this was the central doctrine of his system (Thales). Now, if we may believe Aristotle, this thought was suggested to him not so much by contemplating the illimitable ocean, out of which, as old cosmogonists taught, all things had at first proceeded, as by noticing the obvious fact, that moisture is found in all living things, and that if it were absent they would cease to be. Thales, no doubt, believed this humour or moisture to be, as he said, the essence and principle of all things.—("Encyclopædia Metropolitana.") The next one avers that he has lost his sight through the intensity of the flame, which, proceeding from the heart, first destroyed the eyes, and then dried up all the remaining moisture of the substance of the lover, so that being all melted and turned to flame, he is no longer himself, because the fire whose property it is to resolve all bodies into their atoms, has converted him into impalpable dust, whereas by virtue of water alone, the atoms of other bodies thicken, and are welded together to make a substantial composition. Yet he is not deprived of the sense of the most intense flame.
Themes
Divine Hiddennesstheology

The supreme God's radical concealment beyond ordinary knowledge or perception; the Hidden Father.

The 'holy lights' are obscured by 'veiling obstacle' and the 'dark and cavernous abyss'.

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Hidden Sayingssoteriology

Esoteric teachings reserved for those ready to receive them; outer meaning conceals an inner liberating truth.

The dialogue explains the esoteric meanings behind the physical states of the blind men.

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Body As Obstacleanthropology

The material body viewed as a prison, tomb, or source of error that hinders spiritual knowledge and return.

[auto] Physical blindness is attributed to 'veiling obstacle', 'contrary humour', and the destruction of the organ by passion.

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Cosmic Dualismtheology

Ontological opposition between two primal principles (light/darkness, truth/lie, spirit/matter) as the fundamental structure of reality.

[auto] The text contrasts opposing elemental principles such as fire versus water and moisture versus dryness.

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Divine Lighttheology

The uncreated luminous quality of the divine, sometimes experienced directly in mystical states; illumination as revelation.

[auto] The text repeatedly references 'luminous fire', 'bright spark', and 'holy lights' as the object of spiritual vision.

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Divine Madnesssoteriology

Ecstatic irrational rapture — Plato's mania, Bruno's furore — by which the soul transcends ordinary reason and attains direct contact with divine reality; madness reframed as higher knowledge.

[auto] The text describes the 'intensity of the flame' and 'amorous affection' that destroys the senses, aligning with Bruno's concept of furore as higher knowledge.

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Divine Sparkscosmology

Fragments of divine light or spirit trapped inside material bodies, awaiting liberation and return to their source.

[auto] The 'luminous fire' kindling the soul suggests a fragment of divine light residing within the individual.

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Gnosis Direct Knowledgesoteriology

Salvation through direct experiential knowledge of the divine nature, not through faith, ritual, or moral works alone.

[auto] The goal is to 'see again those holy lights', implying direct experiential knowledge rather than faith.

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Heroic Furorpraxis

Bruno's eroici furori — a passionate, ennobling spiritual ardor that drives the soul toward divine wisdom; distinguished from base or animal passions by its orientation to infinite truth.

[auto] The passage is from Bruno's 'Gli Eroici Furori' and describes the intense spiritual passion (weeping, fire) driving the soul toward divine vision.

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Inner Lightanthropology

The divine spark or luminous quality residing within the human person, potentially recognisable through introspection.

[auto] The passage describes a 'luminous fire which kindles the soul in the pupil' as an internal source of vision.

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Mystical Unionsoteriology

The merging of the individual soul or self with the divine, transcending personal identity.

[auto] The lover is described as being 'converted him into impalpable dust' and merged with the flame.

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Spiritual Ascentpraxis

A staged journey of the soul upward through heavenly realms or levels of being toward the divine source.

[auto] The blind men request to 'proceed on his way' and 'direct my steps' toward vision or oblivion.

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Tripartite Soulanthropology

Division of the human being into three principles: spirit (pneuma), soul (psyche), and body/matter (hyle or soma).

[auto] The sixth blind man's poem explicitly mentions the 'body, soul, and spirit joined in one'.

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Related passages · 5 parallels
christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 1 (part 12)
56 Neither is such a state attained without a hard fight against the powers of darkness. "If any one desires to follow me, let him not be intoxicated by terrestrial thoughts and desires, but girded with the sword of the Spirit, because he…”
Both passages explore the theme of spiritual blindness and the struggle to achieve spiritual vision. They describe the process of overcoming inner darkness and the transformation that occurs through intense spiritual effort, though they use different metaphors and contexts.
christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 8 (part 9)
Little would it benefit the blind to know of the light merely from hearsay. Little would it profit the "Christian" if he knew of a historical Christ, and could not perceive the glory and majesty of the Atma Buddhi within his own soul. Boe…”
Both passages explore the theme of inner vision and the transformation of the self through spiritual insight. They discuss the relationship between the physical and the spiritual, particularly in the context of sight and blindness, and emphasize the importance of inner light or divine power for true understanding.
platonism|Plato: Phaedrus|Section 1q
Thus far I have been speaking of the fourth and last kind of madness, which is imputed to him who, when he sees the beauty of earth, is transported with the recollection of the true beauty; he would like to fly away, but he cannot; he is li…”
Both passages explore the theme of spiritual blindness and the struggle to perceive higher truths. They describe a state where the soul's vision is obscured, either by habitual sorrow or the distractions of the material world, and the longing to regain the ability to see the divine.
platonism|Plato: Republic|Section 1c
Moreover, I said, you must not wonder that those who attain to this beatific vision are unwilling to descend to human affairs; for their souls are ever hastening into the upper world where they desire to dwell; which desire of theirs is ver…”
Both passages explore the theme of spiritual blindness and the journey towards enlightenment. They discuss the transition from darkness to light, the struggle of the soul to perceive divine truths, and the transformation required to achieve spiritual vision.
western_esoteric|Tertium Organum (P.D. Ouspensky)|Chapter XXII (part 13)
Then the understanding of such a man receives from the Holy Spirit the highest and hidden mysteries which according to the divine Paul, neither the human eye can understand nor the human reason comprehend unaided. (Ii Corinthians ii, 9).…”
Both passages explore the theme of spiritual transformation and the limitations of human perception. They discuss the idea of being blinded by worldly or emotional experiences and the need for divine intervention to achieve true vision or understanding.