The Heroic Enthusiasts, Part I (Gli Eroici Furori) · 51 of 63 · tr. L. Williams
Fifth Dialogue-g
This special human intelligence which influences all individuals is like the moon, which partakes of no other species but that one alone which always renews itself by the transmutation caused in it by the sun, which is the primal and universal intelligence; but the human intellect, both individual and collective, turns as do the eyes towards innumerable and most diverse objects; whence, according to the infinite degrees which exist, it takes on all the natural forms.
Hence it is that this particular intellect may be as enthusiastic, vague, and uncertain, as that universal one is quiet, fixed, and certain, whether as regards the desire or the comprehension.
Now therefore, as you may very well perceive for yourself, it means that the nature of the comprehension of sense and its varied appetite, is vague, inconstant, and uncertain, and the conception and definite appetite of the intelligence is firm and stable.
This is the difference between sensual love, which has no stability nor discretion as to its object, and intellectual love, which aims only at one, sure and fixed, towards which it turns, through which it is illuminated in its conception, by which, being kindled in its affections, it becomes inflamed and brightened, and is maintained in unity and identity of condition.
VII.
Cic.
But what is the meaning of that figure of the sun, with a circle inside and another outside, with the legend "Circuit." Tans.
The meaning of this I am certain I should never have understood if I had not heard it from the designer of it himself.
Now you must know that "Circuit" has reference to the movement the sun makes round the circle which is drawn inside and outside, in order to signify that the movement both makes and is made; and hence, as a consequence, the sun is to be found in every part of those circles; so that, if he moves and is moved, and is over the whole circumference of the circle equally, then you find in him both movement and rest.
Cic.
This I understood in the dialogues on the infinite universe and the innumerable worlds, where it is declared that the divine wisdom is extremely mobile, as Solomon said, and also that the same is most stable, as all those declare who know.
Now go on and make me understand the proposition.
Tans.
It means that [A]his sun is not like this one, which is commonly believed to go round the earth with the daily movement in twenty-four hours, and with the planetary movement in twelve months, and by which he causes the four seasons of the year to be felt, according as he is found to be in the four cardinal points of the zodiac; but he is such an one, that, being the ethereal eternity itself, and consequently an entire and complete totality, he contains the winter, the spring, the summer, the autumn, together with the day and the night, for he is all and for all, in all points and places.
[A] Il suo sole.
Cic.
Now apply that which you have said to the figure.
Tans.
It being impossible here to design the entire sun in every point of the circle, two circles are delineated; one which contains the sun to signify that the movement is made through him, the other which is contained by the sun to show that he is moved by it.
Cic.
But this explanation is not very clear and appropriate.
Tans.
Suffice it that it is the clearest and most appropriate that he was able to make.
If you can make a better one, you shall have permission to remove this one and put it in its place, for this has only been put in, so that the soul should not be without a body.
Cic.
What do you say about that "Circuit?" Tans.
The Hermetic axiom that the structure of the cosmos is reflected at every scale — 'as above, so below; as within, so without' — making each level a legible map of the others.
The human intellect is compared to the moon reflecting the sun, illustrating a structural reflection between levels of being.
Ecstatic irrational rapture — Plato's mania, Bruno's furore — by which the soul transcends ordinary reason and attains direct contact with divine reality; madness reframed as higher knowledge.
The very title 'Eroici Furori' and the description of the particular intellect as 'enthusiastic, vague, and uncertain' in contrast to the universal's quiet certainty embody Bruno's furore concept—passionate spiritual ardor as a path to divine contact.
A chain of divine beings or principles flowing downward from a single transcendent source (the One or the Father), each level less perfect than the one above.
The moon-sun analogy explicitly models human intelligence as receiving its light and renewal from the primal universal intelligence, establishing a clear hierarchical flow from a higher source to a lower participant.
The doctrine that emotions constitute a valid and necessary mode of knowing reality, complementing or surpassing intellectual cognition.
The passage distinguishes the 'enthusiastic' particular intellect from the 'quiet' universal one, and frames love (sensual vs. intellectual) as a mode of knowing, with the furore/enthusiasm being a legitimate cognitive-affective state that drives the soul toward truth.
Bruno's eroici furori — a passionate, ennobling spiritual ardor that drives the soul toward divine wisdom; distinguished from base or animal passions by its orientation to infinite truth.
[auto] The text is from Gli Eroici Furori and discusses the 'enthusiastic' intellect and intellectual love as a passionate drive toward divine truth.
The doctrine of the universe as boundless and without center or circumference, populated by innumerable worlds — Bruno's rejection of the closed Aristotelian sphere; the divine and the cosmos as ontologically infinite.
[auto] The passage explicitly references the 'dialogues on the infinite universe and the innumerable worlds,' central to Bruno's cosmology.
Diotima's staged ascent from love of beautiful bodies → beautiful souls → beautiful pursuits → beautiful knowledge → Beauty itself; the canonical scala amoris that grounds Plotinus's On the Beautiful and Bruno's Eroici Furori — distinct from generic spiritual_ascent in that eros is the specific motive force.
The passage distinguishes between unstable sensual love and stable intellectual love, mirroring the ascent from lower to higher affection.
The human being as a small-scale image of the entire cosmos; the body, soul, and intellect mirroring the structure of the heavens and the divine — distinct from correspondence in that it makes the human the privileged mirror.
The human intellect is explicitly modeled as the moon to the sun's universal intelligence, making the individual mind a small-scale image of the cosmic structure of illumination and renewal.