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The Heroic Enthusiasts, Part I (Gli Eroici Furori) · 38 of 63 · tr. L. Williams

Fourth Dialoguee

She dispatches the armed thoughts, which, solicited and urged by disagreement with the inferior nature, are sent to recall the heart. The soul instructs them how they should conduct themselves, so that, being allured and attracted by the object, they do not become induced to remain, they also, captive and companions of the heart. She says, then, they are to arm themselves with love, with that love that is fired by the domestic flame; that is, the friend of generation, to whom they are bound, and in whose jurisdiction, ministry, and warfare they find themselves. Anon she orders them to repress their eyesight and to close their eyes, so that they may not behold other beauty or goodness than that which is present, friend and mother; and concludes at last with this, that if no other reason will cause them to return, they should at least do so, to give account of the discourse and of the state of the heart. Cic . Before you proceed further, I would understand from you what is that which the soul means when she tells the thoughts to repress the sight vigorously. Tans . I will tell thee. All love proceeds from seeing: intelligent love, from seeing intelligently; sensuous love, from seeing sensuously. Now this seeing has two meanings: either it means the visual power, that is the sight, which is the intellect, or truly the sense; or it means the act of that power, that is, that application which the eye or the intellect makes to the material or intellectual object. When the thoughts are counselled to repress the sight, it is not the first, but the second, mode that is meant, because that is the father of the subsequent affection of the sensuous or intellectual desire. Cic . This is what I wished to hear from you. Now, if the act of the visual power is the cause of the evil or good which proceed from seeing, whence comes it that in things divine we have more love than knowledge? Tans . We desire to see, because in some way we perceive the value of seeing. We are aware that, through the act of seeing, beautiful things offer themselves to us; and therefore we desire beautiful things. Cic . We desire the beautiful and the good; but seeing is not beautiful nor good; rather is it the touchstone or light by which we see, not only the beautiful and good, but also the evil and bad. Therefore it seems to me that seeing may be equally beautiful or good, as the thing seen may be white or black. If, then, the sight, which is an act, is not beautiful nor good, how can it fall into desire? Tans . If not for itself, yet certainly for some other reason, it is desired, seeing that there can be no apprehension of that other without it. Cic . What wilt thou say, if that other is not within the knowledge of the senses nor of the intellect? How, I say, can that be desired which is not seen, if there is no knowledge whatever of it—if towards it neither the intellect nor the sense has exercised any act whatever; but, on the contrary, it is even dubious whether it be intellectual or sensuous, whether a thing corporeal or incorporeal, whether it be one or two or more, or of one fashion or of another? Tans . I answer, that in the sense and the intellect there is one desire and one impulse to the sensuous in general; because the intellect will hear the whole truth, so that it may learn all that is beautiful or good intelligently; the power of the senses will inform itself of all that is sensuous, so that it may know all that is good and beautiful in the world of the senses.
Themes
Detachment Gelassenheitpraxis

Eckhart's Abgeschiedenheit/Gelassenheit — radical letting-go of will, image, and grasping that opens the soul to God; distinct from inner_silence (quietness) and from material renunciation, and adjacent to Sufi tark and Buddhist non-grasping as a practice rather than a metaphysical claim.

The command to 'not behold other beauty or goodness than that which is present' indicates a letting go of distractions.

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Gnosis Direct Knowledgesoteriology

Salvation through direct experiential knowledge of the divine nature, not through faith, ritual, or moral works alone.

The intellect is described as desiring to 'hear the whole truth' and learn all that is beautiful intelligently.

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Ladder Of Lovesoteriology

Diotima's staged ascent from love of beautiful bodies → beautiful souls → beautiful pursuits → beautiful knowledge → Beauty itself; the canonical scala amoris that grounds Plotinus's On the Beautiful and Bruno's Eroici Furori — distinct from generic spiritual_ascent in that eros is the specific motive force.

The text explicitly distinguishes between sensuous and intelligent love proceeding from different modes of seeing, mirroring the scala amoris ascent.

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Mystical Unionsoteriology

The merging of the individual soul or self with the divine, transcending personal identity.

The thoughts are instructed to be 'allured and attracted by the object' so they do not remain captive elsewhere but stay with the heart.

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Paradox As Teachingethics

Using apparent contradiction, reversal, or riddle to destabilise ordinary understanding and induce insight.

The dialogue questions how seeing, which is neither beautiful nor good itself, can fall into desire for the beautiful.

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Spiritual Ascentpraxis

A staged journey of the soul upward through heavenly realms or levels of being toward the divine source.

The dialogue outlines a progression from sensuous perception to intellectual truth and the desire for the divine whole.

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Tripartite Soulanthropology

Division of the human being into three principles: spirit (pneuma), soul (psyche), and body/matter (hyle or soma).

The passage distinguishes between the soul, thoughts, heart, intellect, and senses as distinct operative faculties.

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Active Contemplationpraxis

A form of meditation that uses imagery, imagination, or symbolic thought rather than purely empty stillness.

[auto] The soul actively instructs and arms thoughts with love to conduct themselves toward the object.

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Apophatic Theologytheology

Describing the divine only by negation—God transcends all positive categories and concepts; the via negativa.

[auto] The dialogue discusses an object that is not within the knowledge of senses or intellect, described by what it is not.

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Divine Madnesssoteriology

Ecstatic irrational rapture — Plato's mania, Bruno's furore — by which the soul transcends ordinary reason and attains direct contact with divine reality; madness reframed as higher knowledge.

[auto] The text describes a passionate love fired by flame that transcends ordinary reason to attain divine reality.

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Heroic Furorpraxis

Bruno's eroici furori — a passionate, ennobling spiritual ardor that drives the soul toward divine wisdom; distinguished from base or animal passions by its orientation to infinite truth.

[auto] The passage is from Bruno's work defining this concept, explicitly describing armed thoughts and love fired by a domestic flame as spiritual ardor.

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Inner Silencepraxis

The practice of stilling the mind and speech to open receptivity to divine knowledge or presence.

[auto] The text instructs thoughts to repress eyesight and close their eyes to focus inward on the present object.

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Return To Sourcesoteriology

The soul's journey back to its divine origin, reversing the fall into matter through stages of purification or illumination.

[auto] The soul dispatches thoughts to recall the heart and cause them to return to their origin.

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Related passages · 10 parallels
christian_mysticism|Meister Eckhart's Sermons (Field translation)|VId
That is not due to the heat, but to the variety of the materials. Similarly God works in all hearts not alike but in proportion as He finds them prepared and susceptible. If the heart is to be ready for the highest, it must he vacant of a…”
Both passages discuss the necessity of purifying the heart or soul to achieve a higher spiritual state. They emphasize the need to detach from worldly desires and focus on the divine, highlighting the concept of inner emptiness and receptivity to divine influence.
greek_mystery|Orphic Hymns|Hymn LXXVI. MNEMOSYNE, or the GODDESS of MEMORY
LXXVI. To MNEMOSYNE, or the GODDESS of MEMORY * . The FUMIGATION from FRANKINCENSE. THE consort I invoke of Jove divine, Source of the holy, sweetly-speaking Nine; p. 215 Free from th' oblivion of the fallen mind, By whom the soul with inte…”
Both passages explore the relationship between perception, desire, and the soul's connection to higher truths. They discuss the role of sight and memory in understanding and desiring the divine, emphasizing the soul's journey towards intellectual and spiritual illumination.
neoplatonism|Select Works of Plotinus|Select Works, Section 65
Section 4 4. But there are earlier and loftier beauties than these. In the sense-bound life we are no longer granted to know them, but the soul, taking no help from the organs, sees and proclaims them. To the vision of these we must mount,…”
Both passages discuss the nature of beauty and the soul's perception of it, emphasizing the higher, spiritual beauty that transcends physical senses. They both highlight the soul's ability to perceive this higher beauty and the profound emotional and intellectual responses it evokes.
neoplatonism|Select Works of Plotinus|Select Works, Section 66 (part 1)
Section 5 5. These Lovers, then, lovers of the beauty outside of sense, must be made to declare themselves. What do you feel in presence of the grace you discern in actions, in manners, in sound morality, in all the works and fruits of vi…”
Both passages discuss the nature of love and desire in relation to perception and the soul's higher understanding. They explore the idea that true love and beauty are perceived beyond the physical senses, through the soul's vision, and that this perception leads to a deeper, more profound experience.
neoplatonism|Select Works of Plotinus|Select Works, Section 392 (part 1)
Section 8 8. E. (13) We come to the doctrine of the Entelechy, and must enquire how it is applied to soul. It is thought that in the Conjoint of body and soul the soul holds the rank of Form to the Matter which here is the ensouled body-…”
Both passages explore the relationship between the soul, intellect, and perception. They discuss how the soul or intellect apprehends objects, whether they are corporeal or incorporeal, and the nature of the act of seeing or knowing. The passages share a deep concern with the nature of intellectual and sensuous perception, though they come from different mystical traditions.
platonism|Plato: Phaedrus|Section 1i
But hear what follows, and Perhaps the fit may be averted; all is in their hands above. I will go on talking to my youth. Listen: Thus, my friend, we have declared and defined the nature of the subject. Keeping the definition in view, le…”
Both passages explore the dynamics of love and desire, highlighting how love can lead to possessiveness and control. They also discuss the impact of love on the beloved's development and well-being, though from different philosophical and mystical perspectives.
platonism|Plato: Republic|Section 1c
Moreover, I said, you must not wonder that those who attain to this beatific vision are unwilling to descend to human affairs; for their souls are ever hastening into the upper world where they desire to dwell; which desire of theirs is ver…”
Both passages discuss the nature of perception and its role in desire and understanding. They explore how the act of seeing influences love and knowledge, and how the soul or mind processes and directs its focus towards the divine or the good.
platonism|Plato: Symposium|Section 1{
"These are the lesser mysteries of love, into which even you, Socrates, may enter; to the greater and more hidden ones which are the crown of these, and to which, if you pursue them in a right spirit, they will lead, I know not whether you…”
Both passages discuss the nature of love and beauty, emphasizing the progression from sensory to intellectual appreciation. They share the idea that true understanding and love come from transcending individual instances of beauty to grasp a higher, more universal concept.
western_esoteric|Tertium Organum (P.D. Ouspensky)|Chapter XV (part 5)
When one encounters these perversions of love, one involuntarily calls to mind the words of Zarathustra: 2 Voluptuousness: unto all hair-shirted despisers of the body, a string p. 173 and stake; and cursed as "the world" by all backworldsm…”
Both passages explore the nature of love and perception, emphasizing the role of seeing and understanding beyond the physical or material world. They discuss the deeper, often mystical aspects of love and how it transcends ordinary experience.
western_esoteric|Tertium Organum (P.D. Ouspensky)|Chapter XXII (part 16)
Having become indifferent to objects of perception, the pupil must seek out the Rajah of the senses, the Thought-Producer, him who awakes illusions. The mind is the great slayer of the real. Let the Disciple slay the Slayer. For— When to…”
Both passages discuss the need to control and focus the mind and senses to achieve higher spiritual understanding. They emphasize the importance of inner vision and the rejection of illusions or distractions to perceive the true nature of reality.