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Plato: Timaeus · 33 of 50 · tr. Benjamin Jowett

Section 1

The proof of this is, that when there is any obstruction to the respiration, and a man draws in his breath by force, then no smell filters through, but the air without the smell alone penetrates. Wherefore the varieties of smell have no name, and they have not many, or definite and simple kinds; but they are distinguished only painful and pleasant, the one sort irritating and disturbing the whole cavity which is situated between the head and the navel, the other having a soothing influence, and restoring this same region to an agreeable and natural condition. In considering the third kind of sense, hearing, we must speak of the causes in which it originates. We may in general assume sound to be a blow which passes through the ears, and is transmitted by means of the air, the brain, and the blood, to the soul, and that hearing is the vibration of this blow, which begins in the head and ends in the region of the liver. The sound which moves swiftly is acute, and the sound which moves slowly is grave, and that which is regular is equable and smooth, and the reverse is harsh. A great body of sound is loud, and a small body of sound the reverse. Respecting the harmonies of sound I must hereafter speak. There is a fourth class of sensible things, having many intricate varieties, which must now be distinguished. They are called by the general name of colours, and are a flame which emanates from every sort of body, and has particles corresponding to the sense of sight. I have spoken already, in what has preceded, of the causes which generate sight, and in this place it will be natural and suitable to give a rational theory of colours. Of the particles coming from other bodies which fall upon the sight, some are smaller and some are larger, and some are equal to the parts of the sight itself. Those which are equal are imperceptible, and we call them transparent. The larger produce contraction, the smaller dilation, in the sight, exercising a power akin to that of hot and cold bodies on the flesh, or of astringent bodies on the tongue, or of those heating bodies which we termed pungent. White and black are similar effects of contraction and dilation in another sphere, and for this reason have a different appearance. Wherefore, we ought to term white that which dilates the visual ray, and the opposite of this is black. There is also a swifter motion of a different sort of fire which strikes and dilates the ray of sight until it reaches the eyes, forcing a way through their passages and melting them, and eliciting from them a union of fire and water which we call tears, being itself an opposite fire which comes to them from an opposite direction-the inner fire flashes forth like lightning, and the outer finds a way in and is extinguished in the moisture, and all sorts of colours are generated by the mixture. This affection is termed dazzling, and the object which produces it is called bright and flashing. There is another sort of fire which is intermediate, and which reaches and mingles with the moisture of the eye without flashing; and in this, the fire mingling with the ray of the moisture, produces a colour like blood, to which we give the name of red. A bright hue mingled with red and white gives the colour called auburn. The law of proportion, however, according to which the several colours are formed, even if a man knew he would be foolish in telling, for he could not give any necessary reason, nor indeed any tolerable or probable explanation of them. Again, red, when mingled with black and white, becomes purple, but it becomes umber when the colours are burnt as well as mingled and the black is more thoroughly mixed with them.
Themes
Correspondencecosmology

The Hermetic axiom that the structure of the cosmos is reflected at every scale — 'as above, so below; as within, so without' — making each level a legible map of the others.

The text links bodily regions to cosmic functions like sight and hearing, reflecting a structural mapping between internal anatomy and external reality.

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Numerical Mysticismtheology

Numbers, proportions, and mathematical relationships as the underlying structure of divine reality.

The passage references the 'law of proportion' as a governing principle for color formation.

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Related passages · 2 parallels
neoplatonism|Select Works of Plotinus|Select Works, Section 367
Section 1 1. We undertook to discuss the question whether sight is possible in the absence of any intervening medium, such as air or some other form of what is known as transparent body: this is the time and place. It has been explained tha…”
Both passages explore the nature of perception, specifically sight, and the role of the medium through which perception occurs. They both delve into the interaction between the sense organs and external stimuli, though from different philosophical and mystical perspectives.
neoplatonism|Select Works of Plotinus|Select Works, Section 371
Section 5 5. But some doubt arises when we consider the phenomena of hearing. Perhaps we are to understand the process thus: the air is modified by the first movement; layer by layer it is successively acted upon by the object causing the s…”
Both passages explore the nature of sound and its perception, discussing the role of air and the medium through which sound travels. They both delve into the physical and sensory aspects of hearing, though from different philosophical and mystical traditions.