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Plato: Timaeus · 34 of 50 · tr. Benjamin Jowett

Section 1‚

Flame colour is produced by a union of auburn and dun, and dun by an admixture of black and white; pale yellow, by an admixture of white and auburn. White and bright meeting, and falling upon a full black, become dark blue, and when dark blue mingles with white, a light blue colour is formed, as flame-colour with black makes leek green. There will be no difficulty in seeing how and by what mixtures the colours derived from these are made according to the rules of probability. He, however, who should attempt to verify all this by experiment, would forget the difference of the human and divine nature. For God only has the knowledge and also the power which are able to combine many things into one and again resolve the one into many. But no man either is or ever will be able to accomplish either the one or the other operation. These are the elements, thus of necessity then subsisting, which the creator of the fairest and best of created things associated with himself, when he made the self-sufficing and most perfect God, using the necessary causes as his ministers in the accomplishment of his work, but himself contriving the good in all his creations. Wherefore we may distinguish two sorts of causes, the one divine and the other necessary, and may seek for the divine in all things, as far as our nature admits, with a view to the blessed life; but the necessary kind only for the sake of the divine, considering that without them and when isolated from them, these higher things for which we look cannot be apprehended or received or in any way shared by us. Seeing, then, that we have now prepared for our use the various classes of causes which are the material out of which the remainder of our discourse must be woven, just as wood is the material of the carpenter, let us revert in a few words to the point at which we began, and then endeavour to add on a suitable ending to the beginning of our tale. As I said at first, when all things were in disorder God created in each thing in relation to itself, and in all things in relation to each other, all the measures and harmonies which they could possibly receive. For in those days nothing had any proportion except by accident; nor did any of the things which now have names deserve to be named at all-as, for example, fire, water, and the rest of the elements. All these the creator first set in order, and out of them he constructed the universe, which was a single animal comprehending in itself all other animals, mortal and immortal. Now of the divine, he himself was the creator, but the creation of the mortal he committed to his offspring. And they, imitating him, received from him the immortal principle of the soul; and around this they proceeded to fashion a mortal body, and. made it to be the vehicle of the so and constructed within the body a soul of another nature which was mortal, subject to terrible and irresistible affections-first of all, pleasure, the greatest incitement to evil; then, pain, which deters from good; also rashness and fear, two foolish counsellors, anger hard to be appeased, and hope easily led astray-these they mingled with irrational sense and with all-daring love according to necessary laws, and so framed man. Wherefore, fearing to pollute the divine any more than was absolutely unavoidable, they gave to the mortal nature a separate habitation in another part of the body, placing the neck between them to be the isthmus and boundary, which they constructed between the head and breast, to keep them apart.
Themes
Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

The text describes God as a creator who 'associated with himself' and fashioned the universe like an animal.

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Body As Obstacleanthropology

The material body viewed as a prison, tomb, or source of error that hinders spiritual knowledge and return.

The passage lists mortal affections like pleasure and pain that deter from good and are subject to terrible affections.

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Correspondencecosmology

The Hermetic axiom that the structure of the cosmos is reflected at every scale — 'as above, so below; as within, so without' — making each level a legible map of the others.

The creator associated divine measures with the necessary causes to order all things in relation to each other.

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Cosmic Dualismtheology

Ontological opposition between two primal principles (light/darkness, truth/lie, spirit/matter) as the fundamental structure of reality.

The text distinguishes sharply between divine and necessary causes, and mortal and immortal natures.

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Divine Hiddennesstheology

The supreme God's radical concealment beyond ordinary knowledge or perception; the Hidden Father.

The passage states that God's knowledge and power are inaccessible to human nature and cannot be verified by experiment.

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Divine Providencetheology

Pronoia — the doctrine that the divine actively orders the unfolding of the cosmos and human affairs toward intelligible ends, against pure chance or blind necessity.

The passage explicitly describes God creating measures and harmonies to order all things in relation to each other.

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Evil As Privationtheology

Augustinian and Plotinian doctrine that evil has no positive being of its own but is a lack, distortion, or absence of the good — denying ontological dualism while preserving moral seriousness.

Pleasure is described as the greatest incitement to evil, suggesting a distortion of the good rather than an independent positive force.

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Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

God is depicted as an active creator who fashioned the universe and associated with himself in the creation process.

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Numerical Mysticismtheology

Numbers, proportions, and mathematical relationships as the underlying structure of divine reality.

The passage references 'measures and harmonies' as part of the divine ordering of things.

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Opposites Transcendedanthropology

The dissolution of binary oppositions (male/female, inner/outer, above/below) as a mark of spiritual completion.

The creator combined many things into one and resolved them back into many through divine power.

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Return To Sourcesoteriology

The soul's journey back to its divine origin, reversing the fall into matter through stages of purification or illumination.

The passage urges seeking for the divine in all things with a view to the blessed life.

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Separation From Sourcesoteriology

The felt condition of exile from one's divine origin — Rumi's reed flute torn from its bed, Plotinus's 'we have forgotten,' the Gnostic forgetfulness; the affective wound that complements return_to_source and gives the return its motive.

The mortal nature is described as being kept apart from the divine by the neck between head and breast.

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Spiritual Ascentpraxis

A staged journey of the soul upward through heavenly realms or levels of being toward the divine source.

The text advises seeking for the divine in all things with a view to the blessed life.

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Tripartite Soulanthropology

Division of the human being into three principles: spirit (pneuma), soul (psyche), and body/matter (hyle or soma).

The passage describes man as having an immortal soul of another nature and a mortal body housing irrational sense and affections.

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