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Select Works of Plotinus · 202 of 752 · tr. Thomas Taylor

Select Works, Section 204 (part 2)

But these actors, Souls, hold a peculiar dignity: they act in a vaster place than any stage: the Author has made them masters of all this world; they have a wide choice of place; they themselves determine the honour or discredit in which they are agents since their place and part are in keeping with their quality: they therefore fit into the Reason-Principle of the Universe, each adjusted, most legitimately, to the appropriate environment, as every string of the lyre is set in the precisely right position, determined by the Principle directing musical utterance, for the due production of the tones within its capacity. All is just and good in the Universe in which every actor is set in his own quite appropriate place, though it be to utter in the Darkness and in Tartarus the dreadful sounds whose utterance there is well. This Universe is good not when the individual is a stone, but when everyone throws in his own voice towards a total harmony, singing out a life- thin, harsh, imperfect, though it be. The Syrinx does not utter merely one pure note; there is a thin obscure sound which blends in to make the harmony of Syrinx music: the harmony is made up from tones of various grades, all the tones differing, but the resultant of all forming one sound. Similarly the Reason-Principle entire is One, but it is broken into unequal parts: hence the difference of place found in the Universe, better spots and worse; and hence the inequality of Souls, finding their appropriate surroundings amid this local inequality. The diverse places of this sphere, the Souls of unequal grade and unlike conduct, are wen exemplified by the distinction of parts in the Syrinx or any other instrument: there is local difference, but from every position every string gives forth its own tone, the sound appropriate, at once, to its particular place and to the entire plan. What is evil in the single Soul will stand a good thing in the universal system; what in the unit offends nature will serve nature in the total event- and still remains the weak and wrong tone it is, though its sounding takes nothing from the worth of the whole, just as, in another order of image, the executioner's ugly office does not mar the well-governed state: such an officer is a civic necessity; and the corresponding moral type is often serviceable; thus, even as things are, all is well.
Themes
Emanation Hierarchycosmology

A chain of divine beings or principles flowing downward from a single transcendent source (the One or the Father), each level less perfect than the one above.

The passage mentions the Reason-Principle 'bringing about differentiation' and 'creating' contrarieties, implying a generative flow.

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Logoscosmology

The divine reason, word, or ordering principle through which the universe was created; mediates between the transcendent God and the material world.

[auto] The passage centers entirely on the nature and function of the 'Reason-Principle' (Logos) as a universal ordering force.

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Opposites Transcendedanthropology

The dissolution of binary oppositions (male/female, inner/outer, above/below) as a mark of spiritual completion.

[auto] It argues that the Principle achieves completeness by unifying contrarieties rather than merely diverse things.

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Paradox As Teachingethics

Using apparent contradiction, reversal, or riddle to destabilise ordinary understanding and induce insight.

[auto] The passage employs the paradoxical claim that a Principle must be multiple to be universal and complete.

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Unity Of Beingtheology

The doctrine that all existence is ultimately one substance or one divine reality; non-duality as a theological claim.

[auto] The text describes the Reason-Principle as a 'unification of conflicting Reason-Principles' where opposition supports coherence.

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