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Iamblichus: On the Mysteries · 174 of 218 · tr. Thomas Taylor

Chapter VIIIn

As, therefore, it is possible for the tyrannic life, when suddenly changed, to become aristocratic, through employing strenuous promptitude and a divine allotment, but the gradual ascent is from a tyrannic to a democratic, and from this to an oligarchic life, afterwards to a timocratic, and at last to an aristocratic life, but the descent and lapse are vice versa; thus also here, the soul being about to ascend, and be restored to its former felicity, is in the first place possessed with the musical mania, afterwards with the telestic, then with the prophetic, and, in the last place, with the amatory mania. These inspirations, however; conspire with, and are in want of, each other; so abundant is their communion. For the telestic requires the prophetic [159] mania; since the latter [160] interprets many things pertaining to the former. And again, the prophetic requires the telestic mania. For the telestic mania perfects and establishes oracular predictions. Farther still, the prophetic uses the poetic and musical mania. For prophets, as I may say, always speak in verse. And again, the musical uses the prophetic mania spontaneously, as Plato says. But what occasion is there to speak about the amatory and musical 355 manias? For nearly the same persons exercise both these, as, for instance, Sappho, Anacreon, and the like, in consequence of these not being able to subsist without each other. But it is very evident that the amatory mania contributes to all these, since it is subservient to enthusiasm of every kind: for no enthusiasm can be effected without amatory inspiration. And you may see how Orpheus appears to have applied himself to all these, as being in want of, and adhering to, each other. For we learn that he was most telestic, and most prophetic, and was excited by Apollo; and besides this, that he was most poetic, on which account he is said to have been the son of Calliope. He was likewise most amatory, as he himself acknowledges to Musæus, extending to him divine goods, and rendering him perfect. Hence he appears to have been possessed with all the manias, and this by a necessary consequence. For there is an abundant union, conspiration, and alliance with each other, of the Gods who preside over these manias, viz. of the Muses, Bacchus, Apollo, and Love. “It remains, therefore, that we should unfold the nature of each of the manias, previously observing that those which are internal, and originate from the soul itself, and give perfection to it, are of one kind; but the external energies of them, and which preserve the outward man, and our nature, are of another. The four external, however, are analogous to the four internal manias. Let us consider, therefore, in the first place, the internal, and which alone originate from the soul itself, and let us see what they effect in the soul. In order, likewise, that this may become manifest, and also their arrangement, let us survey from on high, the descent, as Plato says, and defluxion of the wings of the soul. From the beginning, therefore, and at first, the soul was united to the Gods, and its unity to their one. But afterwards the soul departing from this divine union descended into intellect, and no longer possessed real beings unitedly, and in one, but apprehended and surveyed them by simple projections, and, as it were, contacts of its intellect.
Themes
Alchemical Workpraxis

The transformation of base substance — outer matter or the inner soul — into a purified, perfected, or 'gold' state; the magnum opus as both laboratory practice and spiritual allegory.

The passage describes a staged transformation of the soul from tyrannic to aristocratic states, mirroring the alchemical process of purification and perfection.

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Cosmic Sympathycosmology

The Stoic and Plotinian doctrine that all parts of the cosmos are bound by hidden affinities, so that a movement in one part resonates through the whole; the metaphysical basis for astrology, magic, and divination.

The text notes that inspirations 'conspire with, and are in want of, each other,' indicating a hidden affinity between divine states.

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Divine Madnesssoteriology

Ecstatic irrational rapture — Plato's mania, Bruno's furore — by which the soul transcends ordinary reason and attains direct contact with divine reality; madness reframed as higher knowledge.

The passage centrally defines the ascent as being possessed by specific manias like musical, telestic, and prophetic inspirations that perfect the soul.

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Emanation Hierarchycosmology

A chain of divine beings or principles flowing downward from a single transcendent source (the One or the Father), each level less perfect than the one above.

The text outlines a descent from the divine union into intellect and then into lower levels of being, implying a hierarchical flow downward.

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Gnosis Direct Knowledgesoteriology

Salvation through direct experiential knowledge of the divine nature, not through faith, ritual, or moral works alone.

The ascent is described as restoring the soul to its former felicity through direct inspirations rather than external ritual alone.

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Ladder Of Lovesoteriology

Diotima's staged ascent from love of beautiful bodies → beautiful souls → beautiful pursuits → beautiful knowledge → Beauty itself; the canonical scala amoris that grounds Plotinus's On the Beautiful and Bruno's Eroici Furori — distinct from generic spiritual_ascent in that eros is the specific motive force.

The ascent includes stages such as amatory mania and the union with Gods presiding over these states.

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Mystical Unionsoteriology

The merging of the individual soul or self with the divine, transcending personal identity.

The soul's restoration to its former felicity implies a merging or reconnection with the divine source.

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Return To Sourcesoteriology

The soul's journey back to its divine origin, reversing the fall into matter through stages of purification or illumination.

The passage explicitly states that the soul is about to ascend and be restored to its former felicity from its descent into intellect.

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Spiritual Ascentpraxis

A staged journey of the soul upward through heavenly realms or levels of being toward the divine source.

The text details a staged journey of the soul ascending through various manias toward divine perfection and restoration.

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Related passages · 5 parallels
christian_mysticism|Pseudo-Dionysius: The Divine Names|Chapter 4, Section 1o
And herein the Divine Yearning showeth especially its beginningless and endless nature, revolving in a perpetual circle for the Good, from the Good, in the Good, and to the Good, with unerring revolution, never varying its centre or directi…”
Both passages discuss the concept of divine inspiration and the interconnectedness of various forms of spiritual or mystical experiences. Iamblichus describes different types of manias leading to spiritual ascent, while Hierotheus discusses the nature of yearning and its role in uniting different levels of existence. Both emphasize the hierarchical and interconnected nature of spiritual phenomena.
greek_mystery|Orphic Hymns|Hymn LXXV. THE MUSES (part 1)
LXXV. TO THE MUSES. The FUMIGATION from FRANKINCENSE. Daughters of Jove, dire-sounding and divine, 1 Renown'd Pierian, sweetly speaking Nine; p. 206 To those whose breasts your sacred furies fire Much-form'd, the objects of supreme desi…”
Both passages discuss the concept of divine inspiration and the role of muses or manias in elevating the soul. They share a common theme of the soul's ascent through various states of divine influence, though they come from different mystical traditions.
platonism|Plato: Phaedrus|Section 1m
For prophecy is a madness, and the prophetess at Delphi and the priestesses at Dodona when out of their senses have conferred great benefits on Hellas, both in public and private life, but when in their senses few or none. And I might also…”
Both passages discuss the concept of divine madness or mania as a source of inspiration and divine connection. They highlight different types of manias and their roles in human life, showing a genuine conceptual parallel across different mystical traditions.
platonism|Plato: Timaeus|Section 1p
Now, when they should be implanted in bodies by necessity, and be always gaining or losing some part of their bodily substance, then in the first place it would be necessary that they should all have in them one and the same faculty of sens…”
Both passages discuss the ascent and descent of the soul, the role of divine inspiration or manias, and the transformation of the soul through various states or bodies. They share a common theme of the soul's journey and the influence of divine forces, though they come from different mystical traditions.
renaissance_hermeticism|The Heroic Enthusiasts, Part I (Gli Eroici Furori)|Third Dialoguea
. Tansillo . There are several varieties of enthusiasts, which may all be reduced to two kinds. While some only display blindness, stupidity, and irrational impetuosity, which tend towards savage madness, others by divine abstraction bec…”
Both passages discuss different types of divine inspiration or manias, highlighting their interdependence and the transformative effects they have on the soul or individual. They explore the hierarchy and interplay of these inspirations, emphasizing their divine origins and the elevated state they confer upon those who experience them.