← Home
The Golden Verses of Pythagoras · 49 of 122 · tr. Florence M. Firth

Section 13 (part 16)

160 Αἶψα δὲ ποιήσασα γένος πολιοῦ ἀδάμαντος τεῦξε μέγα δρέπανον καὶ ἐπέφραδε παισὶ φίλοισιν· εἶπε δὲ θαρσύνουσα, φίλον τετιημένη ἦτορ· «Παῖδες ἐμοὶ καὶ πατρὸς ἀτασθάλου, αἴ κ᾽ ἐθέλητε πείθεσθαι, πατρός κε κακὴν τισαίμεθα λώβην 165 ὑμετέρου· πρότερος γὰρ ἀεικέα μήσατο ἔργα.» Ὥς φάτο· τοὺς δ᾽ ἄρα πάντας ἕλεν δέος, οὐδέ τις αὐτῶν φθέγξατο. Θαρσήσας δὲ μέγας Κρόνος ἀγκυλομήτης ἂψ αὖτις μύθοισι προσηύδα μητέρα κεδνήν· «Μῆτερ, ἐγώ κεν τοῦτό γ᾽ ὑποσχόμενος τελέσαιμι 170 ἔργον, ἐπεὶ πατρός γε δυσωνύμου οὐκ ἀλεγίζω ἡμετέρου· πρότερος γὰρ ἀεικέα μήσατο ἔργα».
Themes
Emanation Hierarchycosmology

A chain of divine beings or principles flowing downward from a single transcendent source (the One or the Father), each level less perfect than the one above.

A divine genealogy is presented where the Muses flow from the union of Zeus and Mnemosyne, establishing a hierarchical order.

All passages →
Separation From Sourcesoteriology

The felt condition of exile from one's divine origin — Rumi's reed flute torn from its bed, Plotinus's 'we have forgotten,' the Gnostic forgetfulness; the affective wound that complements return_to_source and gives the return its motive.

The divine offspring are hidden in the depths and denied access to light, representing a state of separation from the luminous source.

All passages →
Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

[auto] The passage attributes human family characteristics to the divine, describing Zeus as a father with daughters (the Muses) and referencing physical features like knees.

All passages →
Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

[auto] Zeus is depicted as an active, dynamic deity who judges, rules, and fathers divine offspring rather than an abstract principle.

All passages →