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Pistis Sophia · 70 of 160 · tr. George Horner

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But answered the First Mystery, said he to Martha, I command to thee Martha for to utter the 88 explanation of the words, these which said the Sophia in her hymn. But answered Martha said she, My Lord, these are the words which thy power of light prophesied once by David in the seventh psalm, God is a judge of truth, strong, compassionate, being not wont to bring his anger day by day: if ye turn not yourselves he will whet his sword, he stretched his bow, he made (it) ready: he made ready in it [164 ] weapons of death, his arrows he fashioned for those whom they will burn. Behold, the violence travailed, he conceived trouble he brought forth unlawfulness, he dug a pit, he excavated it, he will fall down unto the hole which he fashioned, his trouble will turn upon his head and his violence (is) coming upon the middle of his head. But these having said them Martha, said he to her the First Mystery who looketh outwards, Well (done and) fairly, Martha, the happy. It happened therefore, Jesus having finished saying unto his disciples all the things which happened to the Pistis Sophia, being in the Chaos, and with the manner (in) which she hymned up unto the Light, until he delivered her and brought her up from the Chaos, [164 ] and brought her in unto the twelve Aeon, and with the manner (in) which he delivered her out of all her oppressions, with which oppressed her the Rulers of the Chaoses, because that she lusted to go (close) to the Light. Added again in the word Jesus, said he to his disciples, It happened therefore after all these (things) I took away the Pistis Sophia, I brought her in unto the thirteenth Aeon, I, shining greatly greatly, there being not measure unto the light which was becoming from me, I came in unto the Place of the twenty-four (fourth, MS ) Invisibles, I, shining greatly greatly; and they were disturbed with great disturbance: they looked, they saw the Sophia who was being with me, they recognised her. [165 ] But I, they recognised me not who I (was), but they were thinking of me as of an emanation of the land of the Light. It happened therefore, the Sophia having seen her fellow Invisibles, she rejoiced in great joy, and she was delighted greatly; she wished to show to them the wonders which I did with her below in the land of the mankind, until I delivered her. She came up unto the midst of the Invisibles, she hymned unto me in their midst, saying, I shall manifest to thee, O Light, because thou art a Saviour, and thou art a redeemer at every time: I shall hymn this hymn unto the Light because he delivered me: and he delivered out of the hand of the Rulers [165 ] mine enemies. And thou deliveredst me in all the Places, and thou deliveredst me from 89 the exaltation and the humiliation of the Chaoses, and from the Aeons of the Rulers of the Sphere. And I having come out of the Height, I went astray in Places, there being not light in them. I could not return into the thirteenth Aeon my dwelling, because there is not light in me nor power, my power was defective altogether, and the Light delivered me from all my afflictions. I hymned up unto the Light, he heard me, they having afflicted me. He guided me in the creation of the Aeons, for him to bring me up unto the thirteenth Aeon, my dwelling.
Themes
Aeonscosmology

Divine archetypal beings or eternal attributes dwelling within the Pleroma, often arranged in male-female syzygies.

The text explicitly mentions the 'twelve Aeon' and 'thirteenth Aeon' as destinations for the liberated Sophia.

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Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

God is described with human attributes such as stretching a bow, whetting a sword, and having enemies.

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Body As Obstacleanthropology

The material body viewed as a prison, tomb, or source of error that hinders spiritual knowledge and return.

The text describes the 'Rulers of the Chaoses' and 'oppressions' that hinder Sophia's liberation.

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Cosmic Dualismtheology

Ontological opposition between two primal principles (light/darkness, truth/lie, spirit/matter) as the fundamental structure of reality.

The passage establishes a clear ontological opposition between the Light and the Rulers of the Chaoses.

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Divine Hiddennesstheology

The supreme God's radical concealment beyond ordinary knowledge or perception; the Hidden Father.

The Invisibles are described as not recognizing Jesus despite his presence.

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Divine Lighttheology

The uncreated luminous quality of the divine, sometimes experienced directly in mystical states; illumination as revelation.

Light is repeatedly invoked as the source of salvation and the medium through which Sophia is delivered.

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Eschatological Judgmentsoteriology

Final, collective cosmic judgment as an event in which the wicked are sentenced and the cosmos restored; distinct from psychopomp_journey (individual passage at death) and emphasising verdict where Zoroastrian frashokereti emphasises restoration.

The text references God's judgment of truth and the threat of wrath against those who do not repent.

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Fall Of Sophiacosmology

The Gnostic myth of Wisdom's prolapse from the Pleroma — her unilateral desire or error producing the Demiurge and the entrapment of divine sparks in matter.

The narrative centers on Sophia's descent into the Chaos and her liberation from oppression by the Rulers.

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Gnosis Direct Knowledgesoteriology

Salvation through direct experiential knowledge of the divine nature, not through faith, ritual, or moral works alone.

Salvation is achieved through the direct utterance of words and knowledge of the Light rather than external rituals.

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Hidden Sayingssoteriology

Esoteric teachings reserved for those ready to receive them; outer meaning conceals an inner liberating truth.

The text emphasizes the 'explanation' of Sophia's hymn as a key to liberation reserved for Martha.

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Inner Lightanthropology

The divine spark or luminous quality residing within the human person, potentially recognisable through introspection.

The text mentions that there is not light in Sophia nor power within her at the time of her oppression.

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Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

God is depicted as an active agent who hears, guides, and delivers Sophia from oppression.

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Paradox As Teachingethics

Using apparent contradiction, reversal, or riddle to destabilise ordinary understanding and induce insight.

The text uses paradoxical imagery such as God whetting his sword while being compassionate.

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Prayerpraxis

Direct address to the divine, whether petitionary, contemplative, or liturgical; speech and silence offered upward.

Sophia hymns up to the Light and Jesus speaks directly to his disciples about the events.

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Return To Sourcesoteriology

The soul's journey back to its divine origin, reversing the fall into matter through stages of purification or illumination.

The narrative arc involves Sophia being delivered from the Chaos and brought back to her dwelling in the thirteenth Aeon.

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Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

The text emphasizes the power of words and hymns in revealing truth and effecting liberation.

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Separation From Sourcesoteriology

The felt condition of exile from one's divine origin — Rumi's reed flute torn from its bed, Plotinus's 'we have forgotten,' the Gnostic forgetfulness; the affective wound that complements return_to_source and gives the return its motive.

Sophia is depicted as having gone astray in Places without light and power, separated from her dwelling.

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Spiritual Ascentpraxis

A staged journey of the soul upward through heavenly realms or levels of being toward the divine source.

The narrative describes Sophia's journey from the Chaos to the thirteenth Aeon through liberation.

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Theosis Deificationsoteriology

The doctrine — central to Eastern Orthodox and Maximian theology — that the human person is progressively transformed into a partaker of the divine nature by grace, not merely justified or united in passing ecstasy.

Sophia is described as being brought in unto the Aeon and delivered by the Light.

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Theurgypraxis

Iamblichean ritual practice that engages the gods directly through consecrated material symbols and actions, on the premise that divine power descends into properly prepared matter — distinct from philosophical contemplation alone.

The liberation of Sophia occurs through Jesus' active intervention rather than passive contemplation.

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Related passages · 4 parallels
egyptian|The Egyptian Book of the Dead (Papyrus of Ani)|Chapter 29 (part 1)
PLATE XXI. "Thou dost place thy disk in the west, and my two hands are [raised] in adoration [of thee] when thou settest (30) as a living being. Behold, thou art the maker of eternity, and thou art adored [when] thou settest in the heaven…”
Both passages describe a divine being who brings light and salvation, with themes of redemption and hymns of praise. The passages share a mystical tone and focus on the deliverance of a spiritual entity.
jewish_mysticism|The Book of Enoch (1 Enoch, Charles translation)|Chapter XV
CHAPTER XV. 1. And He answered and said to me, and I heard His voice: 'Fear not, Enoch, thou righteous man and scribe of righteousness: approach hither and hear my voice. 2. And go, say to ⌈⌈ the Watchers of heaven ⌉⌉ , who have sent thee t…”
Both passages describe a divine figure intervening to save a being in distress. In Passage A, Jesus rescues Pistis Sophia from the Chaos, while in Passage B, Enoch is sent to intercede for the Watchers who have defiled themselves. Both involve themes of redemption and divine intervention.
mandaean|Gnostic John the Baptizer — The Story of the Breach with Judaism|Section 2
Thereon he cried: "Come (pl.), look on Miryai, who has left Jewry and gone to make love with her lord. Come, look on Miryai, who has left off coloured raiment and gone to make love with her lord. She forsook gold and silver and went to make…”
Both passages depict a figure (Miryai in Passage A and Pistis Sophia in Passage B) who has undergone a transformative spiritual experience, leaving behind a previous way of life and embracing a new spiritual path. Both passages also include elements of conflict with traditional religious authorities and a celebration of the newfound spiritual knowledge.
sufism|The Masnavi, Book I (Rumi)|STORY XVa
Counsels of Reserve given by the Prophet to his Freedman Zaid. At dawn the Prophet said to Zaid, "How is it with thee this morning, O pure disciple?" He replied, "Thy faithful slave am I." Again he said, "If the garden of faith has bloomed…”
Both passages describe a mystical journey and redemption, with a focus on divine light and the transformation of the soul. They share themes of divine intervention, spiritual ascent, and the ultimate union with the divine, though they come from different religious traditions.