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The Dhammapada · 1 of 3 · tr. F. Max Müller

Chapter IV, Section 1a

p. 16 CHAPTER IV. FLOWERS [1] . 44. Who shall overcome this earth, and the world of Yama (the lord of the departed), and the world of the gods? Who shall find out the plainly shown path of virtue, as a clever man finds out the (right) flower? 45. The disciple will overcome the earth, and the world of Yama, and the world of the gods. The disciple will find out the plainly shown path of virtue, as a clever man finds out the (right) flower. [1. See Beal, Dhammapada, p. 75. 44, 45. If I differ from the translation of Fausböll and Weber, it is because the commentary takes the two verbs, vi g essati and pa k essati, to mean in the end the same thing, i.e. sa kkh i-karissati, 'he will perceive.' I have not ventured to take vi g essate for vi g anissati, though it should be remembered that the overcoming of the earth and of the worlds below and above, as here alluded to, is meant to be achieved by means of knowledge. Pa k essati, 'he will gather' (cf. vi- k i, Indische Sprüche, 4560), means also, like 'to gather' in English, 'he will perceive or understand,' and the dhammapada, or 'path of virtue,' is distinctly explained by Buddhaghosa as consisting of the thirty-seven states or stations which lead to Bodhi. (See Burnouf, Lotus, p. 430; Hardy, Manual, p. 497.) Dhammapada might, no doubt, mean also 'a law-verse,' and sudesita, 'well taught,' and this double meaning may be intentional here as elsewhere. Buddha himself is called Mârga-dar s aka and Mârga-de s ika (cf. Lal. Vist. p. 551). There is a curions similarity between these verses and verses 6540-41, and 9939 of the S ânti-parva: Pushpâ n îva vi k invantam anyatragatamanasam, Anavâpteshu kâmeshu m ri tyur abhyeti mânavam. 'Death approaches man like one who is gathering flowers, and whose mind is turned elsewhere, before his desires have been fulfilled.' Supta m vyâghra m mahaugho vâ m ri tyur âdâya ga kkh ati, Sa ñk invânakam evaina m kâmânâm avit ri ptikam. 'As a stream (carries off) a sleeping tiger, death carries off this man who is gathering flowers, and who is not satiated in his pleasures.' This last verse, particularly, seems to me clearly a translation from Pâli, and the kam of sa ñk invânakam looks as if put in metri causâ.] p. 17 46. He who knows that this body is like froth, and has learnt that it is as unsubstantial as a mirage, will break the flower-pointed arrow of Mâra, and never see the king of death. 47. Death carries off a man who is gathering flowers and whose mind is distracted, as a flood carries off a sleeping village. 48. Death subdues a man who is gathering flowers, and whose mind is distracted, before he is satiated in his pleasures. 49. As the bee collects nectar and departs without injuring the flower, or its colour or scent, so let a sage dwell in his village. 50. Not the perversities of others, not their sins [46.
Themes
Body As Obstacleanthropology

The material body viewed as a prison, tomb, or source of error that hinders spiritual knowledge and return.

The text explicitly compares the human body to froth and a mirage, suggesting it is an unsubstantial hindrance to spiritual progress.

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Detachment Gelassenheitpraxis

Eckhart's Abgeschiedenheit/Gelassenheit — radical letting-go of will, image, and grasping that opens the soul to God; distinct from inner_silence (quietness) and from material renunciation, and adjacent to Sufi tark and Buddhist non-grasping as a practice rather than a metaphysical claim.

The sage is instructed to dwell in his village without injuring the flower or its scent, reflecting a radical letting-go of attachment and action.

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Funerary Navigationpraxis

Texts and rituals guiding the soul through death.

The text explicitly addresses the overcoming of the world of Yama and the king of death, focusing on the afterlife journey.

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Gnosis Direct Knowledgesoteriology

Salvation through direct experiential knowledge of the divine nature, not through faith, ritual, or moral works alone.

The passage emphasizes overcoming realms through 'knowledge' and perceiving the truth of the body's nature rather than ritual or moral works alone.

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Paradox As Teachingethics

Using apparent contradiction, reversal, or riddle to destabilise ordinary understanding and induce insight.

The text uses paradoxical imagery such as the body being like froth and the sage dwelling in his village without injuring flowers to convey spiritual truth.

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Return To Sourcesoteriology

The soul's journey back to its divine origin, reversing the fall into matter through stages of purification or illumination.

Overcoming the world of Yama suggests a return to a higher state beyond ordinary realms.

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Self Knowledgesoteriology

The recognition of one's own true divine nature as the primary path to liberation; 'know thyself' as soteriology.

The text states that knowing the body's nature allows one to overcome death and find the path of virtue.

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Spiritual Ascentpraxis

A staged journey of the soul upward through heavenly realms or levels of being toward the divine source.

The disciple overcoming the world of Yama implies a movement upward beyond lower realms toward liberation.

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Sunyata Emptinesssoteriology

The Buddhist doctrine that all phenomena lack independent self-nature; emptiness as the positive recognition that things arise only in dependence on conditions — distinct from kenoma's mere deficiency.

The passage centrally defines the body as 'unsubstantial as a mirage' and 'like froth,' directly expressing the core Buddhist doctrine of emptiness.

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Related passages · 2 parallels
christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 13 (part 1)
p. 263 CHAPTER XIII. REGENERATION. "Art thou a master of Israel, and knowest not of those things?" — John iii. 10. "Whoever will come after Me, let him deny himself, and take up his cross daily, and follow Me."— Luke ix. 23. No man c…”
Both passages emphasize the need for spiritual transformation and the impermanence of the physical body. The Dhammapada speaks of overcoming worldly attachments and finding the path of virtue, while the Christian text discusses spiritual regeneration and the necessity of becoming like a child to enter the kingdom of God.
greek_mystery|The Golden Verses of Pythagoras|Section 12 (part 1)
p. 67 THE SYMBOLS OF PYTHAGORAS All the Symbols are exhortatory in common to the whole of virtue; but particularly each to some particular virtue. Different symbols also are differently adapted to parts of philosophy and discipline. Thus…”
Both passages emphasize the importance of spiritual discipline and the pursuit of divine knowledge. They share a common theme of preparing oneself, both physically and mentally, to engage in worship or virtuous living, though they come from different mystical traditions.