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Transcendental Magic II: The Ritual (Éliphas Lévi) · 80 of 123 · tr. A.E. Waite

16. Witchcraft And Spellsb

They are persuaded, and often rightly, that the victim of their infamous operations experiences as many tortures as if his own heart had been pierced at all points. He begins to waste away and dies after a time of an unknown disease. Another bewitchment, made use of by country people, consists in consecration of nails to works of hatred by means of the stinking fumigations of Saturn and invocations of evil genii. They follow the footsteps of the person whom it is sought to torment, and drive the nails cross-wise into every imprint of his feet which can be traced upon the earth or sand. Yet another and more abominable practice. A fat toad is selected; it is baptized; the name and surname of the person to be bewitched is given it; it is made to swallow a Consecrated Host over which the formulae of execration have been pronounced. The animal is then wrapped in magnetized objects, bound with the hairs of the victim, upon which the operator has previously spat, and is buried at the threshold of the bewitched person's door, or at some point where he is obliged to pass daily. The elementary spirit of the toad will become a nightmare and vampire, haunting the dreams of the victim, unless indeed he should know how to drive it back on the operator. Let us pass now to bewitchments by waxen images. The sorcerers of the Middle Ages, eager to please by their sacrileges him whom they regarded as their master, mixed baptismal oil and ashes of Consecrated Hosts with a modicum of wax. Apostate priests were never wanting to deliver them the treasures of the Church. With the accursed wax they formed an image as far as possible resembling the person whom they desired to bewitch. They clothed this image with garments similar to his; they administered to it the sacraments which he received; they called down upon its head all maledictions which could express the hatred of the sorcerer, inflicting daily imaginary tortures upon it, so as to reach and torment by sympathy the person whom the image represented. This bewitchment is more infallible if the hair, blood and above all a tooth of the victim can be procured. It was this which gave rise to the proverbial saying: You have a tooth against me -meaning, you bear me a grudge. There is also bewitchment by the glance, called the jettatura or evil eye in Italy. During our civil wars, a shopkeeper had the misfortune to inform against one of his neighbours, who after a period of detention was set at liberty, but with his position lost. His sole vengeance was to pass twice daily the shop of the informer, whom he regarded fixedly, saluted and went on. Some little time after, the shopkeeper, unable to bear the torment of his glance any longer, sold his goods at a loss and changed his neighbourhood, leaving no address. In a word, he was ruined. A threat is a real bewitchment, because it acts powerfully on the imagination, above all when the latter is open readily to belief in an occult and unlimited power. The terrible menace of hell, that bewitchment of humanity, during so many centuries, has created more nightmares more nameless diseases, more furious madness, than all vices and all excesses combined. This is what Hermetic artists of the Middle Ages represented by the incredible and unheard-of monsters which they carved about the doorways of basilicas. But bewitchment by threat produces an effect altogether contrary to the intentions of the operator when it is evidently vain intimidation; when it does outrage to the legitimate pride of the menaced person and consequently provokes his resistance; or finally, when it is ridiculous by its atrocity. The sectaries of hell have discredited heaven.
Themes
Animismcosmology

The doctrine and worldview that natural phenomena, places, and objects possess inherent spirit, soul, or personality — and that the cosmos is populated by countless local, plural, embodied divine agents: kami in mountain and tree, sidhe in cairn and well, landwights in field and stone, nymphs in spring and grove, haltija in forest and lake, lares and penates in household and threshold, Iamblichean daemons in element and place. Distinct from monotheism (single transcendent God), pantheism (one underlying substance), and emanation_hierarchy (cascading single source); animism's signature is the plurality, locality, and embodied-in-landscape character of the divine.

It refers to 'elementary spirit[s]' inhabiting the toad and 'evil genii' invoked in rituals as active agents.

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Cosmic Sympathycosmology

The Stoic and Plotinian doctrine that all parts of the cosmos are bound by hidden affinities, so that a movement in one part resonates through the whole; the metaphysical basis for astrology, magic, and divination.

The passage explicitly describes bewitchment working through 'sympathy' between the image or toad and the victim as the central mechanism of the magic.

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Forbidden Knowledgesoteriology

Transgressive knowing acquired against divine prohibition — the Watchers' teaching of metallurgy, sorcery, and cosmetics in 1 Enoch, the Gnostic Eve narratives, the Promethean mytheme; explicitly contrasted with gnosis_direct_knowledge, which is salvific.

The passage describes 'infamous operations' and 'sacrileges' involving apostate priests and hellish sectaries as transgressive practices.

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Word Power Incantationpraxis

The doctrine and practice that spoken or sung word carries causal-magical force — that uttering names, formulas, songs, or incantations alters reality directly rather than merely communicating about it. Vainamoinen's runo-songs that move mountains and command iron, Norse galdr, Vedic mantra, Shinto kotodama, the magician's barbarous names in the Greek Magical Papyri, Iamblichean arcane signatures and inexplicable symbols, biblical creation-by-word. Distinct from sacred_names (the ontological power of names themselves) and prayer (address to the divine); word_power_incantation is the magical-causal efficacy of the spoken word as such.

It mentions the use of 'formulae of execration' and 'invocations' that carry magical force to torment the victim.

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Related passages · 5 parallels
renaissance_hermeticism|Agrippa: The Philosophy of Natural Magic, Chapter XVI — How the Operations of Several Virtues Pass from One Thing Into Another, and Are Communicated One to the Other|Chapter XVI, Section 1
CHAPTER XVI. How the Operations of Several Virtues Pass from One Thing Into Another, and Are Communicated One to the Other . Thou must know that so great is the power of natural things that they not only work upon all things that are near t…”
Both passages discuss the concept of sympathetic magic, where actions performed on one object are believed to affect a person or another object associated with it. They explore the idea of transferring properties or influences through various means, such as using images, objects, or rituals to impact a target.
renaissance_hermeticism|Agrippa: The Philosophy of Natural Magic, Chapter XLI — XLI. Of Sorceries, and Their Power|Chapter XLI, Section 1
CHAPTER XLI. Of Sorceries, and Their Power . The force of sorceries is reported to be so great that they are believed to be able to subvert, consume and change all inferior things, according to Virgil's muse: Mœris for me these herbs in Pon…”
Both passages describe the practice of sympathetic magic, where actions performed on an object are believed to affect the person it represents. They share the concept of using physical representations (toads, wax images, hairs) to harm or influence individuals, demonstrating a structural parallel in the use of ritualistic practices to achieve desired outcomes.
renaissance_hermeticism|Agrippa: The Philosophy of Natural Magic, Chapter XLII — Of the Wonderful Virtues of Some Kinds of Sorceries|Chapter XLII, Section 1b
The hairs of a catamenious person, put under compost, breed serpents; and, if they be burnt, will drive away serpents with their smell. So great a poisonous force is in them that they are poison to poisonous creatures. There is, also, hip…”
Both passages discuss the concept of sympathetic magic, where actions performed on an object are believed to affect the person it represents. They also describe various methods of bewitchment and the use of specific items (like toads, wax images, and animal parts) to cause harm or influence others.
renaissance_hermeticism|Agrippa: The Philosophy of Natural Magic, Chapter L — Of Fascination, and the Art Thereof|Chapter L, Section 1
CHAPTER L. Of Fascination, and the Art Thereof . Fascination is a binding, which comes from the spirit of the witch, through the eyes of him that is so bewitched, and entering to his heart. Now the instrument of fascination is the spirit, v…”
Both passages discuss the concept of bewitchment through the use of magical practices and the power of the imagination. They share the idea that the victim experiences real physical and mental torment due to the actions of the sorcerer, whether through the use of images, animals, or the evil eye.
renaissance_hermeticism|Agrippa: The Philosophy of Natural Magic, Chapter LI — Of Certain Observations, Producing Wonderful Virtues|Chapter LI, Section 1b
In like manner, spittle carried in the hand, or to spit in the shoe of the right foot before it be put on, is good when any one passeth through a dangerous place. They say that wolves will not come to a field if one of them be taken and hi…”
Both passages describe various forms of sympathetic magic and rituals intended to harm or control others. They share a structural parallel in the use of objects and actions to influence a target, though the specific rituals and cultural contexts differ.