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Transcendental Magic II: The Ritual (Éliphas Lévi) · 49 of 123 · tr. A.E. Waite

10. The Key Of Occultisma

Let us now examine the question of Pantacles, for all magical virtue is there, since the secret of force is in the intelligence which directs. We have given the symbol and interpretation of the Pantacles of Pythagoras and Ezekiel, so that we have no need to recur to these; we shall prove in a later chapter that all the instruments of Hebrew worship were Pantacles, and the first and final word of the Bible was graven by Moses in gold and in brass on the tabernacle and on all its accessories. But each Magus can and should have his individual Pantacle, for, understood accurately, a Pantacle is the perfect summary of a mind. Hence we find in the Magical Calendars of Tycho Brahe and Duchentau, the Pantacles of Adam, Job, Jeremiah, Isaiah, and of all the other great prophets who have been, each in his turn, the kings of the Kabalah and the grand rabbins of science. The Pantacle, being a complete and perfect synthesis expressed by a single sign, serves to focus all intellectual force into a glance, a recollection, a touch. It is, so to speak, a starting-point for the efficient projection of will. Nigromancers and goetic magicians traced their infernal Pantacles on the skin of the victims they immolated. The sacrificial ceremonies, the manner of skinning the kid, then of salting, drying and bleaching the skin, are given in a number of Clavicles and Grimoires. Some Hebrew Kabalists fell into similar follies, forgetting the anathemas pronounced in the Bible against those who sacrifice on high places or in the caverns of the earth. All spilling of blood operated ceremonially is abominable and impious, and since the death of Adonhiram the Society of true Adepts has a horror of blood - Ecclesia abhorret a sanguine. The initiatory symbolism of Pantacles adopted throughout the East is the key of all ancient and modern mythologies. Apart from knowledge of the hieroglyphic alphabet, one would be lost among the obscurities of the Vedas, the Zend-Avesta and the Bible. The tree which brings forth good and evil, the source of the four rivers, one of which waters the land of gold - that is, of light - and another flows through Ethiopia, or the kingdom of darkness; the magnetic serpent who seduces the woman, and the woman who seduces the man, thus making known the law of attraction; subsequently the Cherub or Sphinx placed at the gate of the Edenic sanctuary, with the fiery sword of the guardians of the symbol; then regeneration by labour and propagation by sorrow, which is the law of initiations and ordeals; the division of Cain and Abel, which is the same symbol as the strife of Anteros and Eros; the ark borne upon the waters of the deluge like the coffer of Osiris; the black raven which does not return and the white dove which does, a new setting forth of the dogma of antagonism and balance - all these magnificent kabalistic allegories of Genesis, which, taken literally and accepted as actual histories, merit even more derision and contempt than Voltaire heaped upon them, become luminous for the initiate, who still hails with enthusiasm and love the perpetuity of true doctrine and the universality of initiation, identical in all sanctuaries of the world. The five books of Moses, the Prophecy of Ezekiel and the Apocalypse of St. John are the three kabalistic keys of the whole Biblical edifice.
Themes
Active Contemplationpraxis

A form of meditation that uses imagery, imagination, or symbolic thought rather than purely empty stillness.

The Pantacle serves to focus intellectual force into a glance or recollection, implying active mental engagement.

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Hidden Sayingssoteriology

Esoteric teachings reserved for those ready to receive them; outer meaning conceals an inner liberating truth.

The text contrasts literal history with esoteric allegory that becomes luminous only for the initiate possessing knowledge of the hieroglyphic alphabet.

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Ritual Puritypraxis

The maintenance of a state of cleanliness—physical, moral, or spiritual—required for encounter with the divine.

The text condemns blood sacrifice as abominable and impious, establishing a standard of ritual cleanliness.

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Theurgypraxis

Iamblichean ritual practice that engages the gods directly through consecrated material symbols and actions, on the premise that divine power descends into properly prepared matter — distinct from philosophical contemplation alone.

The passage describes Pantacles as instruments of worship and means for the efficient projection of will through consecrated symbols.

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Related passages · 11 parallels · 1 contrast
neoplatonism|Iamblichus: On the Mysteries|Chapter II
Hear, therefore, the intellectual interpretation of symbols, according to the conceptions of the Egyptians; at the same time removing from your imagination and your ears the image of things symbolical, but elevating yourself to intellectual…”
Both passages discuss the symbolic interpretation of divine figures and their transcendence over material reality. They share a conceptual parallel in the use of symbols to convey intellectual and spiritual truths, though they come from different mystical traditions.
neoplatonism|Iamblichus: On the Mysteries|Chapter VIII‹
και αετοι μεν, και δρακοντες, βιωσιμοι αυτοις προς υγειαν υποθεσις´ αιλουροι δε και κυνες, και κορακες αγρυπνητικα συμβολα. κηρος δε και πηλος εις τας των μοριων συμπλασεις παραλαμβανονται. φανταζει δε πολλακις, και πυρος ουρανιου εδοσεις…”
Both passages discuss the use of magical practices and symbols, such as the creation of images or figures (Pantacles in Passage B and statues in Passage A) that have specific effects. They also share a focus on the manipulation of natural elements and forces through magical means, indicating a conceptual parallel in their exploration of magical arts and their effects.
neoplatonism|Select Works of Plotinus|Select Works, Section 360
Section 40 40. But magic spells; how can their efficacy be explained? By the reigning sympathy and by the fact in Nature that there is an agreement of like forces and an opposition of unlike, and by the diversity of those multitudinous powe…”
Both passages discuss the concept of magical forces and their operation within a universal system. They share the idea of natural sympathies and powers that can be harnessed through specific practices, though they use different terminology and cultural references.
neoplatonism|Select Works of Plotinus|Select Works, Section 363
Section 43 43. And the Proficient [the Sage], how does he stand with regard to magic and philtre-spells? In the soul he is immune from magic; his reasoning part cannot be touched by it, he cannot be perverted. But there is in him the unreas…”
Both passages discuss the concept of magic and its effects on the soul or mind. Passage A from Plotinus explores the idea of the soul's immunity to magic and the influence of the material world, while Passage B from 'The Key of Occultism' delves into the symbolism and power of Pantacles in magic, emphasizing the intellectual force behind them. Both texts share a conceptual parallel in their exploration of the interplay between the higher and lower aspects of being and the influence of magical forces.
neoplatonism|Select Works of Plotinus|Select Works, Section 484
Section 6 6. Similarly, as it seems to me, the wise of Egypt- whether in precise knowledge or by a prompting of nature- indicated the truth where, in their effort towards philosophical statement, they left aside the writing-forms that take…”
Both passages discuss the use of symbols and images to convey deeper truths and wisdom. Passage A focuses on the Egyptian use of images to represent the Supreme and its manifestations, while Passage B discusses the use of Pantacles and other symbols in various mystical traditions to summarize and project intellectual force. Both highlight the idea that these symbols encapsulate complex concepts in a unified and immediate manner.
renaissance_hermeticism|Agrippa: The Philosophy of Natural Magic, Chapter II — What Magic Is, What Are the Parts Thereof, and How the Professors Thereof Must Be Qualified|Chapter II, Section 1b
It instructs us also concerning Faith, Miracles, the virtues of Words and Figures , the secret operations and mysteries of Seals; and, as Apuleius saith, it teacheth us rightly to understand and to be skilled in the Ceremonial Laws, the equ…”
Both passages discuss the mystical and philosophical traditions of magic, highlighting the importance of ancient wisdom and the integration of various disciplines. They share a conceptual parallel in their emphasis on the sacred and esoteric knowledge passed down through notable figures and texts.
renaissance_hermeticism|Agrippa: The Philosophy of Natural Magic, Chapter LXXIII — Of the Virtue of Writing, and of Making Imprecations, and Inscriptions|Chapter LXXIII, Section 1
CHAPTER LXXIII. Of the Virtue of Writing, and of Making Imprecations, and Inscriptions . The use of words and speech is to express the inwards of the mind, and from thence to draw forth the secrets of the thoughts, and do declare the will o…”
Both passages discuss the power and significance of written symbols and inscriptions in magical and mystical practices. They share the conceptual insight that writing and symbols are expressions of the mind and will, used to focus and direct spiritual or magical forces.
renaissance_hermeticism|Agrippa: The Philosophy of Natural Magic, Chapter LXXIV — Of the Proportion, Correspondency, and Reduction of Letters to the Celestial Signs and Planets, According to Various Tongues, and a Table Thereof|Chapter LXXIV, Section 1b
He, therefore, that will find them out, must by each joining together of the letters so long examine them, until the voice of God is manifest, and the framing of the most sacred letters be opened and discovered; for hence voices and words h…”
Both passages discuss the mystical significance of letters, symbols, and their correspondence to celestial and divine forces. They share a conceptual parallel in the idea that letters and symbols hold deep, magical efficacy and can be used to understand and influence the natural and divine worlds.
renaissance_hermeticism|Paracelsus: The Aurora of the Philosophers|Section 1a
THE AURORA OF THE PHILOSOPHERS. BY THEOPHRASTUS PARACELSUS. WHICH HE OTHERWISE CALLS HIS MONARCHIA. CHAPTER I. CONCERNING THE ORIGIN OF THE PHILOSOPHERS’ STONE. ADAM was the first inventor of arts, because he had knowledge of all thing…”
Both passages discuss the transmission of ancient wisdom and mystical knowledge through figures like Adam, Noah, Moses, and the prophets. They share a conceptual framework of esoteric knowledge being preserved and passed down through generations, often in symbolic or hieroglyphic forms.
renaissance_hermeticism|Paracelsus: The Aurora of the Philosophers|Section 1b
The Egyptians, also, having obtained this magic and philosophy from the Chaldeans and Persians, desired that their priests should learn the same wisdom; and they became so fruitful and successful therein that all the neighbouring countries…”
Both passages discuss the transmission of esoteric knowledge across cultures and the interpretation of ancient wisdom. They highlight the role of figures like Hermes, Zoroaster, Pythagoras, and Moses in preserving and transmitting mystical and philosophical traditions, emphasizing the shared roots of various mystical and philosophical systems.
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renaissance_hermeticism|Paracelsus: The Aurora of the Philosophers|Section 1d
For the Ternary, with the magical Quaternary, produces a perfect Septenary, endowed with many arcana and demonstrated by things which are known. When the Quaternary rests in the Ternary, then arises the Light of the World on the horizon of…”
Both passages discuss the concept of arcane knowledge and its manifestation through symbols and operations. They share a focus on the mystical and esoteric, particularly in the use of symbols (Pantacles in Passage B and the Philosophers' Stone in Passage A) to represent deeper truths and processes.
neoplatonism|Select Works of Plotinus|Select Works, Section 170CONTRASTS
Section 14 14. In yet another way they infringe still more gravely upon the inviolability of the Supreme. In the sacred formulas they inscribe, purporting to address the Supernal Beings- not merely the Soul but even the Transcendents- they…”
Both passages discuss the use of magical practices and their validity, but they take opposing stances. Passage A criticizes the use of magical formulas and spells, arguing that they diminish the majesty of the divine and are not effective in curing diseases. Passage B, on the other hand, defends the use of Pantacles and magical symbols, asserting their efficacy and importance in focusing intellectual force and projecting will.