Tertium Organum (P.D. Ouspensky) · 110 of 225 · tr. Nicholas Bessaraboff and Claude Bragdon
Chapter XV (part 3)
Now if a merely negligible percentage of energy goes into the creation of the future by begetting, then the remainder must go into the creation of the future also, but in another way.
We have in the physical world many cases in which the direct function is effected by a very small percentage of the consumed energy, and the greater part is spent without return, as it were.
But of course this greater part of energy does not disappear, is not wasted, but accomplishes other results quite different from the direct function.
Take the example of a common candle.
It gives light, but it also gives considerably more heat than light.
Light is the direct function of a candle, heat the indirect, but we get more heat than light.
A candle is a furnace adapted to the purpose of lighting.
In order to give light a candle must burn.
Combustion is a necessary condition for the receiving of light from a candle; it is impossible to ignore this combustion; but the same combustion gives heat.
At first thought it appears that the heat from a candle is spent unproductively; sometimes it is superfluous, unpleasant, annoying; if a room is lighted by candles it will soon grow excessively hot.
But the fact remains that light is received from a candle only because of combustion —by the development of heat and the incandescence of volatilized gases.
p.
170 The same thing is true in the case of love.
We may say that a merely negligible part of love's energy goes into posterity ; the greater part is spent by the fathers and mothers on their personal emotions as it were.
But this also is necessary.
Without this expenditure the principal thing could not be achieved.
Only because of these at first sight collateral results of love, only because of all this tempest of emotions, feelings, effervescences, desires, thoughts, dreams, fantasies, inner creations; only because of the beauty which it creates, can love fulfil its immediate function.
Moreover—and this perhaps is the most important—the superfluous energy is not wasted at all, but is transformed into other forms of energy, possible to discover.
Generally speaking, the significance of the indirect results may very often be of more importance than the significance of direct ones.
And since we are able to trace how the energy of love transforms itself into instincts, ideas, creative forces on different planes of life; into symbols of art, song, music, poetry; so can we easily imagine how the same energy may transform itself into a higher order of intuition, into a higher consciousness which will reveal to us a marvelous and mysterious world.
In all living nature (and perhaps also in that which we consider as dead) love is the motive force which drives the creative activity in the most diverse directions.
In springtime with the first awakening of love's emotions the birds begin to sing , and build nests .
Of course a positivist would strive to explain all this very simply: singing acts as an attraction between the females and the males, and so forth.
But even a positivist will not be in a position to deny that there is a good deal more of this singing than is necessary for "the continuation of the species." For a positivist, indeed, "singing" is merely "an accident," a "by-product." But in reality it may be that this singing is the principal function of a given species , the realization of its existence, the purpose pursued by nature in creating this species; and that this singing is necessary , not so much to attract the females, as for some general harmony of nature which we only rarely and imperfectly sense.
Thus in this case we observe that what appears to be a collateral p.
171 function of love, from the standpoint of the individual, may serve as a principal function of the species.
Furthermore, there are no fledglings as yet: there is even no intimation of them, but "homes" are prepared for them nevertheless.
Themes
◆Alchemical Workpraxis
The transformation of base substance — outer matter or the inner soul — into a purified, perfected, or 'gold' state; the magnum opus as both laboratory practice and spiritual allegory.
The text emphasizes that energy is not wasted but 'transformed into other forms of energy,' reflecting the alchemical principle of transmutation.
The Hermetic axiom that the structure of the cosmos is reflected at every scale — 'as above, so below; as within, so without' — making each level a legible map of the others.
The author uses the physical law of a candle's combustion (light and heat) as an analogy to explain the spiritual dynamics of love and consciousness.
Salvation through direct experiential knowledge of the divine nature, not through faith, ritual, or moral works alone.
Higher consciousness is said to 'reveal to us a marvelous and mysterious world,' suggesting knowledge gained through direct experience rather than positivist explanation.
Diotima's staged ascent from love of beautiful bodies → beautiful souls → beautiful pursuits → beautiful knowledge → Beauty itself; the canonical scala amoris that grounds Plotinus's On the Beautiful and Bruno's Eroici Furori — distinct from generic spiritual_ascent in that eros is the specific motive force.
Love is identified as the motive force driving creative activity from biological function to art and higher consciousness, mirroring the ascent of eros.
Using apparent contradiction, reversal, or riddle to destabilise ordinary understanding and induce insight.
The passage resolves the apparent paradox that 'wasted' heat is actually necessary for light, using contradiction to reveal a deeper truth about energy.
A staged journey of the soul upward through heavenly realms or levels of being toward the divine source.
The passage explicitly describes the transformation of love's energy into a 'higher order of intuition' and 'higher consciousness,' indicating an upward journey of being.