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Tertium Organum (P.D. Ouspensky) · 81 of 225 · tr. Nicholas Bessaraboff and Claude Bragdon

Chapter X (part 7)

An age of great inspiration and unconscious productiveness is invariably followed by an age of criticism and consciousness. The one affords material for the analyzing and critical intellect of the other. Thus all those great characters who tower like giants in the history of mankind, like Buddha-Siddârtha, and Jesus, in the realm of spiritual, and Alexander the Macedonian and Napoleon the Great, in the realm of physical conquests, were but reflexed images of human types which had existed ten thousand years before, in the preceding decimillennium, reproduced by the mysterious powers controlling the destinies of our world. There is no prominent character in all the annals of sacred or profane history whose prototype we cannot find in the half-fictitious and half-real traditions of bygone religions and mythologies. As the star, glimmering at an immeasurable distance above our heads, in the boundless immensity of the sky, reflects itself in the smooth waters of a lake, so does the imagery of men of the antediluvian ages reflect itself in the periods we can embrace in an historical retrospect. As above, so below. That which has been will return again. As in heaven, so on earth . Anything that can be said about the understanding of temporal relations is inevitably extremely vague. This is because our language is absolutely inadequate to the spatial expression of temporal relations . We lack the necessary words for it, we have no verbal forms, strictly speaking, for the expression of these relations which are new to us, and some other quite new forms— not verbal —are indispensable. The language for the transmission of the new temporal relations must be a language without verbs. New parts of speech are necessary, an infinite number of new words. At present, in our human language we can speak about "time" by hints only. Its true essence is inexpressible for us. p. 123 We should never forget about this inexpressibility. This is the sign of the truth , the sign of reality. That which can be expressed, cannot be true. All systems dealing with the relation of the human soul to time—all ideas of post-mortem existence, the theory of re-incarnation, that of the transmigration of souls, of karma —are symbols, trying to transmit relations which cannot be expressed directly because of the poverty and the weakness of our language. They should not be understood literally any more than it is possible to understand the symbols and allegories of art literally. It is necessary to search for their hidden meanings , that which cannot be expressed in words. The literal understanding of these symbolical forms in certain lines of contemporary literature, and the union with them of ideas of "evolution" and "morals" taken in the most narrow, dualistic meaning, completely disfigures the inner content of these forms, and deprives them of their value and meaning. Footnotes 118:1 "The Fourth Dimension," p. 77.
Themes
Soul Migrationcosmology

The transmigration of the soul across lives.

The passage mentions the 'theory of re-incarnation' and 'transmigration of souls' as symbols used to transmit relations.

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Unity Of Beingtheology

The doctrine that all existence is ultimately one substance or one divine reality; non-duality as a theological claim.

The Hermetic principle 'As above, so below' suggests a structural unity between higher and lower realms.

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Apophatic Theologytheology

Describing the divine only by negation—God transcends all positive categories and concepts; the via negativa.

[auto] The passage centrally argues that truth and reality are inexpressible in language, stating 'That which can be expressed, cannot be true.'

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Correspondencecosmology

The Hermetic axiom that the structure of the cosmos is reflected at every scale — 'as above, so below; as within, so without' — making each level a legible map of the others.

[auto] The passage explicitly invokes the Hermetic axiom 'As above, so below' to describe the reflection of ancient archetypes in historical figures.

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Gnosis Direct Knowledgesoteriology

Salvation through direct experiential knowledge of the divine nature, not through faith, ritual, or moral works alone.

[auto] The text emphasizes understanding beyond words and symbols, implying a need for direct knowledge of hidden meanings.

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Hidden Sayingssoteriology

Esoteric teachings reserved for those ready to receive them; outer meaning conceals an inner liberating truth.

[auto] The text explicitly states that religious systems are symbols and 'It is necessary to search for their hidden meanings.'

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Paradox As Teachingethics

Using apparent contradiction, reversal, or riddle to destabilise ordinary understanding and induce insight.

[auto] The passage uses the paradoxical statement 'That which can be expressed, cannot be true' to convey the nature of reality.

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Related passages · 5 parallels
christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 2 (part 1)
p. 58 CHAPTER II. THE UNITY OF THE ALL. "We are all one body in Christ, and have all the Spirit of Christ within our reach. If, then, we enter into the Christ, we may see and know everything by the power of His Spirit." ( Forty Question…”
Both passages discuss the limitations of human language in expressing profound spiritual truths. They emphasize the symbolic nature of religious and mystical concepts and the need to look beyond literal interpretations to grasp deeper meanings.
christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 3 (part 8)
Without it the form of the spirit would not be knowable; it is the corporeity of the spirit. To be sure, it is not a bodily, tangible substance, like the bodies of men, but has nevertheless substantial and visible qualities which the spiri…”
Both passages discuss the limitations of human language in expressing profound spiritual truths. They also touch on the cyclical nature of existence and the ineffable nature of divine realities, though from different mystical traditions.
renaissance_hermeticism|The Heroic Enthusiasts, Part I (Gli Eroici Furori)|INTRODUCTIONi
The life of man is more than an experience or trial; it is an effort, a struggle to reproduce and represent upon earth some of that goodness, beauty, and truth which are diffused over the universe and constitute its harmony. Long, slow, an…”
Both passages discuss the cyclical nature of existence and the limitations of human language in expressing profound truths. They also touch on the idea of reincarnation and the symbolic nature of religious and philosophical concepts.
renaissance_hermeticism|The Heroic Enthusiasts, Part II (Gli Eroici Furori)|Second Dialoguec
Therefore in this present time it is proper that noble spirits equipped with truth and enlightened with the Divine intelligence, should arm themselves against dense ignorance by climbing up to the high rock and tower of contemplation.[L] [L…”
Both passages emphasize the importance of focusing on higher, spiritual pursuits rather than trivial or materialistic concerns. They critique the diversion of time and energy into superficial or unnecessary activities, advocating instead for contemplation and understanding of deeper truths.
renaissance_hermeticism|The Heroic Enthusiasts, Part II (Gli Eroici Furori)|Second Dialogued
The long life of Archimedes, of Euclid, of Priscian, of Donato, and others, who were found up to their death occupied with numbers, lines, diction, concordances, writings, dialectics, syllogisms, forms, methods, systems of science, organs,…”
Both passages discuss the relationship between the intellectual or spiritual nature and the physical or material world, exploring the idea that the higher aspects of human existence (soul, spirit, intellect) are nourished by their respective sustenance, and that the physical cannot be transmuted into the spiritual and vice versa. They also touch on the idea of the cyclical nature of existence and the limitations of human language in expressing profound truths.