← Home
Tertium Organum (P.D. Ouspensky) · 67 of 225 · tr. Nicholas Bessaraboff and Claude Bragdon

Chapter IX (part 2)

This happens because we never feel anything at a long distance, and the eye has not been taught to discern the difference in surfaces which at short distances are felt by the finger-tips. 1 p. 100 We can never see, even in the minute, any part of the outer world as it is, that is, as we know it . We can never see the desk or the wardrobe all at once, from all sides and inside . Our eye distorts the outside world in a certain way, in order that, looking about, we may be able to define the position of objects relatively to ourselves. But to look at the world from any other standpoint than our own is impossible for us, nor can we ever see it correctly, without distortion by our sight. Relief and perspective—these constitute the distortions of the object by our eye. They are optical illusions, delusions of sight. The cube in perspective is but a conventional sign of the three-dimensional cube, and all that we see is the conditional image of that conditionally real three-dimensional world with which our geometry deals, and not that world itself. On the basis of what we see we surmise that it exists in reality. We know that what we see is incorrect, and we think of the world as other than it appears. If we had no doubt about the correctness of our sight, if we knew that the world were such as it appears, then obviously we should think of the world in the manner in which we see it. In reality we are constantly engaged in making corrections. It is clear that the ability to make corrections in that which the eye sees demands, undoubtedly, the possession of the concept, because the corrections are made by a process of reasoning, which is impossible without concepts. Deprived of the faculty to make corrections in that which the eye sees we should have a different outlook on the world, i.e., much of that which is we should see incorrectly; we should not see much of that which is , but we should see much of that which does not exist in reality at all . First of all, we should see an enormous number of non-existent motions . Every p. 101 motion of ours in our direct sensation of it, is bound up with the motion of everything around us. We know that this motion is an illusory one, but we see it as real. Objects turn in front of us, run past us, overtake one another. If we are riding slowly past houses, these turn slowly, if we are riding fast they turn quickly; also, trees grow up before us unexpectedly, run away and disappear. This seeming animation of objects, coupled with dreams, has always inspired, and still inspires the fairy tale. The "motions" of objects, to a person in motion, are very complex indeed. Observe how strangely the field of wheat behaves just beyond the window of the car in which you are riding. It runs to the very window, stops, turns slowly around itself and runs away. The trees of the forest run apparently at different speeds, overtaking one another. The entire landscape is one of illusory motion. Behold also the sun, which even up to the present time "rises" and "sets" in all languages—this "motion" having been in the past so passionately defended! This is all seeming, and though we know that these motions are illusory, we see them nevertheless, and sometimes we are deluded. To how many more illusions should we be subject had we not the power of mentally analyzing their determining causes, but were obliged to believe that everything exists as it appears! I see it; therefore this exists . This affirmation is the principal source of all illusions. To be true, it is necessary to say: I see it; therefore this does not exist —or at least, I see it; therefore this is not so .
Themes
Body As Obstacleanthropology

The material body viewed as a prison, tomb, or source of error that hinders spiritual knowledge and return.

The eye is described as distorting the world and creating illusions, acting as a source of error that hinders true knowledge of reality.

All passages →
Paradox As Teachingethics

Using apparent contradiction, reversal, or riddle to destabilise ordinary understanding and induce insight.

The text concludes with a paradoxical reversal ('I see it; therefore this does not exist') to destabilize habitual reliance on sensory evidence and induce insight.

All passages →
Mechanical Humanityanthropology

Gurdjieff and Ouspensky's claim that ordinary human beings live in a state of waking sleep, reacting mechanically without unified will or consciousness, and that the spiritual path begins with recognising this condition.

[auto] The passage describes how humans automatically accept sensory illusions as reality without conscious correction, illustrating the mechanical state of ordinary perception central to Ouspensky's teachings.

All passages →
Related passages · 11 parallels
neoplatonism|Select Works of Plotinus|Select Works, Section 154
Section 1 1. Seen from a distance, objects appear reduced and close together, however far apart they be: within easy range, their sizes and the distances that separate them are observed correctly. Distant objects show in this reduction beca…”
Both passages discuss the limitations and distortions of human perception, particularly vision. They explore how distance and perspective affect the way we perceive objects and magnitudes, highlighting the subjective nature of sensory experience.
neoplatonism|Select Works of Plotinus|Select Works, Section 155
Section 2 2. The explanation by lesser angle of vision has been elsewhere dismissed; one point, however, we may urge here. Those attributing the reduced appearance to the lesser angle occupied allow by their very theory that the unoccupied…”
Both passages discuss the limitations and distortions of human perception, particularly vision. They explore how the eye and mind interpret the world, highlighting the gap between appearance and reality, though they come from different philosophical and mystical traditions.
neoplatonism|Select Works of Plotinus|Select Works, Section 367
Section 1 1. We undertook to discuss the question whether sight is possible in the absence of any intervening medium, such as air or some other form of what is known as transparent body: this is the time and place. It has been explained tha…”
Both passages discuss the limitations and distortions of human perception, particularly vision. They explore how our senses provide a conditional and often illusory representation of reality, requiring mental corrections to understand the true nature of the world.
neoplatonism|Select Works of Plotinus|Select Works, Section 368 (part 1)
Section 2 2. If sight depends upon the linking of the light of vision with the light leading progressively to the illumined object, then, by the very hypothesis, one intervening substance, the light, is indispensable: but if the illuminate…”
Both passages explore the limitations and distortions inherent in human perception. Passage A discusses how our senses, particularly sight, distort reality, while Passage B examines the nature of vision and the role of intervening substances, ultimately questioning the necessity of these substances in perception.
neoplatonism|Select Works of Plotinus|Select Works, Section 368 (part 2)
And, further, once we reject the theory that these images reach us by way of some outstreaming from the objects seen, there is no reason to think of the air being affected and passing on to us, in a progression of impression, what has been…”
Both passages explore the limitations and distortions of human perception, particularly vision. They discuss how our senses provide a conditional and often illusory representation of reality, requiring mental corrections to understand the true nature of the world.
neoplatonism|Select Works of Plotinus|Select Works, Section 369
Section 3 3. For the most convincing proof that vision does not depend upon the transmission of impressions of any kind made upon the air, we have only to consider that in the darkness of night we can see a fire and the stars and their very…”
Both passages explore the nature of perception and the limitations of human senses. Plotinus discusses the spiritual and sympathetic nature of vision, while the second passage delves into the distortions and illusions created by human sight, emphasizing the need for conceptual reasoning to correct these perceptions.
neoplatonism|Select Works of Plotinus|Select Works, Section 370 (part 1)
Section 4 4. But there is the question of the linked light that must relate the visual organ to its object. Now, firstly: since the intervening air is not necessary- unless in the purely accidental sense that air may be necessary to light…”
Both passages discuss the limitations and distortions of human perception, particularly vision. They explore how our senses provide a distorted or incomplete representation of reality, and the need for mental correction or analysis to understand the true nature of the world.
neoplatonism|Select Works of Plotinus|Select Works, Section 370 (part 2)
Besides, even on this explanation, the mind must have previously been in contact with the object in the entire absence of intervenient; only if that has happened could contact through an intervenient bring knowledge, a knowledge by way of m…”
Both passages explore the concept of perception and the illusions created by the senses. They discuss how our perception of the world is distorted and how we must mentally correct these distortions to understand reality.
neoplatonism|Select Works of Plotinus|Select Works, Section 371
Section 5 5. But some doubt arises when we consider the phenomena of hearing. Perhaps we are to understand the process thus: the air is modified by the first movement; layer by layer it is successively acted upon by the object causing the s…”
Both passages explore the limitations and distortions of human perception, particularly vision. They discuss how our senses provide a conditional and often illusory representation of reality, requiring mental corrections to understand the true nature of the world.
neoplatonism|Select Works of Plotinus|Select Works, Section 374
Section 8 8. Imagine that beyond the heavenly system there existed some solid mass, and that from this sphere there was directed to it a vision utterly unimpeded and unrestricted: it is a question whether that solid form could be perceived…”
Both passages explore the limitations of human perception and the distortions inherent in how we experience the world. They discuss the illusory nature of what we see and the need for mental corrections to understand reality, though they approach the topic from different philosophical and mystical perspectives.
1 more
renaissance_hermeticism|The Heroic Enthusiasts, Part I (Gli Eroici Furori)|Fourth Dialoguef
Hence it follows that not less do we desire to see things unknown and unseen than those known and seen. And from this it does not follow that the desire does not proceed from cognition, and that we desire something that is not known; but I…”
Both passages explore the limitations of human perception and the distortions introduced by our senses. They discuss how our understanding of reality is mediated by our sensory experiences and the need to go beyond mere sensory input to grasp a deeper truth.