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Tertium Organum (P.D. Ouspensky) · 9 of 225 · tr. Nicholas Bessaraboff and Claude Bragdon

Page 4 (part 2)

Not that Ouspensky is a trafficker in the obvious—far from it: those who know most, think most, feel most, will get most out of his book—but a great sanity pervades his pages, and he never leads away into labyrinths where guide and follower alike lose their way and fail to come to any end. ______ Leaving the average reader out of account for the moment, there are certain others whom the book should particularly interest—if only in the way of repulsion. p. 3 First of all come the mathematicians and the theoretical physicists, for they already, without knowing it, have invaded that "dark backward and abysm of time" which the Ouspenskian philosophy lights up—and are by way of losing themselves there. That is to say, in certain of their calculations, they are employing four mutually interchangeable coördinates, three of space and one of time. In other words, they use time as though it were a dimension of space. Ouspensky tells them the reason they are able to do this. Time is the fourth dimension of space imperfectly sensed—apprehended by consciousness successively, and thereby creating the temporal illusion. Moreover, mathematicians are perforce concerning themselves with magnitudes to which the ordinary logic no longer applies. Ouspensky presents a new logic, or rather, he presents anew an ancient logic—the logic of intuition—removing at a stroke all of the nightmare aspects, the preposterous paradoxes of the new mathematics, which by reason of its extraordinary development has shattered the old logic, as a growing oak shatters the containing jar. It is from the philosophic camp, no doubt, that the book will receive its sharpest criticism, on account of the author's lèse-majesté toward so many of the crowned kings of philosophic thought, and his devastating assault on positivism—that inevitable by-product of our materialistic way of looking at the world. His attempt to prove the Kantian problem—the subjectivity of space and time—doubtless will be acutely challenged, and with some chance of success, because the two chapters devoted to this are perhaps the least convincing of the book. But no one heretofore has even attempted to demonstrate absolutely or successfully to controvert the staggering proposition advanced by Kant regarding space and time as forms of consciousness. Whatever the verdict of the philosophical pundits of the day and hour, whether favorable or otherwise, Ouspensky is sure of a place in the hierarchy of philosophers, for he has essayed to solve the most profound problems of human existence by the aid of the binocular vision of the mathematician and the mystic. Starting from the irreducible minimum of knowledge, he has carried philosophy into regions not hitherto explored. p. 4 To persons of an artistic or devotional bent the book will be as water in the desert. These, always at a disadvantage among the purely practical-minded, by whom they are overwhelmingly out-numbered, will find in Ouspensky a champion whose weapon is mathematical certitude, the very thing by which the practical-minded swear. These he puts to rout, holds up to ridicule, and applauds every effort to escape into the "world of the wondrous." But most of all Ouspensky will be loved by all true lovers, for his chapter on the subject of love. We have had Schopenhauer on love, and Freud on love, but what dusty answers do they give to the soul of a lover! Edward Carpenter comes much nearer the mark, but Ouspensky penetrates to its very center. It is because our loves are so dampened by our egotisms, our cynicisms and our cowardices that we rot and smoulder instead of bursting into purifying flame.
Themes
Numerical Mysticismtheology

Numbers, proportions, and mathematical relationships as the underlying structure of divine reality.

The passage emphasizes mathematical certitude and the use of four coordinates (dimensions) as a tool for understanding metaphysical reality.

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Related passages · 1 parallel
renaissance_hermeticism|The Heroic Enthusiasts, Part II (Gli Eroici Furori)|Second Dialoguef
[P] Number is, as the great writer (Balzac) thought, an Entity, and at the same time, a Breath emanating from what he called God, and what we call the ALL, the breath which alone could organize the physical Kosmos.—("The Secret Doctrine.")…”
Both passages explore the intersection of mathematical and mystical thought, with Passage A discussing the integration of time as a fourth dimension in mathematics and its philosophical implications, while Passage B delves into the mystical significance of numbers and the divine. Both texts emphasize the unity of seemingly disparate fields—mathematics and mysticism—in their pursuit of deeper truths.