← Home
The Secret Teachings of All Ages (Manly P. Hall) · 503 of 530

American Indian Symbolism-f

Now my head will cease to speak, for it is only the head of a corpse, which has no more flesh." Following the admonitions of Hunhun-ahpu, the young girl returned to her home. Her father, Cuchumaquiq, later discovering that she was about to become a mother, questioned her concerning the father of her child. Xquiq replied that the child was begotten while she was gazing upon the head of Hunhun-ahpu in the calabash tree and that she had known no man. Cuchumaquiq, refusing to believe her story, at the instigation of the princes of Xibalba, demanded her heart in an urn. Led away by her executioners, Xquiq pleaded with them to spare her life, which they agreed to do, substituting for her heart the fruit of a certain tree (rubber) whose sap was red and of the consistency of blood. When the princes of Xibalba placed the supposed heart upon the coals of the altar to be consumed, they were all amazed by the perfume which rose therefrom, for they did not know that they were burning the fruit of a fragrant plant. FRAGMENT OF INDIAN POTTERY. Courtesy of Alice Palmer Henderson This curious fragment was found four feet under the ground beneath a trash pile of broken early Indian pottery not far from the Casa Grande ruins in Arizona. It is significant because of its striking to the Masonic compass and square. Indian baskets pottery, and blankets frequently bear ornamental designs of especial Masonic and philosophic interest. *** Xquiq gave birth to twin sons, who were named Hunahpu and Xbalanque and whose lives were dedicated to avenging the deaths of Hunhun-ahpu and Vukub-hunhun-ahpu. The years passed, and the two boys grew up to manhood and great were their deeds. Especially did they excel in a certain game called tennis but somewhat resembling hockey. Hearing of the prowess of the youths, the princes of Xibalba asked: "Who, then, are those who now begin again to play over our heads, and who do not scruple to shake (the earth)? Are not Hunhun-ahpu and Vukub-hunhun-ahpu dead, who wished to exalt themselves before our face?" So the princes of Xibalba sent for the two youths, Hunahpu and Xbalanque, that they might destroy them also in the seven days of the Mysteries. Before departing, the two brothers bade farewell to their grandmother, each planting in the midst of the house a cane plant, saying that as long as the cane lived she would know that they were alive. "O, our grandmother, O, our mother, do not weep; behold the sign of our word which remains with you. " Hunahpu and Xbalanque then departed, each with his sabarcan (blowpipe), and for many days they journeyed along the perilous trail, descending through tortuous ravines and along precipitous cliffs, past strange birds and boiling springs, cowards the sanctuary of Xibalba. The actual ordeals of the Xibalbian Mysteries were seven in number. As a preliminary the two adventurers crossed a river of mud and then a stream of blood, accomplishing these difficult feats by using their sabarcans as bridges. Continuing on their way, they reached a point where four roads converged--a black road, a white road, a red road, and a green road. Now Hunahpu and Xbalanque knew that their first test would consist of being able to discriminate between the princes of Xibalba and the wooden effigies robed to resemble them; also that they must call each of the princes by his correct name without having been given the information.
§ Ask Guru about this passage →
Themes
Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

The text emphasizes that calling the princes by their correct names is essential for success in the trials.

All passages →
Shamanic Journeypraxis

The living practitioner's deliberate trance-journey into spirit, underworld, or upper realms — Lemminkainen's descent into Tuoni and Wainamoinen's entry into Wipunen's body in the Kalevala, the Siberian shaman's drum-mediated travel, Inuit angakkuq's submarine journey to Sedna, classical katabasis as ritual technique. The practitioner returns with knowledge, songs, lost-words, or a recovered soul. Distinct from psychopomp_journey (which guides the *dead* soul through afterlife realms) and from spiritual_ascent (which is the soul's *upward* return to source); shamanic_journey is the *living* practitioner crossing into ordinarily-inaccessible domains as a worked technique.

The brothers travel through perilous trails and ordeals to confront the underworld rulers, mirroring a practitioner's descent into spirit realms.

All passages →
Related passages · 8 parallels
egyptian|The Egyptian Heaven and Hell|Chapter 6 (part 5)
The Rubric had, in fact, so far back as B.C. 2600, become a traditional magical formula of a most powerful character, and it must have been composed at the time when the abode of the blessed was supposed to resemble the "great field" in wh…”
Shared concept: Sacred Names — Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice. (derived)
christian_mysticism|Pseudo-Dionysius: The Divine Names|Chapter 1, Section 1a
51 CHAPTER I Dionysius the Presbyter, to his fellow-Presbyter Timothy. 45 45 The name of St. Paul’s companion is intended to give colour to the writer’s pseudonym. See Introduction, p. 1; cf. iii. 2. What is the purpose of the discou…”
Shared concept: Sacred Names — Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice. (derived)
egyptian|The Egyptian Heaven and Hell|Chapter 7 (part 6)
From each of these Books we find that the Sun-god was not able to pass through the Tuat by virtue of the powers which he possessed as the great god of the world, but p. 93 only through his knowledge of the proper words of power, and of mag…”
Shared concept: Sacred Names — Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice. (derived)
neoplatonism|Iamblichus: On the Mysteries|Chapter V
You object, however, “ that he who hears words looks to their signification, so that it is sufficient the conception remains the same, whatever the words may be that are used .” But the thing is not such as you suspect it to be. For if name…”
Shared concept: Sacred Names — Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice. (derived)
finnic|The Kalevala|Rune XVII-b
Wise Wipunen, full of song-charms, Opens wide his mouth and swallows Wainamoinen and his magic, Shoes, and staff, and iron armor. Then outspeaks the wise Wipunen: "Many things before I've eaten, Dined on goat, and sheep, and reindeer, Bear…”
Shared concept: Shamanic Journey — The living practitioner's deliberate trance-journey into spirit, underworld, or upper realms — Lemminkainen's descent into Tuoni and Wainamoinen's entry into Wipunen's body in the Kalevala, the Siberian shaman's drum-mediated travel, Inuit angakkuq's submarine journey to Sedna, classical katabasis as ritual technique. (derived)
finnic|The Kalevala|Rune XIII-b
In this rising generation, That can travel in these snow-shoes, That the right and left can manage." To his back he tied the quiver, Placed the bow upon his shoulder, With both hands he grasped his snow-cane, Speaking meanwhile words as fol…”
Shared concept: Shamanic Journey — The living practitioner's deliberate trance-journey into spirit, underworld, or upper realms — Lemminkainen's descent into Tuoni and Wainamoinen's entry into Wipunen's body in the Kalevala, the Siberian shaman's drum-mediated travel, Inuit angakkuq's submarine journey to Sedna, classical katabasis as ritual technique. (derived)
mesopotamian|Epic of Gilgamesh: Tablet IX — Gilgamish in Terror of Death Seeks Eternal Life|Tablet IX, Section 1
THE NINTH TABLET. GILGAMISH IN TERROR OF DEATH SEEKS ETERNAL LIFE. . Gilgamish bitterly wept for his comrade, (for) Enkidu, ranging Over the desert: "I, too—shall I not die like Enkidu also? 5. Sorrow hath enter’d my heart; I fear death as…”
Shared concept: Shamanic Journey — The living practitioner's deliberate trance-journey into spirit, underworld, or upper realms — Lemminkainen's descent into Tuoni and Wainamoinen's entry into Wipunen's body in the Kalevala, the Siberian shaman's drum-mediated travel, Inuit angakkuq's submarine journey to Sedna, classical katabasis as ritual technique. (derived)
mesopotamian|Epic of Gilgamesh: Tablet X — How Gilgamish Reached Uta-Napishtim|Tablet X, Section 1c
Gilgamish, if perchance thou succeed in traversing the Ocean, What wilt thou do, when unto the Waters of Death thou arrivest? Gilgamish, there is Ur-Shanabi, boatman to Uta-Napishtim, He with whom sails (?) are, the urnu of which in the fo…”
Shared concept: Shamanic Journey — The living practitioner's deliberate trance-journey into spirit, underworld, or upper realms — Lemminkainen's descent into Tuoni and Wainamoinen's entry into Wipunen's body in the Kalevala, the Siberian shaman's drum-mediated travel, Inuit angakkuq's submarine journey to Sedna, classical katabasis as ritual technique. (derived)