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The Secret Teachings of All Ages (Manly P. Hall) · 238 of 530

Stones, Metals and Gemsd

These tables were fashioned from the divine sapphire, Schethiyâ, which the Most High, after removing from His own throne, had cast into the Abyss to become the foundation and generator of the worlds. This sacred stone, formed of heavenly dew, was sundered by the breath of God, and upon the two parts were drawn in black fire the figures of the Law. These precious inscriptions, aglow with celestial splendor, were delivered by the Lord on the Sabbath day into the hands of Moses, who was able to read the illumined letters from the reverse side because of the transparency of the great jewel. (See The Secret Doctrine in Israel or The Zohar for details of this legend.) The Ten Commandments are the ten shining gems placed by the Holy One in the sapphire sea of Being, and in the depths of matter the reflections of these jewels are seen as the laws governing the sublunary spheres. They are the sacred ten by which the Supreme Deity has stamped His will upon the face of Nature. This same decad was celebrated by the Pythagoreans under the form of the tetractys--that triangle of spermatic points which reveals to the initiated the whole working of the cosmic scheme; for ten is the number of perfection, the key to creation, and the proper symbol of God, man, and the universe. Because of the idolatry of the Israelites, Moses deemed the people unworthy to receive the sapphire tables; hence he destroyed them, that the Mysteries of Jehovah should not be violated. For the original set Moses substituted two tablets of rough stone into the surface of which he had cut ten ancient letters. While the former tables--partaking of the divinity of the Tree of Life--blazed forth eternal verities, the latter--partaking of the nature of the Tree of Good and Evil--revealed only temporal truths. Thus the ancient tradition of Israel returned again to heaven, leaving only its shadow with the children of the twelve tribes. One of the two tables of stone delivered by the Lawgiver to his followers stood for the oral, the other for the written traditions upon which the Rabbinical School was founded. Authorities differ widely as to the size and substance of the inferior tables. Some describe them as being so small that they could be held in the hollow of a man's hand; others declare that each table was ten or twelve cubits in length and of enormous weight. A few even deny that the tables were of stone, maintaining that they were of a wood called sedr , which, according to the Mohammedans, grows profusely in Paradise. The two tables signify respectively the superior and the inferior worlds--the paternal and the maternal formative principles. In their undivided state they represent the Cosmic Androgyne. The breaking of the tables signifies obscurely the separation of the superior and the inferior spheres and also the division of the sexes. In the religious processionals of the Greeks and Egyptians an ark or ship was carried which contained stone tablets, cones, and vessels of various shapes emblematic of the procreative processes. The Ark of the Israelites--which was patterned after the sacred chests of the Isiac Mysteries--contained three holy objects, each having an important phallic interpretation: the pot of manna, the rod that budded, and the Tablets of the Law--the first, second, and third Principles of the Creative Triad. The manna, the blossoming staff, and the stone tables are also appropriate images respectively of the Qabbalah, the Mishna, and the written law--the spirit, soul, and body of Judaism. When placed in King Solomon's Everlasting House, the Ark of the Covenant contained only the Tablets of the Law. Does this indicate that even at that early date the secret tradition had been lost and the letter of the revelation alone remained?
Themes
Correspondencecosmology

The Hermetic axiom that the structure of the cosmos is reflected at every scale — 'as above, so below; as within, so without' — making each level a legible map of the others.

The passage explicitly states that the reflections of the jewels are seen as laws governing sublunary spheres and that the Ark contained objects emblematic of procreative processes.

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Divine Lighttheology

The uncreated luminous quality of the divine, sometimes experienced directly in mystical states; illumination as revelation.

The text emphasizes celestial splendor, heavenly dew, and the blazing forth of eternal verities from the divine stone.

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Hidden Sayingssoteriology

Esoteric teachings reserved for those ready to receive them; outer meaning conceals an inner liberating truth.

The passage details the loss of secret traditions and the destruction of tablets containing Mysteries deemed unworthy for the people to receive.

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Numerical Mysticismtheology

Numbers, proportions, and mathematical relationships as the underlying structure of divine reality.

The text identifies ten as the number of perfection and the key to creation, linking it directly to God and the universe.

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Related passages · 2 parallels
renaissance_hermeticism|Agrippa: The Philosophy of Natural Magic, Chapter XXXIII — Of the Seals and Characters of Natural Things|Chapter XXXIII, Section 1a
CHAPTER XXXIII. Of the Seals and Characters of Natural Things . All Stars have their peculiar natures, properties, and conditions, the Seals and Characters whereof they produce, through their rays, even in these inferior things, viz., in…”
Both passages discuss the concept of divine inscriptions or characters imbued with celestial significance and their transmission to humanity. They share the theme of sacred knowledge being conveyed through physical objects (stones, seals) that carry divine or cosmic properties, reflecting a deeper mystical understanding of the universe.
renaissance_hermeticism|Paracelsus: The Aurora of the Philosophers|Section 1a
THE AURORA OF THE PHILOSOPHERS. BY THEOPHRASTUS PARACELSUS. WHICH HE OTHERWISE CALLS HIS MONARCHIA. CHAPTER I. CONCERNING THE ORIGIN OF THE PHILOSOPHERS’ STONE. ADAM was the first inventor of arts, because he had knowledge of all thing…”
Both passages discuss the significance of sacred stone tablets as repositories of divine knowledge and their role in the transmission of esoteric wisdom. They share the theme of ancient traditions and the division of knowledge into different arts and sciences.