And this is the reason why, when the hour of conception arrives, and the teeming nature is full, there is such a flutter and ecstasy about beauty whose approach is the alleviation of the pain of travail.
For love, Socrates, is not, as you imagine, the love of the beautiful only." "What then?" "The love of generation and of birth in beauty." "Yes," I said.
"Yes, indeed," she replied.
"But why of generation?" "Because to the mortal creature, generation is a sort of eternity and immortality," she replied; "and if, as has been already admitted, love is of the everlasting possession of the good, all men will necessarily desire immortality together with good: Wherefore love is of immortality." All this she taught me at various times when she spoke of love.
And I remember her once saying to me, "What is the cause, Socrates, of love, and the attendant desire?
See you not how all animals, birds, as well as beasts, in their desire of procreation, are in agony when they take the infection of love, which begins with the desire of union; whereto is added the care of offspring, on whose behalf the weakest are ready to battle against the strongest even to the uttermost, and to die for them, and will, let themselves be tormented with hunger or suffer anything in order to maintain their young.
Man may be supposed to act thus from reason; but why should animals have these passionate feelings?
Can you tell me why?" Again I replied that I did not know.
She said to me: "And do you expect ever to become a master in the art of love, if you do not know this?" "But I have told you already, Diotima, that my ignorance is the reason why I come to you; for I am conscious that I want a teacher; tell me then the cause of this and of the other mysteries of love." "Marvel not," she said, "if you believe that love is of the immortal, as we have several times acknowledged; for here again, and on the same principle too, the mortal nature is seeking as far as is possible to be everlasting and immortal: and this is only to be attained by generation, because generation always leaves behind a new existence in the place of the old.
Nay even in the life, of the same individual there is succession and not absolute unity: a man is called the same, and yet in the short interval which elapses between youth and age, and in which every animal is said to have life and identity, he is undergoing a perpetual process of loss and reparation-hair, flesh, bones, blood, and the whole body are always changing.
Which is true not only of the body, but also of the soul, whose habits, tempers, opinions, desires, pleasures, pains, fears, never remain the same in any one of us, but are always coming and going; and equally true of knowledge, and what is still more surprising to us mortals, not only do the sciences in general spring up and decay, so that in respect of them we are never the same; but each of them individually experiences a like change.
For what is implied in the word 'recollection,' but the departure of knowledge, which is ever being forgotten, and is renewed and preserved by recollection, and appears to be the same although in reality new, according to that law of succession by which all mortal things are preserved, not absolutely the same, but by substitution, the old worn-out mortality leaving another new and similar existence behind unlike the divine, which is always the same and not another?
And in this way, Socrates, the mortal body, or mortal anything, partakes of immortality; but the immortal in another way.
Themes
◆Anamnesissoteriology
Platonic recollection: knowledge as the soul's recovery of what it knew before birth, with learning as remembering rather than acquisition.
The text explicitly discusses 'recollection' as the process by which knowledge is renewed and preserved despite being forgotten.
Ecstatic, non-rational receptivity to the divine figured as drunkenness — Plato's symposium wine, Rumi's sukr, Eckhart's 'sober drunkenness'; the passive/receptive metaphor for divine encounter, distinct from divine_madness's active possessing rapture.
As a passage from the Symposium mentioning ecstasy and receptivity to beauty, it fits the definition referencing Plato's symposium wine.
Ecstatic irrational rapture — Plato's mania, Bruno's furore — by which the soul transcends ordinary reason and attains direct contact with divine reality; madness reframed as higher knowledge.
The passage describes a 'flutter and ecstasy' about beauty that alleviates pain, aligning with the concept of ecstatic rapture.
Diotima's staged ascent from love of beautiful bodies → beautiful souls → beautiful pursuits → beautiful knowledge → Beauty itself; the canonical scala amoris that grounds Plotinus's On the Beautiful and Bruno's Eroici Furori — distinct from generic spiritual_ascent in that eros is the specific motive force.
[auto] This passage provides the metaphysical foundation for Diotima's ascent by defining love as the desire for immortality through generation in beauty.