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Plato: Phaedrus · 22 of 38 · tr. Benjamin Jowett

Section 1v

For those who have once begun the heavenward pilgrimage may not go down again to darkness and the journey beneath the earth, but they live in light always; happy companions in their pilgrimage, and when the time comes at which they receive their wings they have the same plumage because of their love. Thus great are the heavenly blessings which the friendship of a lover will confer upon you, my youth. Whereas the attachment of the non-lover, which is alloyed with a worldly prudence and has worldly and niggardly ways of doling out benefits, will breed in your soul those vulgar qualities which the populace applaud, will send you bowling round the earth during a period of nine thousand years, and leave, you a fool in the world below. And thus, dear Eros, I have made and paid my recantation, as well and as fairly as I could; more especially in the matter of the poetical figures which I was compelled to use, because Phaedrus would have them. And now forgive the past and accept the present, and be gracious and merciful to me, and do not in thine anger deprive me of sight, or take from me the art of love which thou hast given me, but grant that I may be yet more esteemed in the eyes of the fair. And if Phaedrus or I myself said anything rude in our first speeches, blame Lysias, who is the father of the brat, and let us have no more of his progeny; bid him study philosophy, like his brother Polemarchus; and then his lover Phaedrus will no longer halt between two opinions, but will dedicate himself wholly to love and to philosophical discourses. Phaedr. I join in the prayer, Socrates, and say with you, if this be for my good, may your words come to pass. But why did you make your second oration so much finer than the first? I wonder why. And I begin to be afraid that I shall lose conceit of Lysias, and that he will appear tame in comparison, even if he be willing to put another as fine and as long as yours into the field, which I doubt. For quite lately one of your politicians was abusing him on this very account; and called him a "speech writer" again and again. So that a feeling of pride may probably induce him to give up writing speeches. Soc. What a very amusing notion! But I think, my young man, that you are much mistaken in your friend if you imagine that he is frightened at a little noise; and possibly, you think that his assailant was in earnest? Phaedr. I thought, Socrates, that he was. And you are aware that the greatest and most influential statesmen are ashamed of writing speeches and leaving them in a written form, lest they should be called Sophists by posterity. Soc. You seem to be unconscious, Phaedrus, that the "sweet elbow" of the proverb is really the long arm of the Nile. And you appear to be equally unaware of the fact that this sweet elbow of theirs is also a long arm. For there is nothing of which our great politicians are so fond as of writing speeches and bequeathing them to posterity. And they add their admirers' names at the top of the writing, out of gratitude to them. Phaedr. What do you mean? I do not understand. Soc. Why, do you not know that when a politician writes, he begins with the names of his approvers? Phaedr. How so? Soc.
Themes
Body As Obstacleanthropology

The material body viewed as a prison, tomb, or source of error that hinders spiritual knowledge and return.

The text contrasts living in light versus being a fool in the world below after a journey of nine thousand years.

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Cosmic Dualismtheology

Ontological opposition between two primal principles (light/darkness, truth/lie, spirit/matter) as the fundamental structure of reality.

A clear opposition is drawn between light and darkness, and those who go down versus those who live in light always.

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Divine Lighttheology

The uncreated luminous quality of the divine, sometimes experienced directly in mystical states; illumination as revelation.

The passage explicitly describes those who complete the pilgrimage as living 'in light always' and contrasts them with darkness.

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Ladder Of Lovesoteriology

Diotima's staged ascent from love of beautiful bodies → beautiful souls → beautiful pursuits → beautiful knowledge → Beauty itself; the canonical scala amoris that grounds Plotinus's On the Beautiful and Bruno's Eroici Furori — distinct from generic spiritual_ascent in that eros is the specific motive force.

The passage explicitly describes the 'heavenward pilgrimage' and the conferral of heavenly blessings through the friendship of a lover.

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Paradox As Teachingethics

Using apparent contradiction, reversal, or riddle to destabilise ordinary understanding and induce insight.

The text uses the metaphor of the 'sweet elbow' being a long arm to illustrate the politicians' preference for writing speeches.

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Prayerpraxis

Direct address to the divine, whether petitionary, contemplative, or liturgical; speech and silence offered upward.

The passage concludes with a direct prayer addressed to Eros for forgiveness and continued favor.

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Renunciation Of Wealthethics

The spiritual danger of attachment to material possessions; wealth as a spiritual obstacle.

The non-lover is described as having 'worldly and niggardly ways of doling out benefits'.

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Return To Sourcesoteriology

The soul's journey back to its divine origin, reversing the fall into matter through stages of purification or illumination.

The text describes a 'heavenward pilgrimage' that leads to living in light and receiving wings.

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Spiritual Ascentpraxis

A staged journey of the soul upward through heavenly realms or levels of being toward the divine source.

The passage centers on the 'heavenward pilgrimage' and the ascent of the soul toward divine light through love.

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Related passages · 3 parallels
egyptian|The Egyptian Book of the Dead (Papyrus of Ani)|Chapter 29 (part 1)
PLATE XXI. "Thou dost place thy disk in the west, and my two hands are [raised] in adoration [of thee] when thou settest (30) as a living being. Behold, thou art the maker of eternity, and thou art adored [when] thou settest in the heaven…”
Both passages express a deep reverence for a divine or transcendent force and emphasize the transformative power of divine love or adoration. They also share a theme of spiritual journey and the aspiration for a blessed afterlife.
renaissance_hermeticism|The Heroic Enthusiasts, Part I (Gli Eroici Furori)|Second Dialoguee
Herein he proves that his love is truly heroic; because he proposes to himself as the chief aim, not corporeal beauty, but rather the grace of the spirit, and the inclination of the affections in which, rather than in the beauty of the body…”
Both passages discuss the nature of love and its elevation from the physical to the spiritual. They emphasize the importance of divine or higher love over mere physical attraction, highlighting the transformative power of love on the soul.
renaissance_hermeticism|The Heroic Enthusiasts, Part II (Gli Eroici Furori)|First Dialoguec
And I will say, because to me this pain Is dearer than all other pleasures are. Mar. In reference to this I told you that although one should be attached to corporeal and external beauty yet he may honourably and worthily be so attached;…”
Both passages explore the transformative power of love and beauty, suggesting that attachment to earthly beauty can elevate the soul towards divine or higher beauty. They share a mystical perspective on the journey of the soul and the role of love in spiritual ascent.