Select Works, Section 225
◆Body As Obstacleanthropology
The material body viewed as a prison, tomb, or source of error that hinders spiritual knowledge and return.
The contrast between heavenly Aphrodite and earthly unions implies the material realm is inferior to the divine.
All passages →◆Divine Simplicitytheology
The doctrine that God has no parts, divisions, or composite attributes; pure undivided being.
The higher Aphrodite is described as not being born of a mother, suggesting a lack of composite origin.
All passages →◆Divine Sparkscosmology
Fragments of divine light or spirit trapped inside material bodies, awaiting liberation and return to their source.
The text mentions an already existing impulse within human souls towards the supernal beauty.
All passages →◆Hidden Sayingssoteriology
Esoteric teachings reserved for those ready to receive them; outer meaning conceals an inner liberating truth.
The author states that the mythological matter requires philosophical examination to uncover its true meaning.
All passages →◆Mystical Unionsoteriology
The merging of the individual soul or self with the divine, transcending personal identity.
The goal of Eros is described as directing souls towards supernal beauty, implying a union with the divine.
All passages →◇Anthropomorphismtheology
Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.
[auto] The passage utilizes mythological figures like Aphrodite, Zeus, Penia, and Poros with human relationships and genealogies.
All passages →◇Cosmic Dualismtheology
Ontological opposition between two primal principles (light/darkness, truth/lie, spirit/matter) as the fundamental structure of reality.
[auto] A clear distinction is made between the heavenly realm and earthly unions, reflecting an ontological opposition.
All passages →◇Emanation Hierarchycosmology
A chain of divine beings or principles flowing downward from a single transcendent source (the One or the Father), each level less perfect than the one above.
[auto] The passage distinguishes between a heavenly Aphrodite and an earthly Aphrodite, implying a hierarchical structure of divine beings.
All passages →◇Ladder Of Lovesoteriology
Diotima's staged ascent from love of beautiful bodies → beautiful souls → beautiful pursuits → beautiful knowledge → Beauty itself; the canonical scala amoris that grounds Plotinus's On the Beautiful and Bruno's Eroici Furori — distinct from generic spiritual_ascent in that eros is the specific motive force.
[auto] The text references Plato's Symposium and describes Eros as the inciter of souls towards supernal beauty, grounding the ascent.
All passages →◇Paradox As Teachingethics
Using apparent contradiction, reversal, or riddle to destabilise ordinary understanding and induce insight.
[auto] The text highlights the contradictory genealogies of Eros (child vs. birth-fellow) to demand philosophical discussion.
All passages →◇Return To Sourcesoteriology
The soul's journey back to its divine origin, reversing the fall into matter through stages of purification or illumination.
[auto] The text describes Love as quickening an impulse towards the supernal beauty, suggesting a return to the divine origin.
All passages →◇Spiritual Ascentpraxis
A staged journey of the soul upward through heavenly realms or levels of being toward the divine source.
[auto] Eros is described as an inciter of human souls towards supernal beauty, indicating a journey upward.
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