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Orphic Hymns · 68 of 138 · tr. Thomas Taylor

Hymn XXVIII. PROSERPINE (part 1)

XXVIII. TO PROSERPINE. A HYMN DAUGHTER of Jove, almighty and divine, Come, blessed queen, and to these rites incline: Only-begotten, Pluto's honor'd wife, 3 O venerable Goddess, source of life: 'Tis thine in earth's profundities to dwell, 5 Fast by the wide and dismal gates of hell: Jove's holy offspring, of a beauteous mien, Fatal, with lovely locks, infernal queen: Source of the furies, whose blest frame proceeds From Jove's ineffable and secret seeds: 10 Mother of Bacchus, Sonorous, divine, And many-form'd, the parent of the vine: The dancing Hours attend thee, essence bright, All-ruling virgin, bearing heav'nly light: p. 154 Illustrious, horned, of a bounteous mind, 13 Alone desir'd by those of mortal kind. O, vernal queen, whom grassy plains delight, Sweet to the smell, and pleasing to the sight: Whose holy form in budding fruits we view, Earth's vig'rous offspring of a various hue: 20 Espous'd in Autumn: life and death alone 21 To wretched mortals from thy power is known: For thine the task according to thy will, 23 Life to produce, and all that lives to kill. p. 155 Hear, blessed Goddess, send a rich increase 25 Of various fruits from earth, with lovely Peace; Send Health with gentle hand, and crown my life With blest abundance, free from noisy strife; Last in extreme old age the prey of Death, Dismiss we willing to the realms beneath, 30 To thy fair palace, and the blissful plains Where happy spirits dwell, and Pluto reigns. Footnotes 153:3 Ver. 3] Only-begotten . Καὶ γὰρ ὁ Θεολογός την κόρην ΜΟΥΝΟ-ΓΕΝΕΙΑΝ ἔιαθε προσαγορεύειν. Proc. Tim. 2 extra p. 139. 9. i.e. "I see that the theologist (meaning Orpheus) calls Proserpine, "Only-begotten". 154:21 Ver. 21.] Espous'd in Autumn . We have already observed in the Dissertation, that the Orphic theologers considered a difference of sex in the divinities; attributing the male to some, and the female to others. Now the mutual commerce and energy subsisting between these Gods and Goddesses, they denominated Ιεροι Γαμοι, i. e. "holy marriages:" or according to Proclus, on the Parmenides of Plato, as cited by Eschenbach, in Epig. p. 59. they mystically called, the simple kindred conjunction, and communion of divine causes, a marriage. And Proserpine, or the animating part of the earth's soul, may he considered as resting in Autumn, from all farther productions; her powers at that time having attained their full perfection. Hence at this period may we not say, that she is wholly abstracted from the animal life, and secretly united with Pluto, or the intellectual part of the earth's soul; from whom she receives the divine light of mind, and copious streams of the nectar of divine knowledge. 154:23 Ver. 23.] For thine the task , &c. Proclus, in Theol. Plat. p.
Themes
Apophatic Theologytheology

Describing the divine only by negation—God transcends all positive categories and concepts; the via negativa.

The divine origin is described as 'ineffable', indicating a transcendence beyond positive description.

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Cosmic Dualismtheology

Ontological opposition between two primal principles (light/darkness, truth/lie, spirit/matter) as the fundamental structure of reality.

The text contrasts life and death, earth and hell, and vernal queen with autumn espousal.

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Divine Hiddennesstheology

The supreme God's radical concealment beyond ordinary knowledge or perception; the Hidden Father.

Proserpine dwells in 'earth's profundities' and the divine seeds are described as 'secret'.

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Divine Intoxicationpraxis

Ecstatic, non-rational receptivity to the divine figured as drunkenness — Plato's symposium wine, Rumi's sukr, Eckhart's 'sober drunkenness'; the passive/receptive metaphor for divine encounter, distinct from divine_madness's active possessing rapture.

Proserpine is identified as the 'Mother of Bacchus', linking her to the god of wine and ecstasy.

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Divine Lighttheology

The uncreated luminous quality of the divine, sometimes experienced directly in mystical states; illumination as revelation.

Proserpine is described as 'bearing heav'nly light' and receiving the 'divine light of mind' from Pluto.

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Funerary Navigationpraxis

Texts and rituals guiding the soul through death.

The hymn functions as a ritual text guiding the soul to Pluto's palace and the blissful plains of the afterlife.

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Gnosis Direct Knowledgesoteriology

Salvation through direct experiential knowledge of the divine nature, not through faith, ritual, or moral works alone.

Footnotes mention receiving 'copious streams of the nectar of divine knowledge' through mystical union.

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Hidden Sayingssoteriology

Esoteric teachings reserved for those ready to receive them; outer meaning conceals an inner liberating truth.

The text references 'ineffable and secret seeds' and the footnotes mention 'secretly united' divine knowledge.

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Opposites Transcendedanthropology

The dissolution of binary oppositions (male/female, inner/outer, above/below) as a mark of spiritual completion.

Proserpine holds the power to both produce life and kill all that lives, uniting opposing forces.

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Paradox As Teachingethics

Using apparent contradiction, reversal, or riddle to destabilise ordinary understanding and induce insight.

The goddess is described as having the task to 'Life to produce, and all that lives to kill'.

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Soul Migrationcosmology

The transmigration of the soul across lives.

Orphic context implies transmigration, and the text references the cycle of life and death for mortals.

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Theurgypraxis

Iamblichean ritual practice that engages the gods directly through consecrated material symbols and actions, on the premise that divine power descends into properly prepared matter — distinct from philosophical contemplation alone.

The text is an Orphic hymn intended for 'rites' to incline the goddess, engaging divine power through ritual.

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Tripartite Soulanthropology

Division of the human being into three principles: spirit (pneuma), soul (psyche), and body/matter (hyle or soma).

Footnotes distinguish between the 'animating part of the earth's soul', 'animal life', and the 'intellectual part'.

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Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

[auto] The deity is described with human and physical attributes including 'winged feet,' 'hand,' 'tongue,' 'heart,' and 'mind.'

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Divine Marriagesoteriology

The reunification of complementary divine principles (male-female, spirit-matter) as a symbol of wholeness and salvation.

[auto] The footnotes explicitly discuss the 'Holy Marriages' (Hieros Gamos) between Proserpine and Pluto as a mystical conjunction of divine causes.

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Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

[auto] Hermes is addressed as an active, responsive reality who can 'draw near,' 'assist my works,' and 'hear' the suppliant.

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Logoscosmology

The divine reason, word, or ordering principle through which the universe was created; mediates between the transcendent God and the material world.

[auto] Hermes is described as the 'prophet of discourse' and endowed with power to explain all language, aligning with the concept of divine word or reason.

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Prayerpraxis

Direct address to the divine, whether petitionary, contemplative, or liturgical; speech and silence offered upward.

[auto] The entire text is a liturgical hymn directly addressing the goddess with petitions for increase, health, and safe passage after death.

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Psychopomp Journeycosmology

Guided passage of the soul through afterlife realms.

[auto] The hymn invokes Hermes to 'conclude my life with peace,' referencing his traditional role as the guide of souls through death.

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Ritual Firepraxis

Fire as medium of divine presence.

[auto] The fumigation of frankincense implies the use of fire as a medium to carry the offering and prayer to the divine.

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Ritual Puritypraxis

The maintenance of a state of cleanliness—physical, moral, or spiritual—required for encounter with the divine.

[auto] The text explicitly mentions 'FUMIGATION from FRANKINCENSE,' indicating a ritual practice intended for purification or sacred encounter.

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Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

[auto] The prayer utilizes specific divine epithets and names such as 'Corucian' and 'Angel of Jove' to invoke the deity's power.

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Related passages · 6 parallels
egyptian|The Egyptian Book of the Dead (Papyrus of Ani)|Chapter 8 (part 1)
THE LEGEND OF RA AND ISIS. Now Isis was a woman who possessed words of power; her heart was wearied with the millions of men, and she chose the millions of the gods, but she esteemed more highly the millions of the khu's . And she meditat…”
Both passages involve a divine being (Isis in Passage A and Proserpine in Passage B) who possesses significant power and is associated with life and death. They both explore themes of divine intervention and the mystical aspects of their respective deities.
egyptian|The Egyptian Book of the Dead (Papyrus of Ani)|Chapter 10 (part 15)
500, Paris, 1879, p. 27. 4 Pyramid of Unas, l. 564.] {p. cxxvi} Disguised in female forms, the four goddesses go to the house of Ra-user, and, professing to have a knowledge of the art of midwifery, they are admitted to the chamber wher…”
Both passages describe a divine figure associated with creation, life, and the underworld. They also highlight the god's role in sustaining the universe and their connection to the afterlife, though within different cultural and mythological contexts.
egyptian|The Egyptian Book of the Dead (Papyrus of Ani)|Chapter 22 (part 1)
PLATE XIV. §F. Vignette: The gods Osiris, Isis, and Ap-uat, and the TET. Text [CHAPTER XVIII.]: (1) The great godlike rulers who are in Abtu are Osiris, Isis, and Ap-uat. "Hail, Thoth, who madest Osiris victorious (2) over his enemies,…”
Both passages describe a divine figure associated with the underworld and the cycle of life and death. Proserpine in the Orphic Hymns and Osiris in the Egyptian text are both central to their respective traditions' understandings of the afterlife and the renewal of life.
egyptian|The Egyptian Book of the Dead (Papyrus of Ani)|Chapter 38 (part 6)
Vignette: The goddess Neith. Text: (11) The fore-arms of Osiris Ani, triumphant, are the fore-arms of the lady of Sais. Vignette: The god Sut. Text: (12) The backbone of Osiris Ani, triumphant, is the backbone of Sut. Vignette: A god.…”
Both passages emphasize the identification of the individual with divine entities and the integration of the human body with divine attributes. The Egyptian Book of the Dead identifies parts of the body with various deities, while the Hymn to Proserpine describes the goddess as embodying various divine roles and attributes.
egyptian|The Egyptian Book of the Dead (Papyrus of Ani)|Chapter 43 (part 107)
Thou art stablished among the gods thy brethren, thy head is purified for thee with natron, thy bones are washed clean with water, and thou thyself art made perfect with all that belongeth unto thee. O Osiris, I have given unto thee the Ey…”
Both passages invoke divine figures (Thoth/Hermes) for assistance and purification, highlighting the role of these deities in guiding and protecting the individual. They share themes of divine intervention, purification, and the use of ritual elements (incense, unguent) to facilitate spiritual connection.
western_esoteric|Transcendental Magic II: The Ritual (Éliphas Lévi)|Introductiona
KNOWEST thou that old queen of the world who is on the march always and wearies never? Every uncurbed passion, every selfish pleasure, every licentious energy of humanity, and all its tyrannous weakness, go before the sordid mistress of ou…”
Both passages explore the theme of death and transformation. Passage A describes death as a necessary part of life's cycle, leading to rebirth and eternal hope, while Passage B portrays Proserpine as a goddess who controls life and death, emphasizing her role in the cycle of nature and the afterlife.