Hymn LXII. EQUITY

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

[auto] Justice is attributed human characteristics such as an eye, a throne, and the capacity to hear supplicants.

Truth as the fundamental structure of reality.

[auto] The hymn describes Justice as combining dissimilars from the 'equality of truth,' aligning with truth as a fundamental cosmic structure.

Ontological opposition between two primal principles (light/darkness, truth/lie, spirit/matter) as the fundamental structure of reality.

[auto] The text establishes a clear opposition between the good and evil mind, with Justice inclined to one and hostile to the other.

The uncreated luminous quality of the divine, sometimes experienced directly in mystical states; illumination as revelation.

[auto] Justice is described as having a 'piercing eye... bright,' associating the divine attribute with luminous perception.

Pronoia — the doctrine that the divine actively orders the unfolding of the cosmos and human affairs toward intelligible ends, against pure chance or blind necessity.

Equity is depicted as dispensing constant aid and maintaining pure judgments over human conduct.

Augustinian and Plotinian doctrine that evil has no positive being of its own but is a lack, distortion, or absence of the good — denying ontological dualism while preserving moral seriousness.

Evil is characterized as 'unjust' and 'perverse,' implying a deviation or lack of the divine order of Equity.

Texts and rituals guiding the soul through death.

[auto] The supplicant asks to be heard 'When Fate's predestin'd, final hour draws near,' indicating a ritual focus on the moment of death.

Esoteric teachings reserved for those ready to receive them; outer meaning conceals an inner liberating truth.

[auto] The footnote explicitly references 'most holy initiations' (teletai), indicating the text belongs to an esoteric tradition reserved for initiates.

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

[auto] The deity is addressed directly as active and responsive ('Come... hear'), portraying a personal divine reality.

The Egyptian principle of truth, balance, and right order underlying both the cosmos and human conduct; the parallel to Zoroastrian asha and Greek dike.

The hymn personifies Equity (Dike), which the concept definition explicitly parallels with Egyptian Maat and Greek cosmic order.

The dissolution of binary oppositions (male/female, inner/outer, above/below) as a mark of spiritual completion.

[auto] Justice is credited with the power to 'join dissimilars' and combine them from the equality of truth.

Direct address to the divine, whether petitionary, contemplative, or liturgical; speech and silence offered upward.

[auto] The passage is structured as a direct liturgical invocation and petition to the Goddess Equity.

Fire as medium of divine presence.

[auto] The prescribed fumigation of frankincense necessitates the use of fire as a medium for the offering.

The maintenance of a state of cleanliness—physical, moral, or spiritual—required for encounter with the divine.

[auto] The heading specifies 'FUMIGATION from FRANKINCENSE,' a ritual practice intended to purify the space or practitioner for divine encounter.

Iamblichean ritual practice that engages the gods directly through consecrated material symbols and actions, on the premise that divine power descends into properly prepared matter — distinct from philosophical contemplation alone.

The text specifies fumigation with frankincense as a ritual means to engage the divine power of Equity.