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Orphic Hymns · 52 of 138 · tr. Thomas Taylor

Hymn XIII. RHEA (part 1)

XIII. TO RHEA * . The FUMIGATION from AROMATICS. DAUGHTER of great Protogonus, divine, 1 Illustrious Rhea, to my pray'r incline, p. 138 Who driv'st thy holy car with speed along, Drawn by fierce lions, terrible and strong. 4 Mother of Jove, whose mighty arm can wield 5 Th' avenging bolt, and shake the dreadful shield. Drum-beating, frantic, of a splendid mien, 7 Brass-sounding, honor'd, Saturn's blessed queen. Thou joy'st in mountains and tumultuous fight, And mankind's horrid howlings, thee delight. 10 p. 139 War's parent, mighty, of majestic frame, Deceitful saviour, liberating dame. 12 Mother of Gods and men, from whom the earth And lofty heav'ns derive their glorious birth; Th' ætherial gales, the deeply spreading sea 15 Goddess ærial form'd, proceed from thee. Come, pleas'd with wand'rings, blessed and divine, With peace attended on our labours shine; Bring rich abundance, and wherever found Drive dire disease, to earth's remotest bound. 20 Footnotes 137:1 Ver. 1.] Daughter of great Protogonus . In the note to Hercules it appears that Rhea is one of the progeny of the intellectual earth, resident in Phanes; and from the note to Hymn 5, to Protogonus, we learn from Proclus, that Phanes is to be considered in the intelligible as well as in the intellectual orders. Hence Rhea is, with perfect agreement to the Orphic theology, the daughter of Protogonus, considered as subsisting among the intelligible Gods. 137:* Rhea, according to the Orphic and Platonic theology, is one of the zoogonic or vivific principles of the universe; having a maternal rank among the universal paternal orders, i. e. between Saturn and Jupiter. Hence she calls forth the causes latent in Saturn to the procreation of the universe; and definitely unfolds all the genera of the Gods. So that she is filled from Saturn, with an intelligible and prolific power, which she imparts to Jupiter the demiurgus of the universe; filling his essence with a vivific abundance. Since this Goddess then is a medium between the two intellectual parents of the universe, Saturn and Jupiter, the former of which collects intellectual multitude into one, but the other scatters and divides it. Hence says Proclus, in Theol. Plat. p. 266. this Goddess produces in herself the demiurgic causes of the universe; but imparts her diffusive power abundantly to secondary natures. On p. 138 this account Plato assimilates her prolific abundance to the flowing of waters; signifying nothing more by the word flowing , than that fontal power, by which she singularly contains the divine rivers of life. And, p. 267. Proclus informs us, that this Goddess, according to Orpheus, when considered as united to Saturn by the most exalted part of her essence, is called Rhea: but considered as producing Jupiter, and, together with Jove, unfolding the universal and particular orders of the Gods, she is called Ceres. 138:4 Ver. 4.] Drawn by fierce lions , &c. I have here followed the correction of Pierson, who reads ταυροφονων for ταυροφορον: for Rhea is the same with the mother of the Gods, who is celebrated in the Hymn to her, as seated in a car drawn by lions. 138:7 Ver. 7.] Drum-beating .
Themes
Demiurgecosmology

A secondary creator deity—often ignorant or malevolent—responsible for fashioning the material world, distinct from the supreme transcendent God.

The commentary identifies Jupiter as 'the demiurgus of the universe' who receives vivific power from Rhea.

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Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

[auto] Saturn is addressed with human characteristics such as 'Father', 'Husband', and possessing 'speech.'

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Apophatic Theologytheology

Describing the divine only by negation—God transcends all positive categories and concepts; the via negativa.

[auto] The deity's power is described as 'ineffable' and beyond enclosure by parts.

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Divine Lighttheology

The uncreated luminous quality of the divine, sometimes experienced directly in mystical states; illumination as revelation.

[auto] Saturn is identified as the 'Great fire of Gods and men,' equating divinity with luminous energy.

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Divine Simplicitytheology

The doctrine that God has no parts, divisions, or composite attributes; pure undivided being.

[auto] The text explicitly states 'No parts peculiar can thy pow'r enclose,' defining the deity as undivided.

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Emanation Hierarchycosmology

A chain of divine beings or principles flowing downward from a single transcendent source (the One or the Father), each level less perfect than the one above.

[auto] The footnotes explicitly detail a chain of divine beings flowing from Protogonus to Rhea to Saturn and Jupiter within intelligible orders.

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Fasting And Prayerpraxis

Ascetic disciplines that prepare the body and mind for spiritual receptivity or purification.

[auto] The passage explicitly requests the deity to attend to 'holy pray'rs' and 'sacred rites.'

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Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

[auto] The hymn petitions the deity to 'hear', 'attend', and be 'propitious' to prayers.

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Prayerpraxis

Direct address to the divine, whether petitionary, contemplative, or liturgical; speech and silence offered upward.

[auto] The text is explicitly structured as an invocation asking the goddess to incline 'to my pray'r'.

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Return To Sourcesoteriology

The soul's journey back to its divine origin, reversing the fall into matter through stages of purification or illumination.

[auto] The passage describes forms being 'Consum'd by thee... By thee restor'd, their former place supply.'

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Ritual Firepraxis

Fire as medium of divine presence.

[auto] The hymn title specifies fumigation and the deity is addressed as 'Great fire of Gods and men.'

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Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

[auto] The text invokes specific divine titles like 'Saturn', 'Titan', and 'Rhea' for liturgical power.

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Unity Of Beingtheology

The doctrine that all existence is ultimately one substance or one divine reality; non-duality as a theological claim.

[auto] Saturn is described as 'Diffus'd thro' all, from which the world arose,' indicating panentheistic unity.

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Related passages · 4 parallels
egyptian|The Egyptian Book of the Dead (Papyrus of Ani)|Chapter 38 (part 6)
Vignette: The goddess Neith. Text: (11) The fore-arms of Osiris Ani, triumphant, are the fore-arms of the lady of Sais. Vignette: The god Sut. Text: (12) The backbone of Osiris Ani, triumphant, is the backbone of Sut. Vignette: A god.…”
Both passages emphasize the identification of the individual with divine attributes and entities. Passage A from the Egyptian Book of the Dead identifies the body parts of Osiris Ani with various deities, while Passage B from the Orphic Hymns describes Rhea as a divine figure with multiple attributes and roles, linking her to various aspects of the universe and divinity.
mandaean|Gnostic John the Baptizer — Some Typical Extracts|Section 12
Life is exalted and is victorious, and victorious is the Man who has come hither. The next piece I have selected, treats of the source of all glory and enlightenment, called the Treasury of Life, that in which all spiritual powers and bles…”
Both passages describe a divine feminine figure associated with creation and life. Rhea in the Orphic Hymns is a maternal figure who brings forth the universe and its divine orders, while the Treasury of Life in the Mandæan tradition is a female greatness from which all worlds have come forth and which provides spiritual powers and blessings.
renaissance_hermeticism|The Heroic Enthusiasts, Part I (Gli Eroici Furori)|Fourth Dialoguea
. Tansillo . Thus is described the discourse of heroic love, in all which tends to its own object, which is the highest good; and heroic intellect, which devotes itself to the study of its own object, which is the primal verity, or absolu…”
Both passages explore the theme of divine wisdom and the pursuit of higher knowledge. Passage A discusses the intellect's pursuit of divine wisdom and beauty, while Passage B describes Rhea as a vivific principle that imparts divine abundance and knowledge. Both texts use metaphorical language to convey the transformative power of divine insight.
renaissance_hermeticism|The Heroic Enthusiasts, Part I (Gli Eroici Furori)|Fourth Dialoguek
Destiny, when, shall I that mountain mount, Which, blissful to the high gates bringing, bring, Where those rare beauties I shall counting, count, When he my pain with comfort comforting, Who my disjointed members joined, And leaves my dying…”
Both passages express a yearning for divine union and transcendence. Passage A from Giordano Bruno's 'The Heroic Enthusiasts' speaks of climbing a mountain to reach a state of bliss and divine beauty, while Passage B from the Orphic Hymns invokes Rhea, a divine figure associated with the creation and vivification of the universe, seeking her blessings for abundance and liberation.