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Orphic Hymns · 49 of 138 · tr. Thomas Taylor

Hymn XI. HERCULES (part 1)

XI. TO HERCULES. The FUMIGATION from FRANKINCENSE. HEAR, pow'rful, Hercules untam'd and strong, To whom vast hands, and mighty works belong, Almighty Titan, prudent and benign, Of various forms, eternal and divine, Father of Time, the theme of gen'ral praise, 5 Ineffable, ador'd in various ways. Magnanimous, in divination skill'd And in the athletic labours of the field. 'Tis thine strong archer, all things to devour, Supreme, all-helping, all-producing pow'r; 10 To thee mankind as their deliv'rer pray, Whose arm can chase the savage tribes away: p. 134 Uweary'd, earth's best blossom, offspring fair, To whom calm peace, and peaceful works are dear. 13 p. 135 Self-born, with primogenial fires you shine, 15 15 And various names and strength of heart are thine. Thy mighty head supports the morning light, And bears untam'd, the silent gloomy night; From east to west endu'd with strength divine, Twelve glorious labours to absolve is thine; 20 p. 136 Supremely skill'd, thou reign'st in heav'n's abodes, Thyself a God amid'st th' immortal Gods. With arms unshaken, infinite, divine, Come, blessed pow'r, and to our rites incline; The mitigations of disease convey, 25 And drive disasterous maladies away. Come, shake the branch with thy almighty arm, Dismiss thy darts and noxious fate disarm. Footnotes 134:13 Ver. 13] Earth's best blossom . Since, according to the Orphic theology, there are two worlds, the intelligible and the sensible, the former of which is the source of the latter; so, according to the same theology, the first contains in a primary, causal, and intellectual manner, what the second comprehends secondarily and sensibly. Hence it contains an intellectual heaven and earth, not like the material, existing in place, and affected with the circulations of Time; but subsisting immaterially in the stable essence of eternity. In this divine world, another sun, and moon, and stars shine with intellectual light; for every thing there is perfectly lucid, light continually mingling with light. There, as Plotinus divinely observes, every star is a sun: and though all things are beheld in every thing, yet some things are more excellent than others. Now from this intellectual heaven and earth, resident in Phanes, the king and father of the universe, Orpheus, according to Proclus, derives the orders of the Gods, subordinate to this sensible heaven and earth: and among these he relates the following progeny of the intellectual earth, as preserved by Proclus in his excellent Commentary on the Timæus, p. 295, and by Athenagoras in Apol. "She produced seven beautiful pure virgins with voluble eyes, and seven sons, all of them kings, and covered with downy hair; the daughters are Themis and prudent Tethys, and fair-haired Mnemosyne, and blessed Thea; together with Dione, having an illustrious form, and Phœbe and Rhea the mother of king Jupiter. But this illustrious earth generated celestial sons, which are also sirnamed Titans, because they took revenge on the great starry heaven; and these are Cæus and great Cræus, and robust Phorcys, and Saturn, and Ocean, and Hyperion, and Iapetus." Now Hercules is celebrated in this Hymn as the Sun, as the nineteenth and twentieth lines particularly evince; and the Sun is the same with Hyperion; p.
Themes
Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

The deity is described with human features such as 'vast hands,' 'arm,' and 'head.'

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Apophatic Theologytheology

Describing the divine only by negation—God transcends all positive categories and concepts; the via negativa.

Hercules is described as 'Ineffable,' indicating the divine transcends full description.

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Correspondencecosmology

The Hermetic axiom that the structure of the cosmos is reflected at every scale — 'as above, so below; as within, so without' — making each level a legible map of the others.

Footnotes explain that the intelligible world contains what the sensible world comprehends secondarily.

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Cosmic Dualismtheology

Ontological opposition between two primal principles (light/darkness, truth/lie, spirit/matter) as the fundamental structure of reality.

The footnotes explicitly distinguish between the intelligible and sensible worlds as two distinct realms.

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Divine Hiddennesstheology

The supreme God's radical concealment beyond ordinary knowledge or perception; the Hidden Father.

The deity is 'Ineffable' and 'ador'd in various ways,' suggesting a nature beyond ordinary perception.

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Divine Lighttheology

The uncreated luminous quality of the divine, sometimes experienced directly in mystical states; illumination as revelation.

The text references 'primogenial fires' and the footnotes describe an 'intellectual light' in the divine world.

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Divine Providencetheology

Pronoia — the doctrine that the divine actively orders the unfolding of the cosmos and human affairs toward intelligible ends, against pure chance or blind necessity.

Hercules is called 'all-helping, all-producing pow'r' who delivers mankind and drives away disaster.

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Emanation Hierarchycosmology

A chain of divine beings or principles flowing downward from a single transcendent source (the One or the Father), each level less perfect than the one above.

Footnotes describe orders of Gods subordinate to the intellectual earth, flowing from a primary source.

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Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

Hercules is addressed as an active, responsive power who 'hears' and can 'come' to rites.

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Numerical Mysticismtheology

Numbers, proportions, and mathematical relationships as the underlying structure of divine reality.

The text specifically mentions the 'Twelve glorious labours' as a divine attribute.

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Opposites Transcendedanthropology

The dissolution of binary oppositions (male/female, inner/outer, above/below) as a mark of spiritual completion.

Hercules' head supports both 'morning light' and 'silent gloomy night,' uniting opposites.

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Ritual Firepraxis

Fire as medium of divine presence.

The hymn specifies fumigation from frankincense and mentions 'primogenial fires' as divine attributes.

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Ritual Puritypraxis

The maintenance of a state of cleanliness—physical, moral, or spiritual—required for encounter with the divine.

The use of fumigation and rites implies a requirement for purification before divine encounter.

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Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

The hymn invokes Hercules by multiple epithets and titles believed to carry ontological power.

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Theurgypraxis

Iamblichean ritual practice that engages the gods directly through consecrated material symbols and actions, on the premise that divine power descends into properly prepared matter — distinct from philosophical contemplation alone.

The passage describes fumigation and rites intended to invoke divine power for healing and protection.

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Prayerpraxis

Direct address to the divine, whether petitionary, contemplative, or liturgical; speech and silence offered upward.

[auto] The entire text is a hymn of invocation and petition addressed directly to Hercules.

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Unity Of Beingtheology

The doctrine that all existence is ultimately one substance or one divine reality; non-duality as a theological claim.

[auto] The text explicitly identifies Pan with the Universe and states 'The World is one,' emphasizing non-duality.

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Related passages · 17 parallels
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Many are the shouts of joy that rise to thee at the Uak[*] festival, and cries of delight ascend to thee from the (9) whole world with one voice. Thou art the chief and prince of thy brethren, thou art the prince of the company of the gods…”
Both passages describe a divine figure who is celebrated for their power, protection, and role in the cosmos. They emphasize the divine figure's ability to bring light, order, and justice, as well as their connection to creation and the natural world.
egyptian|The Egyptian Book of the Dead (Papyrus of Ani)|Chapter 8 (part 7)
The sacred Form, beloved, terrible and mighty in his two risings (?), the lord of space, the mighty one of the form of Khepera, who came into existence through Khepera, the lord of the form of Khepera; when he came into being nothing existe…”
Both passages describe a divine being as the source of light, life, and creation, emphasizing the deity's eternal nature and role in governing the world. The passages share themes of divinity, creation, and the cyclical nature of existence, reflecting a conceptual parallel in their mystical traditions.
egyptian|The Egyptian Book of the Dead (Papyrus of Ani)|Chapter 10 (part 16)
Thou art one in thine attributes among the gods, thou beautiful bull of the company of the gods, thou chief of all the gods, lord of Maat , father of the gods, creator of men, maker of beasts and cattle, lord of all that existeth, maker of…”
Both passages describe a supreme deity as the creator and sustainer of all existence, emphasizing the divine attributes of unity, power, and benevolence. They share a common theme of praising a singular, all-powerful god who is responsible for the creation and maintenance of the universe and all its inhabitants.
egyptian|The Egyptian Book of the Dead (Papyrus of Ani)|Chapter 14 (part 6)
(I) A HYMN OF PRAISE TO RA WHEN HE RISETH IN THE EASTERN PART OF HEAVEN. Behold Osiris, Qenna the merchant, triumphant, who saith: (2) "Homage to thee, O thou who risest in Nu, and who at thy birth dost make the world bright with light; al…”
Both passages are hymns of praise to a divine being associated with the sun and creation. They share themes of adoration, divine attributes, and the life-giving power of the deity, reflecting a common mystical reverence for the sun god in different cultural contexts.
egyptian|The Egyptian Book of the Dead (Papyrus of Ani)|Chapter 14 (part 7)
Thou hast knit (10) together the mountains, thou has made mankind and the beasts of the field, thou hast created the heavens and the earth. Worshipped be thou whom the goddess Maat embraceth at morn and at eve. Thou dost travel across the…”
Both passages are hymns praising a divine being associated with the sun and creation. They share themes of divine power, eternal existence, and the joy brought by the divine being's presence, reflecting a genuine conceptual parallel across different mystical traditions.
egyptian|The Egyptian Book of the Dead (Papyrus of Ani)|Chapter 43 (part 40)
Thou art the heir of Seb and the sovereign of all the earth; [* This festival took place on the 17th and 18th days of the month Thoth; see Brugsch, Kalendarische Inschriften, p. 235.] {footnote page liii} Seb hath seen thy glorious power,…”
Both passages describe a divine figure with cosmic significance and creative power. They emphasize the divine figure's role in creation, protection, and the establishment of order, reflecting a common theme of divine sovereignty and benevolence in mystical traditions.
egyptian|The Egyptian Book of the Dead (Papyrus of Ani)|Chapter 43 (part 97)
Thou art one in thine attributes among the gods, thou beautiful bull of the company of the gods, thou chief of all the gods, lord of Maat , father of the gods, creator of men, maker of beasts and cattle, lord of all that existeth, maker of…”
Both passages describe a supreme deity with multiple attributes and manifestations, emphasizing the divine's role as creator and sustainer of all existence. They share themes of unity, omnipotence, and the divine's interaction with the natural world.
finnic|The Kalevala|Rune XIId
Spake the stout-heart, Lemminkainen: "Rise ye heroes of the broadsword, Ye, the earth's eternal heroes, From the deeps, ye sickle-bearers, From the brooks, ye crossbow-shooters, Come, thou forest, with thine archers, Come, ye thickets, with…”
Both passages invoke divine powers for protection and assistance in overcoming adversaries. They share a theme of calling upon higher beings for strength and guidance in the face of danger.
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CHAPTER LXXI. Of Many Words Joined Together, as in Sentences and Verses; and of the Virtues and Astrictions of Charms . Besides the virtues of words and names, there is also a greater virtue found in sentences, from the truth contained in…”
Both passages discuss the use of verses and orations to invoke divine entities, emphasizing the power of words and their ability to influence the divine. They share a common theme of utilizing specific language and attributes to attract the virtues of stars or deities.
renaissance_hermeticism|The Heroic Enthusiasts, Part I (Gli Eroici Furori)|Fourth Dialoguea
. Tansillo . Thus is described the discourse of heroic love, in all which tends to its own object, which is the highest good; and heroic intellect, which devotes itself to the study of its own object, which is the primal verity, or absolu…”
Both passages explore the theme of divine wisdom and the pursuit of higher knowledge. Passage A uses the myth of Actæon to illustrate the intellect's pursuit of divine wisdom, while Passage B describes Hercules as a symbol of divine power and knowledge, emphasizing the intellectual and divine aspects of the figure.
7 more
renaissance_hermeticism|The Heroic Enthusiasts, Part I (Gli Eroici Furori)|Fifth Dialoguea
. I. Cic . Now show me how I may be able for myself to consider the conditions of these enthusiasts, through that which appears in the order of the warfare here described. Tans . Behold how they carry the ensign of their affections or…”
Both passages explore the theme of divine or mystical power manifesting through natural elements and human emotions. Passage A describes the enthusiast's heart as a source of fire, water, and air, while Passage B portrays Hercules as a powerful, divine figure associated with various natural elements and attributes.
renaissance_hermeticism|The Heroic Enthusiasts, Part I (Gli Eroici Furori)|Fifth Dialoguec
It means that enthusiast, signified by the naked child as simple, pure, and exposed to all the accidents of Nature and of fortune, who at the same time by the force of thought, constructs castles in the air, and amongst other things a tower…”
Both passages explore the theme of divine or mystical inspiration and its transformative power. Passage A discusses the enthusiast's ability to build castles in the air through the force of thought and love, while Passage B describes Hercules as a powerful, divine figure who brings comfort and refreshment, much like the enthusiast's airy castle. Both highlight the profound impact of faith and imagination on the human spirit.
renaissance_hermeticism|The Heroic Enthusiasts, Part I (Gli Eroici Furori)|Fifth Dialogueh
That legend contains all the meaning of the thing in so far as it can be explained, for it means that he turns and is turned, that is to say movement present and accomplished. Cic. Excellent! And therefore those circles which so ill expl…”
Both passages explore the theme of divine light and its effects on the human soul, with Passage A focusing on the sun's rays and the enthusiast's unchanging desire, and Passage B describing Hercules as the sun and his divine attributes. Both texts use celestial imagery to convey spiritual insights.
renaissance_hermeticism|The Heroic Enthusiasts, Part II (Gli Eroici Furori)|First Dialogued
You see, Cesarino, how this enthusiast is justified in his anger against those who reproach him with being in captivity to a low beauty, to which he dedicates his vows, and attributes these forms, so that he is deaf to those voices which ca…”
Both passages explore the theme of divine beauty and the human response to it. They discuss the idea of seeing the divine in all things and the struggle between earthly and divine love, though they come from different mystical traditions.
renaissance_hermeticism|The Heroic Enthusiasts, Part II (Gli Eroici Furori)|First Dialoguen
So much so that whatsoever you might add thereto would appear to me superfluous. IX. Ces. Let us see what is here represented by those two radiating arrows upon a target around which is written: Vicit instans. Mar. The continual strugg…”
Both passages explore the theme of spiritual transformation and the struggle of the soul to overcome material constraints. Passage A discusses the soul's journey towards purity and enlightenment through divine love, while Passage B describes Hercules as a divine figure who brings light and overcomes challenges, symbolizing spiritual growth and deliverance.
taoism|Tao Te Ching|Chapter 10
When the intelligent and animal souls are held together in one embrace, they can be kept from separating. When one gives undivided attention to the (vital) breath, and brings it to the utmost degree of pliancy, he can become as a (tender) b…”
Both passages describe a unifying, all-encompassing force (Pan in Passage A and the Tao in Passage B) that governs and sustains the world. They emphasize the unity and interconnectedness of all things, as well as the mysterious and divine nature of this force.
taoism|Tao Te Ching|Chapter 34
All-pervading is the Great Tao! It may be found on the left hand and on the right. All things depend on it for their production, which it gives to them, not one refusing obedience to it. When its work is accomplished, it does not claim the…”
Both passages describe a powerful, all-pervading force or deity that is responsible for the creation and sustenance of all things. They emphasize the humility and selflessness of this force, which does not claim credit for its actions, and the sage or divine figure that embodies these qualities.