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The Egyptian Heaven and Hell · 90 of 96 · tr. E.A. Wallis Budge

Chapter 28 (part 1)

ELEVENTH DIVISION OF THE TUAT. II. KINGDOM OF TEMU-KHEPERA-RA ACCORDING TO THE BOOK OF GATES. The gate which leads into the ELEVENTH DIVISION, or HOUR, is called SHETAT-BESU, and the name of the p. 189 monster serpent which guards it is AM-NETU-F. Mummied forms guard the corridor between the walls .of the outworks, but the place of the company of gods who usually stand outside is occupied by two sceptres, or standards, one of which represents SAR, i.e., Osiris, and the other HORUS. The god AFU-RA enters this DIVISION in the form in which he has hitherto appeared, and he is towed by four gods who belong to it; we see, however, that APEP has not been wholly removed from the path of the god. The serpent lies here (vol. ii., p. 287) in fetters, and a company of the servants of AFU-RA who live in this DIVISION stand ready to attack him with the knives which they hold in their hands; their sceptres betoken their position as chiefs in the DIVISION. Next come four apes, each holding a large hand, and these stand, according to the text, two on the right and two on the left of the abode of the god; they hold up the Disk of the god, and sing praises to his soul when it looks upon them. In front of these are the goddesses AMENTET and HERIT, and the god SEBEKHTI, who presides over the entrance into the vestibule of the world of light. On the right of the path of the Boat of AFU-RA are gods and goddesses of the South and North who stablish crowns on the head of Ra when he appears in the sky; gods who give names to Ra and all his forms; gods and goddesses who lament when Ra has gone out from Ament, and who drive away Set; and gods with bowed heads who sing praises to Ra and keep guard p. 190 over the Hidden Door. The souls of these gods follow after Ra, and accompany him on his way, but their bodies stay always where we see them. Their guardian is (vol. ii., pp. 296-299) the god called MATI, who has the head of a cat or lion. On the left of the path of the Boat of AFU-RA is a company of his ministers who perform various important duties for him. Four of them carry disks, and give the command to the Gate of AKERT So that the god may be allowed to pass through and set himself in the sky. The mention of AKERT in the text which refers to these is interesting, for it shows that the ELEVENTH DIVISION of the BOOK OF GATES represents a portion of the Kingdom of the Sun-god of Heliopolis. Four other gods carry stars, and when AFU-RA passes out of this DIVISION, and is received into the arms of Nu, the Sky-god, they shout hymns of praise. 1 Before these are twelve gods with sceptres, four having human heads, four the heads of rams, and four the heads of hawks. The first four are the lords of the region, and stablish the domains of Ra in the sky; the second four provide offerings of bread and water for the god; and the third four set the shrine of Ra in the Matet-Sektet Boat, and place in it the paddles whereby it is to be paddled across the sky. The eight star-goddesses who sit upon uraei belong to the abode of the great god, four coming from the East and four from the West; p.
Themes
Maat Cosmic Ordercosmology

The Egyptian principle of truth, balance, and right order underlying both the cosmos and human conduct; the parallel to Zoroastrian asha and Greek dike.

The narrative centers on the restoration of the Sun-god and the defeat of chaos (Apep), reflecting the Egyptian principle of maintaining cosmic balance and truth.

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Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

[auto] The passage depicts deities with human heads, bodies, and crowns, as well as serpents possessing human features.

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Funerary Navigationpraxis

Texts and rituals guiding the soul through death.

[auto] The text explicitly describes divisions of the Tuat and gods assisting in the underworld journey, which is central to Egyptian afterlife guides.

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Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

[auto] Deities are portrayed as active agents performing physical actions like raising columns and attacking serpents.

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Numerical Mysticismtheology

Numbers, proportions, and mathematical relationships as the underlying structure of divine reality.

[auto] Specific numbers structure the cosmology, such as four gods on each side and the Tenth Division of the Tuat.

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Psychopomp Journeycosmology

Guided passage of the soul through afterlife realms.

[auto] Gods are described assisting Horus and navigating through divisions of the Tuat, guiding the passage through the afterlife realms.

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Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

[auto] The text mentions gods reciting 'words of power' to assist in magical rites against serpents.

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Spiritual Ascentpraxis

A staged journey of the soul upward through heavenly realms or levels of being toward the divine source.

[auto] The passage references the Sun-god's rising and the progression through divisions of the underworld.

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Related passages · 4 parallels
finnic|The Kalevala|Rune XXVIh
Then the stout-heart, Kaukomieli, Deeply thought and long considered: "It is as my mother told me, This the wall that she predicted, Stretching from the earth to heaven; Downward deep are serpents creeping, Deeper still the rails extending;…”
Both passages describe a heroic figure encountering a monstrous serpent that guards a passage to another realm. The hero uses words of power and commands to confront and subdue the serpent, highlighting a common theme of overcoming a fearsome obstacle through divine or magical means.
jewish_mysticism|The Book of Enoch (1 Enoch, Charles translation)|Chapter LXXVI
LXXVI. The Twelve Windows and their Portals . CHAPTER LXXVI. 1 And at the ends of the earth I saw twelve portals open to all the quarters (of the heaven), from which the winds go forth and blow over the earth. 2. Three of them are open on t…”
Both passages describe a structured cosmology with specific divisions or portals that regulate the movement of divine entities and natural phenomena. They share a theme of ordered realms with specific functions and guardians, reflecting a common mystical concern with the organization of the divine and natural worlds.
jewish_mysticism|The Kabbalah Unveiled|Introduction, Section 1f
And here the idea or universal form of all the shells is understood, which encompasseth the seven inferior emanations of the queen after the manner of a serpent, as well from the right as from the left and from every side.) [The excavation…”
Both passages describe a serpent-like entity that represents a form of opposition or chaos within a divine or cosmic structure. The passages share themes of divine judgment, cosmic order, and the struggle between forces of good and evil, albeit within different religious frameworks.
mesopotamian|Enuma Elish: The Epic of Creation|1j
Tutu [Marduk] is "He who created them anew"; Should their wants be pure, then are they satisfied; Should he make an incantation, then are the gods appeased; Should they attack him in anger, he withstandeth their onslaught! Let him therefor…”
Both passages describe a divine being (AFU-RA in Passage A and Tutu/Marduk in Passage B) who is central to their respective mythologies and is accompanied by various deities and symbols. They also depict a structured cosmic order with specific roles for different divine entities.