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The Egyptian Book of the Dead (Papyrus of Ani) · 328 of 357 · tr. E.A. Wallis Budge

Chapter 43 (part 89)

The natural opposition of the day and night was at an early period confounded with the battle which took place between Horus, the son of Isis, and Set, wherein Isis intervened, and it seems that the moral idea of the battle of right against wrong[3] became attached to the latter combat, which was undertaken by Horus to avenge his father's murder by Set. Nebt-het or Nephthys the last member of the company of the gods of Annu, was the daughter of Seb and Nut, the sister of Osiris and Isis, and the [1. ###. Ledrain, Monuments Égyptiens , pl. XXV., ll. 2, 3. 2. In the pyramid of Unas, l. 190, they are called the ### or "two combatants "; and see pyramid of Teta, l. 69, where we have the spelling ###. 3. On the personification of evil by Set, see Wiedemann, Die Religion , p. 117.] {p. cxvii} sister and wife of Set. When the sun rose at the creation out of the primeval waters, Nephthys occupied a place in his boat with Isis and other deities; as a nature goddess she either represents the day before sunrise or after sunset, but no portion of the night. She is depicted in the form of a woman, having upon her head the hieroglyphics which form her name, "lady of the house". A legend preserved by Plutarch[1] makes her the mother of Anpu or Anubis by Osiris. In Egyptian texts Anpu is called the son of Ra.[2] In religious texts Nephthys is made to be the companion of Isis in all her troubles, and her grief for her brother's death is as great as that of his wife. Anpu , or Anubis, the son of Osiris or Ra, sometimes by Isis and sometimes by Nephthys, seems to represent as a nature god either the darkest part of the twilight or the earliest dawn. He is depicted either in human form with a jackal's head, or as a jackal. In the legend of Osiris and Isis, Anubis played a prominent part in connexion with the dead body of Osiris, and in papyri we see him standing as a guard and protector of the deceased lying upon the bier; in the judgment scene he is found as the guard of the balance, the pointer of which he watches with great diligence. He became the recognized god of the sepulchral chamber, and eventually presided over the whole of the "funeral Mountain." He is always regarded as the messenger of Osiris. Another form of Anubis was the god Ap-uat , the ### of the pyramid texts,[3] or "Opener of the ways," who also was depicted in the form of a jackal; and the two gods are often confounded. On sepulchral stelæ and other monuments two jackals are frequently depicted; one of these represents Anubis, and the other Ap-uat, and they probably have some connexion with the northern and southern parts of the funereal world. According to M. Maspero, the god Anubis led the souls of the dead to the Elysian Fields in the Great Oasis.[4] Among the primeval gods are two, Hu and Saa who are seen in the boat of the sun at the creation. They are the children of Tmu or Tmu-Ra, but the exact part which they play as nature gods has not yet, it seems, been satisfactorily made out. The first mention of them in the pyramid texts records their subjugation by the deceased,[5] but in the Theban Book of the Dead [1.
Themes
Childlike Innocenceanthropology

The infant or child as symbol of the unfallen, undivided spiritual state; return to primordial simplicity.

Horus is described as 'the child' represented with a finger in his mouth, symbolizing a specific spiritual state or iconography.

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Cosmic Dualismtheology

Ontological opposition between two primal principles (light/darkness, truth/lie, spirit/matter) as the fundamental structure of reality.

The text describes Set as the opposite of Horus, representing natural night versus the sun's course, establishing an ontological opposition.

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Maat Cosmic Ordercosmology

The Egyptian principle of truth, balance, and right order underlying both the cosmos and human conduct; the parallel to Zoroastrian asha and Greek dike.

The opposition between Horus and Set reflects the Egyptian dynamic of order versus chaos underlying cosmic structure.

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Opposites Transcendedanthropology

The dissolution of binary oppositions (male/female, inner/outer, above/below) as a mark of spiritual completion.

It is noted that Horus and Set were opposite aspects or forms of the same god, illustrated by figures showing both heads on one body.

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Theosis Deificationsoteriology

The doctrine — central to Eastern Orthodox and Maximian theology — that the human person is progressively transformed into a partaker of the divine nature by grace, not merely justified or united in passing ecstasy.

The text explicitly states that the deceased is identified with Heru-p-khart and occupies the throne of Osiris, indicating a transformation into divine status.

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Unity Of Beingtheology

The doctrine that all existence is ultimately one substance or one divine reality; non-duality as a theological claim.

The text suggests that opposing deities like Horus and Set are forms of the same god, hinting at an underlying divine unity.

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Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

[auto] The passage explicitly describes gods with human characteristics and forms, such as Horus holding his eyes in his hands or having a finger in his mouth.

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Funerary Navigationpraxis

Texts and rituals guiding the soul through death.

[auto] The text discusses the Book of the Dead and Pyramid Texts in the context of identifying the deceased with a god to occupy a throne in the afterlife.

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Related passages · 1 parallel
western_esoteric|Transcendental Magic II: The Ritual (Éliphas Lévi)|17. The Writing Of The Starsc
The Assyrians or Chaldeans, incited by Nebuchadnezzar or Salmanasor, gave fullest evidence of this truth by the destruction of the most splendid and most holy temple and city in the universe, and by the complete overthrow of a people whom G…”
Both passages describe a theomachy (combat with a chaos-monster at creation) and the judgment of the dead in the afterlife, which are recurring cross-tradition mythemes. The passages share structural elements related to divine battles and the afterlife, despite different characters and traditions.