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The Egyptian Book of the Dead (Papyrus of Ani) · 307 of 357 · tr. E.A. Wallis Budge

Chapter 43 (part 68)

O tell it unto me, and the poison shall depart; for he shall live whose name shall be revealed." Now the poison burned like fire, and it was fiercer than the flame and the furnace, and the majesty of the god said, "I consent that Isis shall search into me, and that my name shall pass from me into her." Then the god hid himself from the gods, and his place in the boat of millions of years was empty. And when the time arrived for the heart of Ra to come forth, Isis spake unto her son Horus, saying, "The god hath bound himself by an oath to deliver up his two eyes" ( i.e. , the sun and moon). Thus was the name of the great god taken from him, and Isis, the lady of enchantments, said, "Depart, poison, go forth from Ra. O eye of Horus, go forth from the god, and shine outside his mouth. It is I who work, it is I who make to fall down upon the earth the vanquished poison; for the name of the great god hath been taken away from him. May Ra live! and may the poison die, may the poison die, and may Ra live!" These are the words of Isis, the great goddess, the queen of the gods, who knew Ra by his own name.[1] Thus we see that even to the great god Ra were attributed all the weakness and frailty of mortal man; and that "gods" and "goddesses" were classed with beasts and reptiles, which could die and perish. As a result, it seems that the word "God" should be reserved to express the name of the Creator of the Universe, and that neteru , usually rendered "gods," should be translated by some other word, but what that word should be it is almost impossible to say.[2] The belief in One God. From the attributes of God set forth in Egyptian texts of all periods, Dr. Brugsch, de Rougé, and other eminent Egyptologists have come to the opinion that the dwellers in the Nile valley, from the earliest times, knew and worshipped one God, nameless, incomprehensible, and eternal. In 1860 de Rougé wrote:--"The [1. The hieratic text of this story was published by Pleyte and Rossi, Le Papyrus de Turin , 1869-1876, pll. 31-77, and 131-138; a French translation of it was published by M. Lefébure, who first recognized the true character of the composition, in Aeg. Zeitschrift , 1883, p. 27 ff; and a German translation by Wiedemann is in his collection of "Sonnensagen," Religion der alten Aegypter , Münster, 1890, p. 29 ff. 2 A similar difficulty also exists in Hebrew, for elomhim means both God and "gods"; compare Psalm lxxxii., i.] {p.
Themes
Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

[auto] Divine beings are described with human attributes such as father, mother, flesh, limbs, tears, and mouths.

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Divine Hiddennesstheology

The supreme God's radical concealment beyond ordinary knowledge or perception; the Hidden Father.

[auto] The speaker's true name and essence are concealed by the begetter to protect them from the dominion of seers.

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Funerary Navigationpraxis

Texts and rituals guiding the soul through death.

[auto] As a text from the Book of the Dead, it explicitly deals with healing the dead and navigating the afterlife world through divine intervention.

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Hidden Sayingssoteriology

Esoteric teachings reserved for those ready to receive them; outer meaning conceals an inner liberating truth.

[auto] The text mentions that the name and power were 'hidden within me by him that begat me,' indicating esoteric knowledge reserved for the initiated.

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Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

[auto] The divine is portrayed as active and dynamic, with Isis bringing 'breath of life' and words that 'make the dead to live.'

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Logoscosmology

The divine reason, word, or ordering principle through which the universe was created; mediates between the transcendent God and the material world.

[auto] The passage emphasizes the creative and healing power of spoken words ('words of power,' 'healing words').

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Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

[auto] The passage centrally focuses on the power of names, stating 'multitudes of names,' 'uttered my name,' and 'words of power' that control existence.

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Self Knowledgesoteriology

The recognition of one's own true divine nature as the primary path to liberation; 'know thyself' as soteriology.

[auto] The speaker repeatedly declares their true divine identity ('I am a prince,' 'sacred essence'), which is essential for survival in the afterlife.

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Related passages · 7 parallels
gnosticism|Gospel of Philip|Section 1b
TRUTH MADE NAMES Truth made names in the world, and without them we can’t think. Truth is one and is many, teaching one thing through the many. RULERS The rulers wanted to fool us, since they saw we were connected with the good. They too…”
Both passages explore themes of divine identity, hidden names, and the struggle between divine and earthly forces. They share a mystical approach to understanding the nature of the divine and the role of secret knowledge.
greek_mystery|Orphic Hymns|Hymn XXXIX. CERES
XXXIX. TO CERES. The FUMIGATION from STORAX. O Universal mother, Ceres fam'd August, the source of wealth, and various nam'd: 2 Great nurse, all-bounteous, blessed and divine, Who joy'st in peace, to nourish corn is thine: Goddess of seed,…”
Both passages describe a divine being who is the creator of the world and suffers from a serpent's bite. They also involve a healing deity (Isis in Passage A and Corybas in Passage B) who seeks to cure the divine being by understanding their true name or nature.
hermeticism|Corpus Hermeticum 13: The Discourse of Hermes to Tat|Section 1b
Thou seest me with eyes, my son; but what I am thou dost not understand [even] with fullest strain of body and of sight. 4. Tat: Into fierce frenzy and mind-fury hast thou plunged me, father, for now no longer do I see myself. Hermes: I…”
Both passages describe a mystical transformation or rebirth, involving a divine or higher self that transcends the physical body. They also share themes of divine names, hidden knowledge, and the struggle between the divine and the material.
mesopotamian|Enuma Elish: The Epic of Creation|1g
When the gods, his fathers, beheld the fulfillment of his word, They rejoiced, and they did homage unto him, saying, " Marduk is king!" They bestowed upon him the scepter, and the throne, and the ring, They give him an invincible weapony wh…”
Both passages describe a divine figure who is afflicted and seeks healing, involving a dialogue with another deity. They share themes of divine power, creation, and the struggle against chaos or illness.
mesopotamian|Enuma Elish: The Epic of Creation|1k
May he hold the Beginning and the Future, may they pay homage unto him, Saying, "He who forced his way through the midst of Tiamat without resting, Let his name be Nibiru, 'the Seizer of the Midst'! For the stars of heaven he upheld the pa…”
Both passages describe a divine figure who is the creator of the world and possesses multiple names and forms. They also involve a healing or revelation scene where the divine figure's true name is sought to overcome a crisis.
western_esoteric|Transcendental Magic I: The Doctrine (Éliphas Lévi)|Introductioni
Oedipus divined what was man and he put out his own eyes because he did not see what was God. He divulged half of the Great Arcanum, and, to save his people, it was necessary for him to bear the remaining half of the terrible secret into e…”
Both passages explore the theme of hidden divine knowledge and the consequences of revealing or withholding it. In Passage A, Isis discovers the secret name of Ra, which gives her power over him, while in Passage B, Oedipus and Psyche are punished for seeking forbidden knowledge. Both texts emphasize the danger and responsibility associated with divine secrets.
western_esoteric|Transcendental Magic II: The Ritual (Éliphas Lévi)|Introductione
Here is the common translation of the sacred text: “Now, the serpent was more subtle than any beast of the field which the Lord God had made.” But this is what Moses says: This signifies, according to the version of Fabre d'Olivet: “Now, or…”
Both passages discuss the concept of divine names and their power, as well as the interplay between gods and humans. Passage A focuses on the revelation of Ra's name to Isis, while Passage B delves into the Kabalistic interpretation of divine names and their mystical significance. Both highlight the idea that knowing a divine name grants power over the divine.