← Home
The Egyptian Book of the Dead (Papyrus of Ani) · 166 of 357 · tr. E.A. Wallis Budge

Chapter 20 (part 1)

PLATES XI. AND XII. Vignette I. : Ani and his wife Thuthu approaching the first Arit,[3] the cornice of which is ornamented with ### i.e. , emblems of power, life, and stability. At the entrance sit three gods, the first having the head of a hare, the second the head of a serpent, and the third the head of a crocodile. The first holds an ear of corn (?), and each of the others a knife. Text [CHAPTER CXLVII.]: (I) THE FIRST ARIT. The name of the doorkeeper is Sekhet-hra-asht-aru[3]; the name of the (2) watcher is Meti-heh (?)[4]; the name of the herald is Ha-kheru.[5] [WORDS TO BE SPOKEN WHEN OSIRIS COMETH TO THE FIRST ARIT IN AMENTA.[6]] Saith (3) Ani, triumphant, when he cometh to the first Arit: "I am the mighty one who createth his own light. (4) I have come unto thee, O Osiris, and, purified from that which defileth thee, I adore thee. Lead on; (5) name not the name [1. Lepsius ( Todtenbuch , Bl. XI.) adds, after this: "Now those who rise up against me and among whom is evil [see above, l. 141] are the powers of darkness of the god Sut, when there is strife among them, for strife is flame." 2. "May it be granted to [the dead] by the decree of [the gods] who are in Tattu to destroy the souls of his foes!" 2 House or mansion. in the upper line of Plates XI. and XII. there is a series of seven Arits , or mansions, through which the deceased is supposed to pass. In the lower line are the ten Sebkhets , or pylon-shaped gateways. 3 "Reversed of face: of many forms." Var. ###. 4 Var. ###. 5 "The voice that travelleth." Var. ###. "The high-voiced." 6 Supplied from Naville, Todtenbuch , 1. 165.] of Re-stau unto me. Homage to thee, O Osiris, in thy might and in thy strength (6) in Re-stau. Rise up and conquer, O Osiris, in Abtu. Thou goest round about heaven, thou sailest in the presence of Ra, (7) thou seest all the beings who have knowledge.[1] Hail Ra, who circlest in [the sky]. Verily I say [unto thee], O Osiris, I am a (8) godlike ruler. (9) Let me not be driven hence[2] (10) nor from the wall of burning coals. [I have] opened the way in Re-stau; (11) I have eased the pain of Osiris; [I have] embraced that which the balance I hath weighed; [I have] made a path for him in the great valley, it and [he] maketh a path. Osiris shineth(?)." Vignette II. : The second Arit, guarded by three gods; the first of whom has the head of a lion, the second the head of a man, and the third the head of a dog. Each one holds a knife. Text: (1) THE SECOND ARIT.
Themes
Divine Lighttheology

The uncreated luminous quality of the divine, sometimes experienced directly in mystical states; illumination as revelation.

[auto] Ani declares, 'I am the mighty one who createth his own light,' indicating a luminous divine quality associated with the self.

All passages →
Funerary Navigationpraxis

Texts and rituals guiding the soul through death.

[auto] The text is explicitly from the Book of the Dead, providing specific instructions and spells for guiding the soul through the gates of the underworld.

All passages →
Inner Lightanthropology

The divine spark or luminous quality residing within the human person, potentially recognisable through introspection.

[auto] The statement 'createth his own light' suggests a luminous quality residing within the individual that enables passage.

All passages →
Mystical Unionsoteriology

The merging of the individual soul or self with the divine, transcending personal identity.

[auto] Ani addresses Osiris directly and identifies with divine power ('I am the mighty one'), suggesting a merging or identification with the deity.

All passages →
Psychopomp Journeycosmology

Guided passage of the soul through afterlife realms.

[auto] Ani is depicted approaching the first Arit (gate) in Amenta, describing a guided passage through afterlife realms with specific deities present.

All passages →
Return To Sourcesoteriology

The soul's journey back to its divine origin, reversing the fall into matter through stages of purification or illumination.

[auto] Ani's journey to Osiris in Amenta represents the soul's return to its divine origin and state of perfection.

All passages →
Ritual Puritypraxis

The maintenance of a state of cleanliness—physical, moral, or spiritual—required for encounter with the divine.

[auto] Ani states he is 'purified from that which defileth thee,' indicating a state of cleanliness required for encounter with the divine.

All passages →
Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

[auto] The passage lists the specific names of the doorkeeper, watcher, and herald, emphasizing that knowing these names is required for passage.

All passages →
Self Knowledgesoteriology

The recognition of one's own true divine nature as the primary path to liberation; 'know thyself' as soteriology.

[auto] The declaration 'I am the mighty one' represents a recognition of one's own true divine nature as a path to liberation.

All passages →
Spiritual Ascentpraxis

A staged journey of the soul upward through heavenly realms or levels of being toward the divine source.

[auto] The movement through the gates of Amenta represents a staged journey through realms toward the divine presence.

All passages →
Related passages · 3 parallels
jewish_mysticism|The Book of Enoch (1 Enoch, Charles translation)|Chapter LXII
LXII. Judgement of the Kings and the Mighty: Blessedness of the Righteous . CHAPTER LXII. 1. And thus the Lord commanded the kings and the mighty and the exalted, and those who dwell on the earth, and said: 'Open your eyes and lift up your…”
Both passages describe a judgment scene where the deceased or righteous are brought before a divine figure. They share themes of purification, adoration, and the triumph of the righteous over the unrighteous, though they come from different mystical traditions.
jewish_mysticism|The Book of Enoch (1 Enoch, Charles translation)|Chapter LXXVI
LXXVI. The Twelve Windows and their Portals . CHAPTER LXXVI. 1 And at the ends of the earth I saw twelve portals open to all the quarters (of the heaven), from which the winds go forth and blow over the earth. 2. Three of them are open on t…”
Both passages describe a series of gateways or portals that the deceased or the winds must pass through, each guarded by divine beings or associated with specific elements or effects. They share a conceptual parallel in the idea of a structured journey through a divine or cosmic realm.
mesopotamian|Epic of Gilgamesh: Tablet XII — Gilgamish Enquires of the Dead|Tablet XII, Section 1a
THE TWELFTH TABLET. GILGAMISH, IN DESPAIR, ENQUIRES OF THE DEAD. . (Then), what time that the seine had pass’d through the Architect 's dwelling, (Aye, and) the net [had taken its toll] . . . . [said he]: "Lord, what [is’t I may do]…”
[auto] Underworld gates: Tablet XII parallels the BoD Arit gate-keepers guarding the realm of the dead.