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The Egyptian Book of the Dead (Papyrus of Ani) · 135 of 357 · tr. E.A. Wallis Budge

Chapter 16 (part 2)

Four goddesses bore the name of Meskhen, and they were supposed to assist the resurrection of Osiris; they were associated with Tefnut, Nut, Isis, and Nephthys (see Lepsius, Denkmäler , iv., Bl. 59a; and Mariette, Dendérah , iv., pl. 74 a ). Each wore upon her head the object ###, which is said by some to represent the blossoms of palm trees (Lanzone, Dizionario , p. 329). Examples of this as an amulet, in hard stone, in the British Museum, are Nos. 8158, 8159, 8161, 20,618, and, in porcelain, No. 15,963.] presiding over the birth-chamber, and Renenet[1] probably superintending the rearing of children. Behind the meskhen is the soul of Ani in the form of a human-headed bird standing on a pylon. On the right of the balance, behind Anubis, stands Thoth,[2] the scribe of the gods, with his reed-pen and palette[3] containing black and red ink, with which to record the result of the trial. Behind Thoth stands the female monster Amam[4], the "Devourer," or Am-mit, the eater of the Dead." [1. The name of this goddess is probably connected with the word renen , "to suckle." M. Pierret identifies her with the goddess of that name who presided over harvests, and is described as the "lady of the offerings of all the gods" ( Panthéon , p. 61), having a snake's head, which in some instances is surmounted by the disk, horns and feathers of the goddess Hathor (see Lanzone, Dizionario , tav. 188, No. 2). 2 Thoth was the personification of intelligence. He was self-created and self-existent, and was the "heart of Ra." He invented writing, letters, the arts and sciences, and he was skilled in astronomy and mathematics. Among his many titles are "lord of Law," "maker of Law," and "begetter of Law." He justified Osiris against his enemies, and he wrote the story of the fight between Horus, the son of Osiris, and Set. As "lord of Law" he presides over the trial of the heart of the dead, and, as being the justifier of the god Osiris against his enemies, he is represented in funereal scenes as the justifier also of the dead before Osiris (see Lanzone, Dizionario , p. 1264 ff., and tav. cccciv., No. i; Pierret, Panthéon, pp. 10-14; and Brugsch, Religion und Mythologie , p. 439 ff.). Brugsch connects the name Tehuti (Thoth) with the old Egyptian word tehu , "ibis," and he believes that it means the "being who is like an ibis." The word tex also means "to measure," "to compute," "to weigh"; and as this god is called "the counter of the heavens and the stars, and of all that therein is," the connexion of the name Thoth with tex is evident. Bronze and faïence figures of the god represent him with the head of an ibis, and holding an utchat in his hands (see Nos. 481, 490a, and 11,385 in the British Museum). The utchat , or eye of the sun, has reference to the belief that Thoth brought back each morning the light of the sun which had been removed during the night. 3.
Themes
Divine Lighttheology

The uncreated luminous quality of the divine, sometimes experienced directly in mystical states; illumination as revelation.

Thoth is associated with the utchat or eye of the sun which brings back light each morning.

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Eschatological Judgmentsoteriology

Final, collective cosmic judgment as an event in which the wicked are sentenced and the cosmos restored; distinct from psychopomp_journey (individual passage at death) and emphasising verdict where Zoroastrian frashokereti emphasises restoration.

The text details the trial of the heart, the recording of results by Thoth, and the threat of the Devourer.

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Logoscosmology

The divine reason, word, or ordering principle through which the universe was created; mediates between the transcendent God and the material world.

Thoth is personified as intelligence, law, and writing, functioning as a mediating ordering principle.

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Maat Cosmic Ordercosmology

The Egyptian principle of truth, balance, and right order underlying both the cosmos and human conduct; the parallel to Zoroastrian asha and Greek dike.

Thoth is described as 'lord of Law' and the scene depicts the weighing of the heart, central to Maat.

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Numerical Mysticismtheology

Numbers, proportions, and mathematical relationships as the underlying structure of divine reality.

Thoth is described as skilled in astronomy and mathematics and as the 'counter of the heavens'.

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Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

[auto] Divine beings are depicted with human characteristics and forms, such as Thoth holding a pen and the soul appearing as a human-headed bird.

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Funerary Navigationpraxis

Texts and rituals guiding the soul through death.

[auto] The passage is from the Book of the Dead and explicitly details the judgment scene, deities, and amulets intended to guide the soul through death.

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Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

[auto] The gods are portrayed as active, personal agents who assist in resurrection, preside over chambers, and record trial results.

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Psychopomp Journeycosmology

Guided passage of the soul through afterlife realms.

[auto] Deities like Anubis and Thoth are present to oversee the soul's trial and passage through the afterlife realms.

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Related passages · 3 parallels
christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 10 (part 3)
It was she in whom the voice of God promised again to introduce the living, holy substance from heaven, and to generate anew and in divine power the faded image of God that was contained therein." 1 ( Grace , vii. 18.) This, however, did n…”
Both passages discuss the concept of divine intervention and the role of divine figures in the process of resurrection or spiritual renewal. Passage A describes the Egyptian deities involved in the resurrection of Osiris and the judgment of the soul, while Passage B discusses the Christian concept of divine intervention through the seed of the woman and the role of Christ in spiritual renewal.
greek_mystery|Orphic Hymns|Hymn I. THE GODDESS PROTHYRÆA
I. TO THE GODDESS PROTHYRÆA * . The FUMIGATION from STORAX. O venerable goddess, hear my pray'r, For labour pains are thy peculiar care; in thee, when stretch'd upon the bed of grief, The sex as in a mirror view relief. Guard of the race, e…”
Both passages discuss goddesses associated with childbirth and the care of children. The Orphic Hymn focuses on Prothyraea (an epithet of Diana) who aids in labor and protects infants, while the Egyptian text describes Meskhen and Renenet, goddesses who assist in childbirth and the rearing of children. Both traditions highlight the divine feminine's role in the critical transitions of birth and early life.
greek_mystery|Orphic Hymns|Hymn XXVIII. PROSERPINE (part 2)
371, informs us, that, according to the Eleusinian mysteries, Proserpine together with Pluto, governs terrestrial concerns, and the recesses of the earth: that she supplies life to the extreme p. 155 parts of the universe, and imparts soul…”
Both passages discuss deities associated with the afterlife and the cycle of life and death. Passage A describes the Egyptian deities involved in the resurrection and judgment of the dead, while Passage B focuses on Proserpine, a goddess associated with the underworld and the cycle of life and death. Both texts highlight the roles of these deities in the transition between life and death, showing a conceptual parallel in their mystical traditions.