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The Egyptian Book of the Dead (Papyrus of Ani) · 134 of 357 · tr. E.A. Wallis Budge

Chapter 16 (part 1)

PLATE III. Vignette: Scene of the weighing of the Heart of the Dead. Ani and his wife enter the Hall of Double Law or Truth, wherein the heart, emblematical of the conscience, is to be weighed in the balance against the feather, emblematical of law. Above, twelve gods, each holding a sceptre are seated upon thrones before a table of offerings of fruit, flowers, etc. Their names are: Harmachis, "the great god within his boat"; Tmu; Shu; Tefnut, "lady of heaven"; Seb; Nut, "lady of Heaven" Isis; Nephthys; Horus, "the great god"; Hathor, "lady of Amenta"; and Sa. Upon the beam of the scales sits the dog-headed ape which was associated [1. A name of the underworld. 2. Or Sexet-Anru , a division of the Sexet-hetepu (see Plate XXXV.), the Elysian fields wherein the souls of the blessed were supposed to reap and sow. 3. In British Museum papyrus No. 9901 the goddess Maat is seated on the centre of the beam of the balance. The double Maat goddesses are at times represented standing beside the balance to watch the result of the weighing, and at the same time Maat is also placed in the scale to be weighed against the heart of the deceased (Fig. x) (see Naville, Todtenbuch , Bd. I., Bl. 136, Pa.). {footnote page 256} In the papyrus of Qenna the head of Anubis is on the beam, and the ape, wearing disk and crescent, is seated upon a pylon-shaped pedestal beside the balance (Fig. 2). Another vignette shows Horus holding Maat in his band, weighing the heart in the presence of the Maat goddesses, and Anubis, holding the deceased by the hand, presents the heart to Osiris while Isis and Nephthys in the form of apes sit near (Fig. 3). ] with Thoth, the scribe of the gods. The god Anubis, jackal-headed, tests the tongue of the balance, the suspending bracket of which is in the form of the feather The inscription above the head of Anubis reads:--"He who is in the tomb saith, pray thee, O weigher of righteousness, to guide (?) the balance that it may be stablished.'" On the left of the balance, facing Anubis, stands Ani's "Luck" or "Destiny," Shai and above is the object called mesxen which has been described as "a cubit with human head," and which is supposed to be connected with the place of birth. Behind these stand the goddesses Meskhenet and Renenet: Meskhenet [1. In the papyrus of Sutimes (Naville, Todtenbuch , Bd. I., Bl. 43) the ape is called neb xemennu ut a maa , "Lord of Khemennu, just weigher"; and in British Museum papyrus No. 9900, "Thoth, lord of the scales." 2. Birch, in Bunsen's Egypt's Place, vol. v., p. 259. In the papyrus of Anhai (British Museum, No. 10,472) there is a meskhen on each side of the upright of the balance: one is called Shai and the other Renen. 3.
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Themes
Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

[auto] The gods are depicted with human or animal forms (dog-headed ape), seated on thrones, and holding sceptres.

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Asha Cosmic Ordercosmology

Truth as the fundamental structure of reality.

[auto] The feather represents Maat (law/truth), embodying the concept of truth as the fundamental structure of reality against which the deceased is judged.

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Funerary Navigationpraxis

Texts and rituals guiding the soul through death.

[auto] The passage is from the Book of the Dead and explicitly describes the weighing of the heart scene which guides the soul through death.

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Psychopomp Journeycosmology

Guided passage of the soul through afterlife realms.

[auto] The text describes Ani and his wife entering the Hall of Double Law, indicating a guided passage through afterlife realms.

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Ritual Puritypraxis

The maintenance of a state of cleanliness—physical, moral, or spiritual—required for encounter with the divine.

[auto] The weighing of the heart against the feather determines moral and spiritual purity required for entry into the afterlife.

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Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

The passage explicitly lists the names of twelve gods who preside over the judgment scene.

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