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The Egyptian Book of the Dead (Papyrus of Ani) · 72 of 357 · tr. E.A. Wallis Budge

Chapter 8 (part 2)

Verily it shall be cast forth by my healing words of power, and I will drive it away from before the sight of thy sunbeams." The holy god opened his mouth and said, "I was passing along my path, and I was going through the two regions of my lands according to my heart's desire, to see that which I had created, when lo! I was bitten by a serpent which I saw not. Is it fire? Is it water? I am colder than water, I am hotter than fire. All my flesh sweateth, I quake, my eye hath no strength, I cannot see the sky, and the sweat rusheth to my face even as in the time of summer." Then said Isis unto Ra, "O tell me thy name, holy father, for whosoever shall be delivered by thy name shall live." [And Ra said], "I have made the heavens and the earth, I have ordered the mountains, I have created all that is above them, I have made the water, I have made to come into being the great and wide sea, I have made the 'Bull of {p. xci} Legend of Ra and Isis. his mother,' from whom spring the delights of love. I have made the heavens, I have stretched out the two horizons like a curtain, and I have placed the soul of the gods within them. I am he who, if he openeth his eyes, doth make the light, and, if he closeth them, darkness cometh into being. At his command the Nile riseth, and the gods know not his name. I have made the hours, I have created the days, I bring forward the festivals of the year, I create the Nile-flood. I make the fire of life, and I provide food in the houses. I am Khepera in the morning, I am Ra at noon, and I am Tmu at even." Meanwhile the poison was not taken away from his body, but it pierced deeper, and the great god could no longer walk. Then said Isis unto Ra, "What thou hast said is not thy name. O tell it unto me, and the poison shall depart; for he shall live whose name shall be revealed." Now the poison burned like fire, and it was fiercer than the flame and the furnace, and the majesty of the god said, "I consent that Isis shall search into me, and that my name shall pass from me into her." Then the god hid himself from the gods, and his place in the boat of millions of years was empty. And when the time arrived for the heart of Ra to come forth, Isis spake unto her son Horus, saying, "The god hath bound himself by an oath to deliver up his two eyes" ( i.e. , the sun and moon). Thus was the name of the great god taken from him, and Isis, the lady of enchantments, said, "Depart, poison, go forth from Ra. O eye of Horus, go forth from the god, and shine outside his mouth. It is I who work, it is I who make to fall down upon the earth the vanquished poison; for the name of the great god hath been taken away from him. May Ra live! and may the poison die, may the poison die, and may Ra live!" These are the words of Isis, the great goddess, the queen of the gods, who knew Ra by his own name.[1] Thus we see that even to the great god Ra were attributed all the weakness and frailty of mortal man; and that "gods" and "goddesses" were classed with beasts and reptiles, which could die and perish.
Themes
Divine Lighttheology

The uncreated luminous quality of the divine, sometimes experienced directly in mystical states; illumination as revelation.

The passage references the 'sight of thy sunbeams' as a manifestation of Ra's power and presence.

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Divine Providencetheology

Pronoia — the doctrine that the divine actively orders the unfolding of the cosmos and human affairs toward intelligible ends, against pure chance or blind necessity.

Ra claims responsibility for ordering the cosmos, including the rising of the Nile and the creation of days and festivals.

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Logoscosmology

The divine reason, word, or ordering principle through which the universe was created; mediates between the transcendent God and the material world.

Ra's spoken words are described as having creative and healing power that orders the universe.

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Maat Cosmic Ordercosmology

The Egyptian principle of truth, balance, and right order underlying both the cosmos and human conduct; the parallel to Zoroastrian asha and Greek dike.

Ra's creative acts establish the fundamental order of the world, such as the Nile flood and the passage of time.

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Prayerpraxis

Direct address to the divine, whether petitionary, contemplative, or liturgical; speech and silence offered upward.

Isis directly addresses Ra in petitionary speech, asking for his name to effect a cure.

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Theurgypraxis

Iamblichean ritual practice that engages the gods directly through consecrated material symbols and actions, on the premise that divine power descends into properly prepared matter — distinct from philosophical contemplation alone.

Isis uses consecrated words and enchantments to engage divine power directly and alter the physical state of a god.

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Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

[auto] Ra is described with explicit human physical characteristics such as flesh, sweat, quaking, eyes, and a mouth.

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Divine Hiddennesstheology

The supreme God's radical concealment beyond ordinary knowledge or perception; the Hidden Father.

[auto] The supreme god's true identity remains concealed even from other deities until revealed through specific inquiry.

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Funerary Navigationpraxis

Texts and rituals guiding the soul through death.

[auto] As part of the Book of the Dead, this text functions as a ritual tool to protect and guide the deceased through dangers.

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Gnosis Direct Knowledgesoteriology

Salvation through direct experiential knowledge of the divine nature, not through faith, ritual, or moral works alone.

[auto] Isis asserts that knowledge of the divine name delivers life, positioning direct knowledge as a means of salvation or healing.

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Hidden Sayingssoteriology

Esoteric teachings reserved for those ready to receive them; outer meaning conceals an inner liberating truth.

[auto] The true name of Ra is treated as a secret esoteric truth that must be extracted through cunning rather than given freely.

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Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

[auto] Ra is depicted as an active, suffering, and responsive deity who experiences physical pain and engages in dialogue.

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Opposites Transcendedanthropology

The dissolution of binary oppositions (male/female, inner/outer, above/below) as a mark of spiritual completion.

[auto] Ra declares himself colder than water and hotter than fire, dissolving natural binary oppositions to express his divine nature.

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Paradox As Teachingethics

Using apparent contradiction, reversal, or riddle to destabilise ordinary understanding and induce insight.

[auto] The contradictory statements regarding temperature serve to destabilize ordinary understanding of the divine attributes.

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Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

[auto] The passage centers on Isis demanding Ra's secret name to secure healing and life, highlighting the ontological power of divine names.

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Related passages · 24 parallels
finnic|The Kalevala|Rune IXd
"Surely thou wert void of greatness, Having neither strength nor beauty, When the moose was trampling on thee, When the roebuck trod upon thee, When the tracks of wolves were in thee, And the bear-paws scratched thy body. Surely thou hadst…”
Both passages involve a divine or magical figure dealing with a harmful force (a river and poison, respectively) and using powerful words or incantations to control or remove it. They share themes of transformation, the power of words, and the intervention of a higher being to restore balance.
finnic|The Kalevala|Rune IXe
If thou heedest not this order, I shall offer other measures, Know I well of other forces; I shall call the Hisi irons, In them I shall boil and roast thee, Thus to check thy crimson flowing, Thus to save the wounded hero. "If these means…”
Both passages describe a divine or mystical intervention to heal a significant figure. They involve the use of magical words, herbs, and the invocation of higher powers to stop bleeding and restore health, reflecting a shared theme of divine healing and the power of sacred knowledge.
finnic|The Kalevala|Rune XVIId
"Go, thou demon, hence to wander, Flee, thou plague of Northland heroes; Never come again for shelter, Nevermore build thou thy dwelling In the body of Wipunen; Take at once thy habitation To the regions of thy kindred, To thy distant field…”
Both passages involve the use of powerful words or incantations to banish or control malevolent forces. They share a theme of invoking divine or mystical power to overcome evil, though they come from different cultural and religious contexts.
finnic|The Kalevala|Rune XVIIe
"Shouldst thou find no means of living, I will banish thee still farther, To the cataract of Rutya, To the fire-emitting whirlpool, Where the firs are ever falling, To the windfalls of the forest; Swim hereafter in the waters Of the fire-em…”
Both passages describe a mystical confrontation with an evil or harmful entity, involving the use of powerful words or commands to banish or neutralize the threat. They share themes of divine intervention and the use of sacred knowledge or names to overcome adversity.
finnic|The Kalevala|Rune XVIIf
"I shall set my forge and bellows Deeper, deeper in thy vitals; I shall swing my heavy hammer, Swing it with a greater power On thy heart, and lungs, and liver; I shall never, never leave thee Till I learn thine incantations, Learn thy many…”
Both passages involve the transmission of sacred knowledge or wisdom from an ancient, wise figure. In Passage A, Wipunen shares ancient incantations and wisdom with Vainamoinen, while in Passage B, Ra reveals his divine names and powers to Isis. Both passages highlight the importance of hidden knowledge and its revelation.
finnic|The Kalevala|Rune XXXd
"If thou shouldst not heed this order, Shouldst not leave me to my freedom, Know I still another kingdom, Know another spot of resting; I shall drive thee to the summer, Lead thy tongue to warmer climates, There a prisoner to suffer, Never…”
Both passages involve a struggle against a malevolent force (Frost and poison) and the use of magical or divine intervention to overcome it. They also share themes of journey, suffering, and the power of words or names.
finnic|The Kalevala|Rune XLVc
"Omnipresent God of mercy, Thou who livest in the heavens, Hasten hither, thou art needed, Hasten to thine ailing children, To observe their cruel tortures, To dispel these fell diseases, Drive destruction from our borders. Bring with thee…”
Both passages involve a divine figure (Ra and Ukko) who is afflicted by a harmful force (poison and diseases) and requires the intervention of another divine or mystical entity (Isis and the Health-virgin) to heal them. The healing process involves the revelation of a sacred name or the use of enchantments and prayers.
finnic|The Kalevala|Rune XLIXb
Let us form a sacred compact: If thou speakest me a falsehood, I will hurl thee to Manala, Let the nether fires consume thee, That thine evil signs may perish." Thereupon the alder answered, Spake these words of truthful import: "Verily the…”
Both passages involve a journey to a distant, mythical land (Pohyola in Passage A and the land of the gods in Passage B) for a specific purpose (retrieving the Sun and Moon in Passage A and healing Ra in Passage B). Both also involve the use of magical or divine powers to achieve their goals.
gnosticism|Pistis Sophia|Document FIRST
[71 ] Because of this word therefore thy power of light prophesied once by David, saying in the four-twentieth with one psalm, God will sit in the assembly of the gods and (will) give judgment unto the gods. Said he to her Jesus, Well (don…”
Both passages depict a divine figure (Pistis Sophia and Ra) seeking deliverance and forgiveness through the revelation of a sacred name or mystery. They share themes of repentance, divine intervention, and the power of knowledge or names in achieving salvation.
gnosticism|Pistis Sophia|Document FIRST‰
) feared and it cried up unto its God Self-willed, for him to help it: and at that hour looked out of the thirteenth Aeon the God Self-willed, he looked down unto the Chaos being angry greatly, wishing to help his power of face of lion, and…”
Both passages depict a divine being in distress calling for help from a higher power. They share themes of divine intervention, the struggle against malevolent forces, and the use of divine names or hymns to overcome adversity.
14 more
gnosticism|Pistis Sophia|Document FIRSTŒ
But added also Jesus in the word, said he to his disciples, It happened therefore, the Pistis Sophia having said these words, completed was the time for bringing her up from the Chaos, and through my own self, without the First Mystery I br…”
Both passages describe a divine figure (Jesus in Passage A and Ra in Passage B) intervening to save a being (Pistis Sophia and Ra himself) from a perilous situation. Both involve the use of divine power and light to overcome darkness and adversity, highlighting themes of deliverance and the power of divine names or words.
gnosticism|Pistis Sophia|Document FIRST
Let a cloud of smoke cover over their eyes, and a mist of air let it make darkness unto them: and let them not see the day, that they should not lay hold on me. Let become powerless their plot, and the (things) which they plotted let them…”
Both passages describe a divine figure (Pistis Sophia and Ra) being afflicted and then saved through the intervention of a higher power or knowledge. They share themes of divine suffering, redemption, and the revelation of sacred names or insights.
gnosticism|Pistis Sophia|Document SECONDd
They will give to them the mysteries of the Light of the Height, these who were entrusted with the effluence of the Light. And also according as said thy power, They turned [122 ] lips which were dry, namely, Gabriel with Mikhael took not…”
Both passages describe a divine figure (Pistis Sophia in Passage A and Ra in Passage B) who is restored or healed through the intervention of other divine entities. The themes of light, divine power, and restoration are central to both texts, indicating a genuine conceptual parallel.
gnosticism|Pistis Sophia|Document SECONDh
And thou also art he who will deliver me from all their threats which are cruel. And also the word which said thy power by David, He will make shadow unto thee under his (thy, MS ) breast, and thou wilt trust under his wing, namely, that t…”
Both passages describe a divine figure (Pistis Sophia in Passage A and Ra in Passage B) being protected or healed from various threats or afflictions. They share themes of divine power, protection, and the overcoming of adversity through divine intervention.
gnosticism|Pistis Sophia|Document SECONDi
And the word which thy power of light said by David, Nevertheless thou wilt fill thy sight with them, and thou wilt see the recompense of the 73 sinners, because thou, O Lord, art my helper, namely, the word that the Pistis Sophia filled he…”
Both passages describe a divine figure overcoming adversity through the power of divine names and the intervention of higher beings. They share themes of divine struggle, redemption, and the use of sacred knowledge to triumph over evil forces.
gnosticism|Pistis Sophia|Document SECONDk
Thy right (hand) is that which exalted me, and thou tookest the weakness [139 ] away from me, I became prevailing in thy truthfulness, being cleansed in thy righteousness. Were distant away from me those who fight against me. And I was ju…”
Both passages describe a divine figure being afflicted and then delivered through the intervention of a higher power. They share themes of redemption, divine intervention, and the overcoming of darkness or evil forces.
gnosticism|Pistis Sophia|Document SECONDl
And the word which thy power said, I became prevailing in thy truth, and cleansed in thy righteousness. That is the word which said the Pistis Sophia, I became prevailing by thy light. And I am becoming light which is purified by thy effl…”
Both passages describe a divine figure being delivered from a state of suffering or oppression by a higher power. They share themes of liberation, divine intervention, and the overcoming of adversity through the power of divine names or light.
gnosticism|Pistis Sophia|Document SECONDm
It happened therefore, the First Mystery having finished saying these words, came 78 forward Mathaios, said he, I understood the explanation of the hymn, this which said the Pistis Sophia, now therefore command to me that I may say it boldl…”
Both passages describe a divine figure overcoming a serpent or evil forces, using divine power and wisdom. They share themes of redemption, divine intervention, and the triumph of light over darkness, reflecting a common mystical insight across different traditions.
gnosticism|Pistis Sophia|Document SECONDn
That is the word which said the Pistis Sophia, And thou struckest the serpent, he of the seven heads through my hands. And thou settest me up upon his matter, thou destroyedst him that his seed should not rise up from this hour. And the w…”
Both passages involve a divine figure (Ra in Passage A and Pistis Sophia in Passage B) who is afflicted and requires healing or redemption. Both texts emphasize the power of names and divine intervention to overcome adversity, showcasing a mystical understanding of the divine and its interaction with the world.
mesopotamian|Enuma Elish: The Epic of Creation|1e
Be thou exalted, thou my chosen spouse, May they magnify thy name over all of them ... the Anunnaki." She hath given him the Tablets of Destiny, on his breast she laid them, saying: Thy command shall not be without avail, and the word of t…”
Both passages involve divine figures dealing with cosmic threats and the use of divine power and knowledge to overcome them. They share themes of divine authority, the struggle against chaos, and the use of secret knowledge or names for power.
mesopotamian|Enuma Elish: The Epic of Creation|1f
She hath given him the Tablets of Destiny on his breast she laid them, saving: Thy command shall not be without avail, and the word of thy mouth shall be established.' Now Kingu, thus exalted, having received the power of Anu, Decreed the f…”
Both passages involve a divine being (Ra and Marduk) who faces a threat and requires the intervention of another deity (Isis and the assembly of gods) to overcome it. The themes of divine power, the revelation of names, and the establishment of order are central to both narratives.
mesopotamian|Enuma Elish: The Epic of Creation|1g
When the gods, his fathers, beheld the fulfillment of his word, They rejoiced, and they did homage unto him, saying, " Marduk is king!" They bestowed upon him the scepter, and the throne, and the ring, They give him an invincible weapony wh…”
Both passages involve a divine figure (Ra and Marduk) facing a significant challenge (a serpent's bite and a cosmic battle with Tiamat) and the intervention of other deities (Isis and the gods) to resolve the crisis. They share themes of divine power, the revelation of divine names, and the restoration of order.
mesopotamian|Enuma Elish: The Epic of Creation|1h
She recited an incantation, she pronounced her spell, And the gods of the battle cried out for their weapons. Then advanced Tiamat and Marduk, the counselor of the gods; To the fight they came on, to the battle they drew nigh. The lord sp…”
Both passages describe a divine figure overcoming a threat through the use of power and knowledge. In Passage A, Isis uses the name of Ra to heal him from a serpent's bite, while in Passage B, Marduk defeats Tiamat and establishes order. Both involve the use of divine knowledge or power to overcome a significant threat.
mesopotamian|Enuma Elish: The Epic of Creation|1k
May he hold the Beginning and the Future, may they pay homage unto him, Saying, "He who forced his way through the midst of Tiamat without resting, Let his name be Nibiru, 'the Seizer of the Midst'! For the stars of heaven he upheld the pa…”
Both passages involve a divine being (Ra in Passage A and Marduk in Passage B) who is central to creation and whose true name holds immense power. Both texts also feature a serpent or dragon (in Passage B, Tiamat) that poses a threat, and the revelation of the divine name is crucial in overcoming this threat.