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Transcendental Magic II: The Ritual (Éliphas Lévi) · 29 of 123 · tr. A.E. Waite

5. The Blazing Pentagrama

We proceed to the explanation and consecration of the Sacred and Mysterious Pentagram. At this point, let the ignorant and superstitious close the book; they will either see nothing but darkness, or they will be scandalized. The Pentagram, which in Gnostic schools is called the Blazing Star, is the sign of intellectual omnipotence and autocracy. It is the Star of the Magi; it is the sign of the Word made flesh; and, according to the direction of its points, this absolute magical symbol represents order or confusion, the Divine Lamb of Ormuz and St. John, or the accursed goat of Mendes. It is initiation or profanation; it is Lucifer or Vesper, the star of morning or evening. It is Mary or Lilith, victory or death, day or night. The Pentagram with two points in the ascendant represents Satan as the goat of the Sabbath; when one point is in the ascendant, it is the sign of the Saviour. The Pentagram is the figure of the human body, having the four limbs and a single point representing the head. A human figure head downwards naturally represents a demon that is, intellectual subversion, disorder or madness. Now, if Magic be a reality, if occult science be really the true law of the three worlds, this absolute sign, this sign ancient as history and more ancient, should and does exercise an incalculable influence upon spirits set free from their material envelope. The sign of the Pentagram is called the Sign of the Microcosm, and it represents what the Kabalists of the book Zohar term the Microprosopus. The complete comprehension of the Pentagram is the key of the two worlds. It is absolute philosophy and natural science. The sign of the Pentagram should be composed of the seven metals, or at least traced in pure gold upon white marble. It may be also drawn with vermilion on an unblemished lambskin the symbol of integrity and light. The marble should be virgin, that is, should never have been used for another purpose; the lambskin should be prepared under the auspices of the sun. The lamb must have been slain at Paschal time with a new knife, and the skin must be salted with salt consecrated by magical operations. The omission of even one of these difficult and apparently arbitrary ceremonies makes void the entire success of the great works of science. The Pentagram is consecrated with the four elements; the magical figure is breathed on five times; it is sprinkled with holy water; it is dried by the smoke of five perfumes, namely, incense, myrrh, aloes, sulphur and camphor, to which a little white resin and ambergris may be added. The five breathings are accompanied by the utterance of names attributed to the five genii, who are Gabriel, Raphael, Anael, Samael and Oriphiel. Afterwards the Pentacle is placed successively at the north, south, east, west and centre of the astronomical cross, pronouncing at the same time, one after another, the consonants of the Sacred Tetragram, and then, in an undertone, the blessed letters ALEPH and the mysterious TAU, united in the kabalistic name of AzOTH. The Pentagram should be placed upon the altar of perfumes and under the tripod of evocations. The operator should wear the sign also as well as that of the Macrocosm, which is composed of two crossed and superposed triangles. When a spirit of light is evoked, the head of the star - that is, one of its points - should be directed towards the tripod of evocations and the two inferior points towards the altar of perfumes.
Themes
Cosmic Dualismtheology

Ontological opposition between two primal principles (light/darkness, truth/lie, spirit/matter) as the fundamental structure of reality.

The Pentagram represents opposing forces such as order/confusion, Saviour/Satan, and Mary/Lilith depending on its orientation.

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Microcosm Macrocosmcosmology

The human being as a small-scale image of the entire cosmos; the body, soul, and intellect mirroring the structure of the heavens and the divine — distinct from correspondence in that it makes the human the privileged mirror.

The text explicitly defines the Pentagram as the 'Sign of the Microcosm' and describes it as the figure of the human body mirroring cosmic structure.

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Ritual Puritypraxis

The maintenance of a state of cleanliness—physical, moral, or spiritual—required for encounter with the divine.

Strict requirements for virgin marble, unblemished lambskin, and consecrated salt are mandated to ensure the success of the magical work.

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Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

The ritual relies heavily on the utterance of specific divine names and genii (Gabriel, Raphael, Tetragram, AzOTH) to effect change.

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Theurgypraxis

Iamblichean ritual practice that engages the gods directly through consecrated material symbols and actions, on the premise that divine power descends into properly prepared matter — distinct from philosophical contemplation alone.

The passage details consecrated material symbols and actions (metals, perfumes, names) used to engage spirits and divine power directly.

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Word Power Incantationpraxis

The doctrine and practice that spoken or sung word carries causal-magical force — that uttering names, formulas, songs, or incantations alters reality directly rather than merely communicating about it. Vainamoinen's runo-songs that move mountains and command iron, Norse galdr, Vedic mantra, Shinto kotodama, the magician's barbarous names in the Greek Magical Papyri, Iamblichean arcane signatures and inexplicable symbols, biblical creation-by-word. Distinct from sacred_names (the ontological power of names themselves) and prayer (address to the divine); word_power_incantation is the magical-causal efficacy of the spoken word as such.

The text emphasizes that uttering names and consonants exercises an incalculable influence upon spirits and alters reality.

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Related passages · 3 parallels
gnosticism|Pistis Sophia|Document FOURTHj
This is the baptism of the First Oblation which guideth in unto the Place of the truth, and in [335 ] unto the Place of the Light. After these (things) also said they his disciples, Rabbei reveal to us the mystery of the Light of thy Fathe…”
Both passages describe mystical symbols and rituals that confer spiritual power and protection. They share the concept of sacred knowledge (a name or symbol) that grants the possessor authority over dark forces and access to divine realms, reflecting a common mystical theme of esoteric empowerment.
neoplatonism|Iamblichus: On the Mysteries|Chapter II
Hear, therefore, the intellectual interpretation of symbols, according to the conceptions of the Egyptians; at the same time removing from your imagination and your ears the image of things symbolical, but elevating yourself to intellectual…”
Both passages explore the concept of divine transcendence and the symbolic representation of higher truths through material symbols. Passage A discusses the Egyptian symbolism of the God sitting above the lotus and sailing in a ship, representing divine transcendence and governance. Passage B explains the Pentagram as a symbol of intellectual omnipotence and autocracy, representing divine and human duality. Both passages use symbolic imagery to convey complex theological concepts.
renaissance_hermeticism|Agrippa: The Philosophy of Natural Magic, Chapter LXXIV — Of the Proportion, Correspondency, and Reduction of Letters to the Celestial Signs and Planets, According to Various Tongues, and a Table Thereof|Chapter LXXIV, Section 1a
CHAPTER LXXIV. Of the Proportion, Correspondency, and Reduction of Letters to the Celestial Signs and Planets, According to Various Tongues, and a Table Thereof . God gave to man a mind and speech, which (as saith Mercurius Trismegistus)…”
Both passages discuss the mystical significance of symbols (the Pentagram and Hebrew letters) and their connection to divine and cosmic principles. They share a conceptual parallel in the belief that these symbols hold profound, sacred meanings and influence the spiritual and material worlds.