The Secret Teachings of All Ages (Manly P. Hall) · 325 of 530
An Analysis of Tarot Cardsh
Above sits the immobile sphinx, carrying the sword of Justice and signifying the perfect equilibrium of Universal Wisdom.
Anubis is shown rising and Typhon descending; but when Typhon reaches the bottom, evil ascends again, and when Anubis reaches the top good wanes once more.
The Wheel of Fortune represents the lower universe as a whole with Divine Wisdom (the sphinx) as the eternal arbiter between good and evil.
In India, the chakra , or wheel, is associated with the life centers either of a world or of an individual.
In the pseudo-Egyptian Tarot the Sphinx is armed with a javelin, and Typhon is being thrown from the wheel.
The vertical columns, supporting the wheel and so placed that but one is visible, represent the axis of the world with the inscrutable sphinx upon its northern pole.
Sometimes the wheel with its supports is in a boat upon the water.
The water is the Ocean of Illusion, which is the sole foundation of the Cycle of Necessity.
The eleventh numbered major trump is called La Force, Strength, and portrays a girl wearing a hat in the form of a lemniscate, with her hands upon the mouth of an apparently ferocious lion.
Considerable controversy exists as to whether the maid is dosing or opening the lion's mouth.
Most writers declare her to be closing the jaws of the beast, but a critical inspection conveys the opposite impression.
The young woman symbolizes spiritual strength and the lion either the animal world which the girl is mastering or the Secret Wisdom over which she is mistress.
The lion also signifies the summer solstice and the girl, Virgo, for when the sun enters this constellation, the Virgin robs the lion of his strength.
King Solomon's throne was ornamented with lions and he himself was likened to the king of beasts with the key of wisdom between its teeth.
In this sense, the girl may be opening the lion's mouth to find the key contained therein for courage is a prerequisite to the attainment of knowledge.
In the pseudo-Egyptian Tarot the symbolism is the same except that the maiden is represented as a priestess wearing an elaborate crown in the form of a bird surmounted by serpents and an ibis.
The twelfth numbered major trump is called Le Pendu , the Hanged Man, an portrays a young man hanging by his left leg from a horizontal beam, the latter supported by two tree trunks from each of which six branches have been removed.
The right leg of the youth is crossed in back of the left and his arms are folded behind his back in such a way as to form a cross surmounting a downward pointing triangle.
The figure thus forms an inverted symbol of sulphur and, according to Levi, signifies the accomplishment of the magnum opus .
In some decks the figure carries under each arm a money bag from which coins are escaping.
Popular tradition associates this card with Judas Iscariot, who is said to have gone forth and hanged himself, the money bags representing the payment he received for his crime.
Levi likens the hanged man to Prometheus, the Eternal Sufferer, further declaring that the upturned feet signify the spiritualization of the lower nature.
It is also possible that the inverted figure denotes the loss of the spiritual faculties, for the head is below the level of the body.
The stumps of the twelve branches are the signs of the zodiac divided into two groups--positive and negative.
The picture therefore depicts polarity temporarily triumphant over the spiritual principle of equilibrium.
To attain the heights of philosophy, therefore, man must reverse (or invert) the order of his life.
He then loses his sense of personal possession because he renounces the rule of gold in favor of the golden rule.
Themes
◆Alchemical Workpraxis
The transformation of base substance — outer matter or the inner soul — into a purified, perfected, or 'gold' state; the magnum opus as both laboratory practice and spiritual allegory.
The passage explicitly links the Hanged Man card to the 'accomplishment of the magnum opus' and describes the inversion of life order as a requirement for attaining philosophy.
Ontological opposition between two primal principles (light/darkness, truth/lie, spirit/matter) as the fundamental structure of reality.
The passage centrally depicts the perpetual struggle between good and evil represented by Anubis and Typhon ascending and descending the Wheel of Fortune.
The balance of two contrary forces as the structural law of cosmos and operation — Lévi's equilibrium, expressed in Kabbalah by the senary: the will of God in its first cause, liberty in man, mathematical equilibrium in matter; the twofold vibration required to direct the Astral Light safely.
The passage repeatedly emphasizes the 'perfect equilibrium of Universal Wisdom' and the balance between good and evil as a structural law of the cosmos.