The Secret Teachings of All Ages (Manly P. Hall) · 134 of 530
The Bembine Table of Isisl
The relation of these two zodiacs to the subzodiacal spheres has a correlation in the respiratory system of the human body.
The great fixed zodiac may be said to represent the atmosphere, the movable zodiac the lungs, and the subzodiacal worlds the body.
The spiritual atmosphere containing the vivifying energies of the twelve divine powers of the great fixed zodiac is inhaled by the cosmic lungs--the movable zodiac--and distributed by them through the constitution of the twelve holy animals which are the parts and members of the material universe.
The functional cycle is completed when the poisonous effluvia of the lower worlds collected by the movable zodiac are exhaled into the great fixed zodiac, there to be purified by being passed through the divine natures of its twelve eternal hierarchies.
The Table as a whole is susceptible of many interpretations.
If the border of the Table with its hieroglyphic figures be accepted as the spiritual source, then the throne in the center represents the physical body within which human nature is enthroned.
From this point of view the entire Table becomes emblematic of the auric bodies of man, with the border as the outer extremity or shell of the auric egg .
If the throne be accepted as the symbol of the spiritual sphere, the border typifies the elements, and the various panels surrounding the central one become emblematic of the worlds or planes emanating from the one divine source.
If the Table be considered from a purely physical basis, the throne becomes symbolic of the generative system and the Table reveals the secret processes of embryology as applied to the formation of the material worlds.
If a purely physiological and anatomical interpretation be desired, the central throne becomes the heart, the Ibimorphous Triad the mind, the Nephtæan Triad the generative system, and the surrounding hieroglyphics the various parts and members of the human body.
From the evolutionary viewpoint the central gate becomes the point of both entrance and exit.
Here also is set forth the process of initiation, in which the candidate after passing successfully through the various ordeals is finally brought into the presence of his own soul, which he alone is capable of unveiling.
If cosmogony be the subject of consideration, the central panel represents the spiritual worlds, the upper panel the intellectual worlds, and the lower panel the material worlds.
The central panel may also symbolize the nine invisible worlds, and the creature marked T the physical nature--the footstool of Isis, the Spirit of Universal Life.
Considered in the light of alchemy, the central panel contains the metals and the borders the alchemical processes.
The figure seated on the throne is the Universal Mercury--the "stone of the wise"; the flaming canopy of the throne above is the Divine Sulphur; and the cube of earth beneath is the elemental salt.
The three triads--or the Paternal Foundation --in the central panel represent the Silent Watchers, the three invisible parts of the nature of man; the two panels on either side are the quaternary lower nature of man.
In the central panel are 21 figures.
This number is sacred to the sun--which consists of three great powers, each with seven attributes--and by Qabbalistic reduction 21 becomes 3, or the Great Triad.
It will yet be proved that the Table of Isis is directly connected with Egyptian Gnosticism, for in a Gnostic papyrus preserved in the Bodleian Library there is a direct reference to the twelve Fathers or Paternities beneath whom are twelve Fountains.
(See Egyptian Magic by S.S.D.D.) That the lower panel represents the underworld is further emphasized by the two gates--the great gate of the East and the great gate of the West--for in the Chaldean theology the sun rises and sets through gates in the underworld, where it wanders during the hours of darkness.
Themes
◆Correspondencecosmology
The Hermetic axiom that the structure of the cosmos is reflected at every scale — 'as above, so below; as within, so without' — making each level a legible map of the others.
The passage centrally argues that the structure of the cosmos is reflected in human anatomy and physiology ('as above, so below').
A chain of divine beings or principles flowing downward from a single transcendent source (the One or the Father), each level less perfect than the one above.
The text describes a structured flow from the 'spiritual source' through 'divine natures' and 'hierarchies' to the material world.
The human being as a small-scale image of the entire cosmos; the body, soul, and intellect mirroring the structure of the heavens and the divine — distinct from correspondence in that it makes the human the privileged mirror.
The human body is explicitly mapped onto cosmic structures (lungs = movable zodiac, body = material universe).