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The Book of Ceremonial Magic (A.E. Waite) · 173 of 175 · tr. Arthur Edward Waite

Page 80 (part 6)

Citation COLPRIZIANA, OFFINA, ALTA, NESTERA, FUARO, MENUET. Charge ALIM, JEHOH, JEHOVAH, AGLA, ON, TETRAGRAMMATON. When the Spirit makes visible appearance, say :-- ADON, SCHADAI, ELIGON, AMANAI, ELION, PNEUMATON, ELII, ALNOAL, MESSIAS, JA, HEYNAAN, TETRAGRAMMATON. Add the following Conjuration :-- ADONAI, ZEBOTH. ADON, SCHADAI. ELION, TETRAGRAMMATON, ELOI, ELOHIM, MESSIAS, JA, HAGIOS, Ho THEOS. Amen. Say inwardly :-- ALLEY, FORTISSIAN, FORTISSIO, ALLINSON, ROA. The Discharge OMGROMA, EPYN, SEYOK, SATANY, DEGONY, EPARYGON, GALLIGANON, ZOGOGEN, FERSTIGON. The most barbarous and unintelligible words are said by Picus de Mirandola to be the most powerful in Black Magic, and the affirmation applies everywhere, for the whole art is one of illiterate delight in unintelligible images. As those here cited from the Verus Jesuitarum Libellus seem in most cases fortuitous assemblages of letters, they are doubtless all that can be desired, but additional constraints and conjurations, should the spirit of the deceased miser refuse to appear, will readily occur to the reader. Here ends the Complete Grimoire of Black Magic Click to view APOPHIS .
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Themes
Forbidden Knowledgesoteriology

Transgressive knowing acquired against divine prohibition — the Watchers' teaching of metallurgy, sorcery, and cosmetics in 1 Enoch, the Gnostic Eve narratives, the Promethean mytheme; explicitly contrasted with gnosis_direct_knowledge, which is salvific.

The text explicitly identifies itself as a 'Complete Grimoire of Black Magic' and references the use of unintelligible words associated with transgressive arts.

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Sacred Namestheology

Divine names or formulas that carry ontological power, used in prayer, liturgy, or magical practice.

The passage is composed almost entirely of lists of divine names (Jehovah, Adonai, Tetragrammaton) and barbarous names used for ritual invocation.

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Spirit Conjurationpraxis

The grimoire-tradition practice of ceremonially commanding or binding a spirit through consecrated seals, circles, divine names, and prescribed instruments, compelling its appearance and obedience. Distinct from theurgy in the direction of the power relationship — theurgy is reverent engagement with the gods on the premise of the operator's own ascent, this is subordination of a lesser spirit to the operator's will — and from word_power_incantation and sacred_names, which name components (verbal force, name-power) this practice deploys rather than the ritual structure itself.

The passage outlines a ritual procedure involving charges, conjurations, and discharges intended to compel the appearance of a spirit.

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Word Power Incantationpraxis

The doctrine and practice that spoken or sung word carries causal-magical force — that uttering names, formulas, songs, or incantations alters reality directly rather than merely communicating about it. Vainamoinen's runo-songs that move mountains and command iron, Norse galdr, Vedic mantra, Shinto kotodama, the magician's barbarous names in the Greek Magical Papyri, Iamblichean arcane signatures and inexplicable symbols, biblical creation-by-word. Distinct from sacred_names (the ontological power of names themselves) and prayer (address to the divine); word_power_incantation is the magical-causal efficacy of the spoken word as such.

The text explicitly theorizes that 'barbarous and unintelligible words' are the most powerful in magic and provides specific verbal formulas for charges and conjurations.

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