The Book of Ceremonial Magic (A.E. Waite) · 2 of 175 · tr. Arthur Edward Waite
Page 3 (part 2)
Figure II., the Labarum of Constantine, another form.
Figure III., the inscription on this talisman is unintelligible.
Figure IV., the occult symbol of the pentagram, reversed, and therefore the sign of the Demon, according to Éliphas Lévi.
Possibly misplaced by the ignorance of the printer, but it occurs in this manner in many books which do not apparently connect with Black Magic.
Figure V., a talisman with the monogram of Michael.
Figure VI., undescribed, but belonging to a prayer of St.
Augustine addressed to the Holy Spirit to receive a revelation.
Figure VII., the characters of this talisman would seem to be Hebrew, but are so corrupt that they are unintelligible.
Figure VIII., a talisman with the monogram of Gabriel.
Figure IX., the talisman and monogram of Michael.
PLATE V Page 84 The Characters of Evil Spirits, from the so-called "Fourth Book" of Cornelius Agrippa, and described as follows in the original.
1.
A right line; 2.
a crooked line; 3.
a reflexed line; 4.
a simple figure; 5.
penetrate; 6.
broken; 7.
a right letter; 8.
a retrograde letter; 9.
an inverted letter; 10.
flame; 11.
wind; 12.
water; 13.
a mass; 14.
rain; 15.
clay; 16.
a flying creature; 17.
a creeping thing; 18.
a serpent; 19.
an eye; 20.
a hand; 21.
a foot; 22.
a crown; 23.
a crest; 24.
horns; 25.
a sceptre; 26.
a sword; 27.
a scourge.
PLATE VI Page 135 The Sabbatic Goat, from the Ritual of Transcendental Magic , by Éliphas Lévi, who identifies it with the Baphomet of Mendes, and does not regard it as connected with Black Magic, but as "a pantheistic and magical figure of the absolute." PLATE VII Page 156 The instruments of Black Magic, from the Grimoire entitled True Black Magic .
Figure I., the knife with the white handle.
Figure II., the knife with the black handle.
Figure III., the arctrave, or hook.
Figure IV., the bolline or sickle.
Figure V., the stylet.
Figure VI..
the needle.
Figure VII., the wand.
Figure VIII., the lancet.
Figure IX., the staff.
Figure X., the sword of the master.
Figures XI., XII., XIII., the swords of the assistants.
PLATE VIII Page 223 The Magical circle used in Goëtic Theurgy, according to the Lesser Key of Solomon the King, showing the position of the operator, the divine names and symbols to be inscribed within and about the double circle, and the situation of the lights.
The figure and place of the triangle into which the spirit is commanded will be found, with description, in the text, pp.
220 -223.
The Divine Names differ in some of the manuscripts.
PLATE IX Page 259 The Goëtic Circle of Black Evocations and Pacts, according to Éliphas Lévi.
The circle is formed from the skin of the victim, fastened to the ground by four nails taken from the coffin of an executed criminal.
The skull is that of a parricide; the horns those of a goat; the male bat opposite the skull must have been drowned in blood; and the black cat, whose head forms the fourth object on the circumference of the circle, must have been fed on human flesh.
There is no authority for any of these stipulations.
The grimoire-tradition practice of ceremonially commanding or binding a spirit through consecrated seals, circles, divine names, and prescribed instruments, compelling its appearance and obedience. Distinct from theurgy in the direction of the power relationship — theurgy is reverent engagement with the gods on the premise of the operator's own ascent, this is subordination of a lesser spirit to the operator's will — and from word_power_incantation and sacred_names, which name components (verbal force, name-power) this practice deploys rather than the ritual structure itself.
The passage explicitly describes Goëtic Theurgy and circles used for commanding spirits, including the Lesser Key of Solomon and Lévi's evocations.