Paracelsus: The Treasure of Treasures for Alchemists · 2 of 5 · tr. Arthur Edward Waite
Section 1b
So the water and the air will again ascend first, and afterwards the element of fire, which expert artists recognise.
The earth will remain in the bottom of the vessel.
This collect there.
It is what many seek after and few find.
This dead earth in the reverberatory you will prepare according to the rules of Art, and afterwards add fire of the first degree for five days and nights.
When these have elapsed you must apply the second degree for the same number of days and nights, and proceed according to Art with the material enclosed.
At length you will find a volatile salt, like a thin alkali, containing in itself the Astrum of fire and earth2.
Mix this with the two elements that have been preserved, the water and the earth.
Again place it on the ashes for eight days and eight nights, and you will find that which has been neglected by many Artists.
Separate this according to your experience, and according to the rules of the Spagyric Art, and you will have a white earth, from which its colour has been extracted.
Join the element of fire and salt to the alkalised earth.
Digest in a pelican to extract the essence.
Then a new earth will be deposited, which put aside.
CONCERNING THE RED LION.
Afterwards take the lion in the pelican which also is found [at] first, when you see its tincture, that is to say, the element of fire which stands above the water, the air, and the earth.
Separate it from its deposit by trituration.
Thus you will have the true aurum potabile3.
Sweeten this with the alcohol of wine poured over it, and then distil in an alembic until you perceive no acidity to remain in the Aqua Regia.
This Oil of the Sun, enclosed in a retort hermetically sealed, you must place for elevation that it may be exalted and doubled in its degree.
Then put the vessel, still closely shut, in a cool place.
Thus it will not be dissolved, but coagulated.
Place it again for elevation and coagulation, and repeat this three times.
Thus will be produced the Tincture of the Sun, perfect in its degree.
Keep this in its own place.
CONCERNING THE GREEN LION.
Take the vitriol of Venus4, carefully prepared according to the rules of Spagyric Art; and add thereto the elements of water and air which you have reserved.
Resolve, and set to putrefy for a month according to instructions.
When the putrefaction is finished, you will behold the sign of the elements.
Separate, and you will soon see two colours, namely, white and red.
The red is above the white.
The red tincture of the vitriol is so powerful that it reddens all white bodies, and whitens all red ones, which is wonderful.
Work upon this tincture by means of a retort, and you will perceive a blackness issue forth.
Treat it again by means of the retort, repeating the operation until it comes out whitish.
Go on, and do not despair of the work.
Rectify until you find the true, clear Green Lion, which you will recognise by its great weight.
You will see that it is heavy and large.
This is the Tincture, transparent gold.
You will see marvellous signs of this Green Lion, such as could be bought by no treasures of the Roman Leo.
Happy he who has learnt how to find it and use it for a tincture!
This is the true and genuine Balsam5, the Balsam of the Heavenly Stars, suffering no bodies to decay, nor allowing leprosy, gout, or dropsy to take root.
It is given in a dose of one grain, if it has been fermented with Sulphur of Gold.
Themes
◆Alchemical Workpraxis
The transformation of base substance — outer matter or the inner soul — into a purified, perfected, or 'gold' state; the magnum opus as both laboratory practice and spiritual allegory.
The passage is structured as a detailed alchemical process involving elements, purification, and transformation into a perfected substance.
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