Paracelsus: Coelum Philosophorum, or Book of Vexations · 4 of 14 · tr. Arthur Edward Waite
Section 1d
Of his own nature Saturn speaks thus: The other six have cast me out as their examiner.
They have thrust me forth from them and from a spiritual place.
They have also added a corruptible body as a place of abode, so that I may be what they neither are nor desire to become.
My six brothers are spiritual, and thence it ensues that so often as I am put in the fire they penetrate my body and, together with me, perish in the fire, Sol and Luna excepted.
These are purified and ennobled in my water.
My spirit is a water softening the rigid and congelated bodies of my brothers.
Yet my body is inclined to the earth.
Whatever is received into me becomes conformed thereto, and by means of us is converted into one body.
It would be of little use to the world if it should learn, or at least believe, what lies hid in me, and what I am able to effect.
It would be more profitable it should ascertain what I am able to do with myself.
Deserting all the methods of the Alchemists, it would then use only that which is in me and can be done by me.
The stone of cold is in me.
This is a water by means of which I make the spirits of the six metals congeal into the essence of the seventh, and this is to promote Sol with Luna.
Two kinds of Antimony are found: one the common black by which Sol is purified when liquefied therein.
This has the closest affinity with Saturn.
The other kind is the white, which is also called Magnesia and Bismuth.
It has great affinity with Jupiter, and when mixed with the other Antimony it augments Luna.
THE SIXTH CANON.
CONCERNING LUNA AND THE PROPERTIES THEREOF.
The endeavour to make Saturn or Mars out of Luna involves no lighter or easier work than to make Luna, with great gain, out of Mercury, Jupiter, Mars, Venus, or Saturn.
It is not useful to transmute what is perfect into what is imperfect, but the latter into the former.
Nevertheless, it is well to know what is the material of Luna, or whence it proceeds.
Whoever is not able to consider or find this out will neither be able to make Luna.
It will be asked, What is Luna?
It is among the seven metals which are spiritually concealed, itself the seventh, external, corporeal, and material.
For this seventh always contains the six metals spiritually hidden in itself.
And the six spiritual metals do not exist without one external and material metal.
So also no corporeal metal can have place or essence without those six spiritual ones.
The seven corporeal metals mix easily by means of liquefaction, but this mixture is not useful for making Sol or Luna.
For in that mixture each metal remains in its own nature, or fixed in the fire, or flies from it.
For example, mix, in any way you can, Mercury, Jupiter, Saturn, Mars, Venus, Sol, and Luna.
It will not thence result that Sol and Luna will so change the other five that, by the agency of Sol and Luna, these will become Sol and Luna.
For though all be liquefied into a single mass, nevertheless each remains in its nature whatever it is.
This is the judgment which must be passed on corporeal mixture.
But concerning spiritual mixture and communion of the metals, it should be known that no separation or mortification is spiritual, because such spirits can never exist without bodies.
Though the body should be taken away from them and mortified a hundred times in one hour, nevertheless, they would always acquire another much more noble than the former.
Themes
◆Alchemical Workpraxis
The transformation of base substance — outer matter or the inner soul — into a purified, perfected, or 'gold' state; the magnum opus as both laboratory practice and spiritual allegory.
The passage explicitly details Saturn's properties, transformation of metals into Sol and Luna, and the creation of a 'stone of cold' as central alchemical processes.
All passages →◆Anthropomorphismtheology
Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.
The planets are personified with distinct natures, desires, and physical bodies.
All passages →