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The Heroic Enthusiasts, Part II (Gli Eroici Furori) · 29 of 49 · tr. L. Williams

Third Dialoguea

. Interlocutors : Liberio. Laodonio. Lib. Reclining in the shade of a cypress-tree, the enthusiast finding his mind free from other thoughts, it happened that the heart and the eyes spoke together as if they were animals and substances of different intellects and senses, and they made lament of that which was the beginning of his torment and which consumed his soul. Lao. Repeat, if you can recollect, the reasons and the words. Lib. The heart began the dialogue, which, making itself heard by the breast, broke into these words: 55. First proposition of the heart to the eyes . How, eyes of mine, can that so much torment, Which as an ardent fire from ye derives, And which this mortal subject so afflicts With unrelenting burning never spared? Can ocean floods suffice to mitigate The ardour of those flames? or slowest star Within the frozen circle of the north Offer umbrageous shade? Ye took me captive, and the self-same hand Doth hold me and reject me and through you I in the body am: out of it with the sun. I am the source of life, yet am I not alive. I know not what I am, for I belong Unto this soul; but this soul is not mine. Lao. Truly the hearing, the seeing, the knowing, is that which kindles desire, and therefore it is through the operation of the eyes that the heart becomes inflamed: and the more worthy the object which is present with them the stronger is the fire, and the more active are the flames. What then, must that kind be, for which the heart burns in such a way that the coldest star in the Arctic circle cannot cool it, nor can the whole body of water of the ocean stop its burning! What must be the excellence of that object that has made him an enemy to himself, a rebel to his own soul and content with such hostility and rebellion, although he be captive to one who despises and will have none of him! But let me hear whether the eyes made a response, and what they said. Lib. They, on the other hand, complained of the heart as being the origin and cause why they shed so many tears, and this was the sum of their proposition. 56. First proposition of the eyes to the heart . How, oh my heart, do waters gush from thee Like to the springs that bathe the Nereids' brows Which daily in the sun are born and die? Like to the double fountain of Amphitrite, Which pours so great a flood across the earth, That one might say, the sum of it exceeds That of the stream which Egypt inundates, Running its sevenfold course unto the sea. Nature hath given two lights To this small earth for governance; But thou, perverter of eternal law, Hast turned them into everlasting streams. But Heaven is not content to see her law Decline before unbridled violence. Lao. It is certain that the heart, grieved and stung, causes tears to spring to the eyes, and while these light the flames in this, that other dims those with moisture. But I am surprised at such exaggeration which says that the Nereids raising their wet faces to the eastern sun, is less than these waters (of the eyes).
Themes
Divine Sparkscosmology

Fragments of divine light or spirit trapped inside material bodies, awaiting liberation and return to their source.

The claim that 'this soul is not mine' suggests a distinction between the true self and the embodied psyche trapped in matter.

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Self Knowledgesoteriology

The recognition of one's own true divine nature as the primary path to liberation; 'know thyself' as soteriology.

The heart's confession of not knowing what it is underscores the initial lack of self-knowledge required for liberation.

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Active Contemplationpraxis

A form of meditation that uses imagery, imagination, or symbolic thought rather than purely empty stillness.

[auto] The internal dialogue between the heart and eyes serves as an imaginative exercise to explore the nature of desire and the soul.

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Body As Obstacleanthropology

The material body viewed as a prison, tomb, or source of error that hinders spiritual knowledge and return.

[auto] The heart laments being held captive by the mortal subject, portraying the body as a source of affliction and confinement.

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Heroic Furorpraxis

Bruno's eroici furori — a passionate, ennobling spiritual ardor that drives the soul toward divine wisdom; distinguished from base or animal passions by its orientation to infinite truth.

[auto] The passage is from Bruno's 'Heroic Enthusiasts' and explicitly depicts the enthusiast experiencing spiritual ardour and torment central to this concept.

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Paradox As Teachingethics

Using apparent contradiction, reversal, or riddle to destabilise ordinary understanding and induce insight.

[auto] Statements like 'I am the source of life, yet am I not alive' use contradiction to express spiritual confusion and alienation.

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Tripartite Soulanthropology

Division of the human being into three principles: spirit (pneuma), soul (psyche), and body/matter (hyle or soma).

[auto] The text differentiates between the heart, eyes, soul, and body as distinct agents with conflicting functions within the human being.

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Related passages · 6 parallels
christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 1 (part 8)
1 "When my spirit, full of sorrow, earnestly, and as if moving in a great storm, arose in God, carrying with it my whole heart and mind, with all my thoughts and with the whole of my will, and when I would not cease to wrestle with the love…”
Both passages explore the inner conflict and spiritual longing within the individual, with the heart and eyes (or spirit) engaging in a dialogue that reflects the struggle for divine understanding and union. They share a mystical theme of seeking divine truth and the transformation of the self through spiritual experience.
egyptian|The Egyptian Book of the Dead (Papyrus of Ani)|Chapter 23 (part 3)
15) the deceased holds a heart to his left side and addresses a human-headed hawk emblematic of the soul.] coloured beads, the clasp of which is in the shape of a pylon or gateway, and to which is attached a pectoral bearing a representatio…”
Both passages explore the relationship between the heart and the soul, and the importance of the heart in the afterlife or spiritual journey. They share a common theme of the heart's role in one's existence and its connection to divine judgment or spiritual enlightenment.
egyptian|The Egyptian Book of the Dead (Papyrus of Ani)|Chapter 24 (part 2)
May naught rise up (3) against me in judgment in the presence of the lord of the trial; let it not be said concerning me and of that which I have done. 'He hath done deeds against that which is right and true'; may naught be against me in…”
Both passages explore the dialogue between the heart and the eyes, symbolizing inner conflict and the struggle for spiritual understanding. They share a mystical theme of the heart's longing and the eyes' role in perceiving the divine, though they come from different cultural and religious contexts.
greek_mystery|Orphic Hymns|Hymn LXXVI. MNEMOSYNE, or the GODDESS of MEMORY
LXXVI. To MNEMOSYNE, or the GODDESS of MEMORY * . The FUMIGATION from FRANKINCENSE. THE consort I invoke of Jove divine, Source of the holy, sweetly-speaking Nine; p. 215 Free from th' oblivion of the fallen mind, By whom the soul with inte…”
Both passages explore the interplay between the heart (or soul) and the senses (eyes), highlighting the tension and mutual influence between them. They both delve into the mystical experience of inner conflict and the struggle for spiritual understanding, though within different cultural and philosophical contexts.
greek_mystery|Orphic Hymns|Hymn LXXXVI. DEATH (part 1)
LXXXVI. TO DEATH. The FUMIGATION from MANNA. HEAR me, O Death, whose empire unconfin'd, Extends to mortal tribes of ev'ry kind. On thee, the portion of our time depends, Whose absence lengthens life, whose presence ends. p. 225 Thy sl…”
Both passages explore the interplay between the physical and metaphysical aspects of human existence, with a focus on the conflict and interplay between different parts of the self (heart and eyes in Passage A, soul and body in Passage B). They both delve into the mystical and philosophical dimensions of human suffering and desire.
western_esoteric|Tertium Organum (P.D. Ouspensky)|Chapter XV (part 6)
I shall quote in this connection a poem in prose by Edward Carpenter, from the book Towards Democracy . THE OCEAN OF SEX To hold in continence the great sea, the great ocean of Sex, within one, With flux and reflux pressing on the bounds o…”
Both passages explore the intense and mystical relationship between the heart, eyes, and the concept of love or desire. They both use vivid imagery and metaphors, such as the ocean, to describe the overwhelming nature of these emotions, though they come from different mystical traditions.
Third Dialoguea — The Heroic Enthusiasts, Part II (Gli Eroici Furori) — Guru