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Plato: Republic · 2 of 18 · tr. Benjamin Jowett

Section 1b

And first he will see the shadows best, next the reflections of men and other objects in the water, and then the objects themselves; then he will gaze upon the light of the moon and the stars and the spangled heaven; and he will see the sky and the stars by night better than the sun or the light of the sun by day? Certainly. Last of he will be able to see the sun, and not mere reflections of him in the water, but he will see him in his own proper place, and not in another; and he will contemplate him as he is. Certainly. He will then proceed to argue that this is he who gives the season and the years, and is the guardian of all that is in the visible world, and in a certain way the cause of all things which he and his fellows have been accustomed to behold? Clearly, he said, he would first see the sun and then reason about him. And when he remembered his old habitation, and the wisdom of the den and his fellow-prisoners, do you not suppose that he would felicitate himself on the change, and pity them? Certainly, he would. And if they were in the habit of conferring honours among themselves on those who were quickest to observe the passing shadows and to remark which of them went before, and which followed after, and which were together; and who were therefore best able to draw conclusions as to the future, do you think that he would care for such honours and glories, or envy the possessors of them? Would he not say with Homer, Better to be the poor servant of a poor master, and to endure anything, rather than think as they do and live after their manner? Yes, he said, I think that he would rather suffer anything than entertain these false notions and live in this miserable manner. Imagine once more, I said, such an one coming suddenly out of the sun to be replaced in his old situation; would he not be certain to have his eyes full of darkness? To be sure, he said. And if there were a contest, and he had to compete in measuring the shadows with the prisoners who had never moved out of the den, while his sight was still weak, and before his eyes had become steady (and the time which would be needed to acquire this new habit of sight might be very considerable) would he not be ridiculous? Men would say of him that up he went and down he came without his eyes; and that it was better not even to think of ascending; and if any one tried to loose another and lead him up to the light, let them only catch the offender, and they would put him to death. No question, he said. This entire allegory, I said, you may now append, dear Glaucon, to the previous argument; the prison-house is the world of sight, the light of the fire is the sun, and you will not misapprehend me if you interpret the journey upwards to be the ascent of the soul into the intellectual world according to my poor belief, which, at your desire, I have expressed whether rightly or wrongly God knows. But, whether true or false, my opinion is that in the world of knowledge the idea of good appears last of all, and is seen only with an effort; and, when seen, is also inferred to be the universal author of all things beautiful and right, parent of light and of the lord of light in this visible world, and the immediate source of reason and truth in the intellectual; and that this is the power upon which he who would act rationally, either in public or private life must have his eye fixed. I agree, he said, as far as I am able to understand you.
Themes
Body As Obstacleanthropology

The material body viewed as a prison, tomb, or source of error that hinders spiritual knowledge and return.

The prison and shadows symbolize the material world that hinders true knowledge.

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Cosmic Dualismtheology

Ontological opposition between two primal principles (light/darkness, truth/lie, spirit/matter) as the fundamental structure of reality.

The allegory contrasts the light of the sun with the shadows in the fire and the visible world with the intellectual realm.

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Divine Hiddennesstheology

The supreme God's radical concealment beyond ordinary knowledge or perception; the Hidden Father.

The sun is described as being hidden from those who remain in the prison of the material world.

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Evil As Privationtheology

Augustinian and Plotinian doctrine that evil has no positive being of its own but is a lack, distortion, or absence of the good — denying ontological dualism while preserving moral seriousness.

The shadows and reflections represent a lack of true reality and knowledge compared to the sun.

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Gnosis Direct Knowledgesoteriology

Salvation through direct experiential knowledge of the divine nature, not through faith, ritual, or moral works alone.

The passage explicitly describes the ascent to see the sun in its proper place as the path to true wisdom and knowledge.

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Inner Lightanthropology

The divine spark or luminous quality residing within the human person, potentially recognisable through introspection.

The soul's ability to see the sun implies an internal capacity for divine illumination.

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Kingdom Withinanthropology

The claim that the divine realm is present inside the individual, accessible without external mediation.

The ascent of the soul into the intellectual world suggests the divine realm is accessible internally through knowledge.

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Ladder Of Lovesoteriology

Diotima's staged ascent from love of beautiful bodies → beautiful souls → beautiful pursuits → beautiful knowledge → Beauty itself; the canonical scala amoris that grounds Plotinus's On the Beautiful and Bruno's Eroici Furori — distinct from generic spiritual_ascent in that eros is the specific motive force.

The ascent from shadows to the sun mirrors the staged progression of knowledge and truth described in Diotima's scala amoris.

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Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

The sun is personified as a guardian who gives seasons and years.

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Paradox As Teachingethics

Using apparent contradiction, reversal, or riddle to destabilise ordinary understanding and induce insight.

The text uses the paradoxical image of ascending into darkness to illustrate the difficulty of leaving ignorance.

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Return To Sourcesoteriology

The soul's journey back to its divine origin, reversing the fall into matter through stages of purification or illumination.

The allegory depicts the soul's journey back to its divine origin through stages of purification and illumination.

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Spiritual Ascentpraxis

A staged journey of the soul upward through heavenly realms or levels of being toward the divine source.

The passage centrally describes the ascent of the soul from the shadows of ignorance to the light of truth.

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Related passages · 4 parallels
christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 1 (part 7)
It is well known that the light of the sun does .not shine upon the earth because we desire it to shine, neither can we attract the sunlight to us. All we do is to step out of the darkness, or climb to the top of. the mountain which rises…”
Both passages describe a journey from darkness to light, symbolizing the ascent of the soul or mind to higher understanding or divine wisdom. They emphasize the transformation and the difficulty of returning to the previous state of ignorance.
christian_mysticism|The Life and Doctrines of Jacob Boehme|Chapter 8 (part 9)
Little would it benefit the blind to know of the light merely from hearsay. Little would it profit the "Christian" if he knew of a historical Christ, and could not perceive the glory and majesty of the Atma Buddhi within his own soul. Boe…”
Both passages discuss the journey from ignorance to enlightenment, with the ascent to understanding a central theme. Plato's Allegory of the Cave and the mystical tradition in Passage B both emphasize the inner light or divine power as the source of true knowledge and the transformation of the individual's perception and understanding.
finnic|The Kalevala|Rune Ic
Wainamoinen, old and trusty, Lingering within his dungeon Thirty summers altogether, And of winters, also thirty, Peaceful on the waste of waters, On the broad-sea's yielding bosom, Well reflected, long considered, How unborn to live and fl…”
Both passages describe a journey from darkness to light, symbolizing the ascent from ignorance to knowledge or enlightenment. The protagonists in both texts undergo a transformative experience that allows them to perceive the world more clearly, reflecting a common mystical theme of spiritual awakening.
western_esoteric|Tertium Organum (P.D. Ouspensky)|Chapter XIV (part 6)
And at last he will be able to see the sun, and not mere reflections of him in the water, but he will see him as he is in his own proper place, and not in another, and he will contemplate his nature. Certainly. And after this he will reas…”
Both passages describe Plato's Allegory of the Cave, illustrating the journey from ignorance to enlightenment. They share the same conceptual framework and insights, though the second passage is more explicit about the idea of the Good as the ultimate reality.