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Plato: Phaedrus · 19 of 38 · tr. Benjamin Jowett

Section 1s

You may believe this, but not unless you like. At any rate the loves of lovers and their causes are such as I have described. Now the lover who is taken to be the attendant of Zeus is better able to bear the winged god, and can endure a heavier burden; but the attendants and companions of Ares, when under the influence of love, if they fancy that they have been at all wronged, are ready to kill and put an end to themselves and their beloved. And he who follows in the train of any other god, while he is unspoiled and the impression lasts, honours and imitates him, as far as he is able; and after the manner of his god he behaves in his intercourse with his beloved and with the rest of the world during the first period of his earthly existence. Every one chooses his love from the ranks of beauty according to his character, and this he makes his god, and fashions and adorns as a sort of image which he is to fall down and worship. The followers of Zeus desire that their beloved should have a soul like him; and therefore they seek out some one of a philosophical and imperial nature, and when they have found him and loved him, they do all they can to confirm such a nature in him, and if they have no experience of such a disposition hitherto, they learn of any one who can teach them, and themselves follow in the same way. And they have the less difficulty in finding the nature of their own god in themselves, because they have been compelled to gaze intensely on him; their recollection clings to him, and they become possessed of him, and receive from him their character and disposition, so far as man can participate in God. The qualities of their god they attribute to the beloved, wherefore they love him all the more, and if, like the Bacchic Nymphs, they draw inspiration from Zeus, they pour out their own fountain upon him, wanting to make him as like as possible to their own god. But those who are the followers of Here seek a royal love, and when they have found him they do just the same with him; and in like manner the followers of Apollo, and of every other god walking in the ways of their god, seek a love who is to be made like him whom they serve, and when they have found him, they themselves imitate their god, and persuade their love to do the same, and educate him into the manner and nature of the god as far as they each can; for no feelings of envy or jealousy are entertained by them towards their beloved, but they do their utmost to create in him the greatest likeness of themselves and of the god whom they honour. Thus fair and blissful to the beloved is the desire of the inspired lover, and the initiation of which I speak into the mysteries of true love, if he be captured by the lover and their purpose is effected. Now the beloved is taken captive in the following manner:- As I said at the beginning of this tale, I divided each soul into three-two horses and a charioteer; and one of the horses was good and the other bad: the division may remain, but I have not yet explained in what the goodness or badness of either consists, and to that I will proceed. The right-hand horse is upright and cleanly made; he has a lofty neck and an aquiline nose; his colour is white, and his eyes dark; he is a lover of honour and modesty and temperance, and the follower of true glory; he needs no touch of the whip, but is guided by word and admonition only.
Themes
Anthropomorphismtheology

Attributing human characteristics, emotions, or form to the divine; embodied divine imagery.

The gods are described with human characteristics such as being 'taken to be the attendant of Zeus' and having a 'lofty neck and an aquiline nose'.

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Cosmic Dualismtheology

Ontological opposition between two primal principles (light/darkness, truth/lie, spirit/matter) as the fundamental structure of reality.

The passage explicitly divides the soul into two opposing horses: one good and upright, and one bad.

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Gnosis Direct Knowledgesoteriology

Salvation through direct experiential knowledge of the divine nature, not through faith, ritual, or moral works alone.

The text describes an 'initiation into the mysteries of true love' that transforms the lover's perception and character.

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Hidden Sayingssoteriology

Esoteric teachings reserved for those ready to receive them; outer meaning conceals an inner liberating truth.

The passage refers to 'mysteries of true love' that are revealed through initiation.

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Inner Lightanthropology

The divine spark or luminous quality residing within the human person, potentially recognisable through introspection.

The text describes the soul being 'possessed of him' and receiving from him their character and disposition.

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Ladder Of Lovesoteriology

Diotima's staged ascent from love of beautiful bodies → beautiful souls → beautiful pursuits → beautiful knowledge → Beauty itself; the canonical scala amoris that grounds Plotinus's On the Beautiful and Bruno's Eroici Furori — distinct from generic spiritual_ascent in that eros is the specific motive force.

The passage explicitly outlines a staged ascent from love of beautiful bodies to the god Zeus through philosophical nature.

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Living Godtheology

The divine conceived as active, present, and dynamic—not an abstract principle but a personal responsive reality.

Zeus and other gods are depicted as active beings who can be followed and imitated in earthly existence.

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Mystical Unionsoteriology

The merging of the individual soul or self with the divine, transcending personal identity.

The text describes the lover becoming 'possessed of him' and receiving from him their character and disposition.

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Numerical Mysticismtheology

Numbers, proportions, and mathematical relationships as the underlying structure of divine reality.

The soul is divided into specific numbers: two horses and a charioteer.

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Pneumatic Electsoteriology

A spiritual elite who possess the divine spark and are predestined for salvation, contrasted with psychic (faithful) and hylic (material) persons.

Followers of Zeus are described as seeking a 'philosophical and imperial nature' to participate in God.

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Return To Sourcesoteriology

The soul's journey back to its divine origin, reversing the fall into matter through stages of purification or illumination.

The lover seeks to make their beloved 'as like as possible to their own god', implying a return to divine likeness.

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Self Knowledgesoteriology

The recognition of one's own true divine nature as the primary path to liberation; 'know thyself' as soteriology.

The text states that the lover 'does all they can to confirm such a nature in him' and attributes godly qualities to their beloved.

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Spiritual Ascentpraxis

A staged journey of the soul upward through heavenly realms or levels of being toward the divine source.

The text describes the lover's journey from earthly existence upward toward the divine god through love.

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Tripartite Soulanthropology

Division of the human being into three principles: spirit (pneuma), soul (psyche), and body/matter (hyle or soma).

The passage explicitly divides each soul into 'three-two horses and a charioteer' as a central structural theme.

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Related passages · 4 parallels
renaissance_hermeticism|The Heroic Enthusiasts, Part I (Gli Eroici Furori)|Second Dialoguee
Herein he proves that his love is truly heroic; because he proposes to himself as the chief aim, not corporeal beauty, but rather the grace of the spirit, and the inclination of the affections in which, rather than in the beauty of the body…”
Both passages discuss the nature of love and its different forms, emphasizing the spiritual and divine aspects over the corporeal. They both categorize love into different types based on the object of affection and the motivations behind it.
renaissance_hermeticism|The Heroic Enthusiasts, Part I (Gli Eroici Furori)|Fifth Dialoguel
Here are shown the pains and troubles which beset love, principally love of a low kind, which is no other than the forge of Vulcan, that smith who makes the bolts of Jove which torment offending souls. For ill-ordered love has in itself th…”
Both passages explore the nature of love and its effects on the soul, discussing the presence of divine elements within individuals and the transformative power of love. They share a mystical perspective on love's ability to elevate or degrade the soul, though they come from different traditions.
renaissance_hermeticism|The Heroic Enthusiasts, Part I (Gli Eroici Furori)|Fifth Dialoguem
In conclusion, whatever love it may be, it is ever afflicted and tormented in such a way that it cannot fail to supply material for the forge of Vulcan; because the soul, being a divine thing, and by nature, not a servant but the mistress o…”
Both passages explore the nature of love and its divine influences, discussing how different divine attributes manifest in lovers and their beloveds. They share a conceptual parallel in the idea that love is inspired by divine qualities and that the lover seeks to emulate and instill these qualities in the beloved.
sufism|The Masnavi, Book I (Rumi)|STORY Ia
The Prince and the Handmaid. A prince, while engaged on a hunting excursion, espied a fair maiden, and by promises of gold induced her to accompany him. After a time she fell sick, and the prince had her tended by divers physicians. As,…”
Both passages explore the nature of love and its transformative power, describing how love can lead individuals to emulate divine qualities and how it is a profound, almost mystical force that transcends ordinary human experiences.